Loop Electronic was launched in 2024 as a new sub-label of Loop Recordings Aot(ear)oa, dedicated to releasing forward thinking singles, EPs and albums from New Zealand producers and musicians. 
https://ffm.bio/loopelectronic

001 : Zuke - Voyager [single]
002 : Zuke - Hyperion [single]
003 : Sanoi - Ratatat [single]
004 : Zuke - How We Met [single]
005 : Harry Charles - Visions Of Red [single]
006 : Zuke - Come Closer [Album]
007 : Sanoi & Jake Rattler - Kiss Kiss Bang Bang [single]
008 : Sanoi & Boznich - Chill Bill [single]
009 : Harry Charles - B. [single]
010 : Sanoi - Loose Change [EP] 
011 : Harry Charles - Smoke & Dust [single]
012 : Israel Starr, Sianne x Riddim Cartel - Blessing [single]
013 : Zuke, Ed Zuccollo - Hyperion (Rhian Sheehan Remix) [single]
014 : Rhian Sheehan & Arli Liberman - Immaru [single]
015 : Harry Charles - Movement [album]
016 : Rhian Sheehan & Arli Liberman - Sentio [single]
017 : Sianne x Riddim Cartel - Blessing (Tali & Chiccoreli Remix) [single]
018 : Rhian Sheehan & Arli Liberman - Myths [single]
019 : Sanoi - Reverse [single]
020 : Rhian Sheehan & Arli Liberman - Sahar [single]

Coming Soon
Sunset Tsunami - Single (Aug 2025)
Sanoi - Single (Sep 2025)
Rhian Sheehan & Arli Liberman - Album (September 2025)
Zuke - Voyager remix (Sep 2025)
Sunset Tsunami - album (TBC)

Downloads

Loop Electronic

SNR selection 11-Jul-2025

AMBIENT DREAMS

Gibran Alcocer - Idea 22

Decisions

Almost a year later...awaken from the deep sleep, The Divine Flower saw his Guardian, happily sitting near the tree with an unknown girl, that have no rights to be here, in this sacred place...

What is more, The Guardian must not have primitive feelings for an ordinary human being, such as this girl

So the Flower...killed this girl right in front of his own Guardian. That had to be his punishment for weakness and stupidity.

The Guardian was furious seeing such a horror. The pain he felt was immesurable. 

He wanted to take revenge on his God. But the Flower was much stronger. No matter how fast he moves, no matter how hard he hits the Flowers, he is still powerless to defeat it with his sword...

In the end, he lost.
Fallen by his feelings. Destroyed by his sadness and loss. Beated by his own God.
And after that...the Divine Flower brought him to Hell, for eternal imprisonment

The Last Bloom

Awakening

Soul In Motion

Moonrise Harmony

New Zealand-based musician Harry Charlesa releases Titans (2nd Movement), a cinematic slice of downtempo taken from his new sophomore album Movement. The album captures the multifaceted nature of Harry Charles' artistic journey. Drawing on years of experience as a guitarist, songwriter and producer, the album weaves together diverse influences and showcases the evolution of his sound since returning to New Zealand from Berlin. 

Buy Link: https://ffm.to/harrycharles-movement

✨Harry Charles
SC: https://soundcloud.com/harrycharles
IG: https://www.instagram.com/harrycharles___/

✨KataHaifisch
SC: @katahaifisch
IG: www.instagram.com/katahaifisch_ofc

Harry Charles - Titans [2nd Movement]

✨buy & support

Premiere: Harry Charles - Titans [2nd Movement]

https://ffm.to/blessing-remix

Acclaimed drum & bass duo @Talimusic & Chiccoreli (@liquidlowdown) deliver a fresh remix of ‘Blessing’. The new version maintains the festival-ready vocals from Sianne, while taking the drum & bass sound down the liquid route.

Lush strings and warm piano chords set the mood from the outset, with Sianne’s vocals front and center. As the track builds, it drops into a heavy-hitting blend of punchy drums and gritty bass - retaining its dancefloor energy while adding emotional depth.

As two of Aotearoa’s leading drum & bass artists, MC Tali & DJ Chiccoreli bring years of experience to this release. Their chemistry as both performers and producers has seen them grace stages at major festivals around the globe. While both have a strong catalogue of solo releases, ‘Blessing’ marks their first studio collaboration, with more music on the horizon that continues to explore their rich, signature sound.

Blessing (Tali & Chiccoreli Remix)

Blessing (Tali & Chiccoreli Remix) [Extended Mix]

Sensibility

126 - Broken Harmony

https://ffm.to/myths
'Myths' is the opening track from Rhian Sheehan & Arli Liberman's upcoming album, Traces. The track serves as the perfect introduction to the project, with delicately layered electronic, ambient and post-rock soundscapes combining.

"“Plunging into the heart of the sun - an immersive descent into its searing intensity and boundless energy” - Rhian Sheehan

MYTHS [single] - out now on Loop Electronic / Loop Recordings 
https://ffm.to/myths
TRACES [album] - released 12 September 2025
https://ffm.to/traces-album


Traces

Myths

Night Train to Lisboa pt.IV

wherever today

https://ffm.to/sanoi-reverse

“It begins like a memory folding in on itself, time unwinding in quiet rebellion. There is no beat to chase, it drifts weightless and spectral. When rhythm does appear, it does so gently — not to command motion, but to anchor the atmosphere, like distant footsteps in a fog.”

Sanoi returns with his latest body of work, Augenblick — a 19-track exploration in ambient and lo-fi beats. ‘Reverse’ is the first taste, featuring a haunting vocal sample while showing a more experimental side to Sanoi’s electronic sound.

Reverse

https://ffm.to/-sahar
Rhian Sheehan & Arli Liberman 'Sahar' is the fourth single from Rhian Sheehan & Arli Liberman's album Traces. Showcasing a more ambient side of the project, with the track building tension throughout, evoking a sonic world which feels both futuristic and ancient.

Drawing inspiration from Blade Runner and Peter Gabriel’s Passion score, ‘Sahar’ highlights Arli’s Eastern-influenced guitar work, featuring fretless guitar played with an eBow and processed through modular reverbs and delays. 

Traces immerses listeners in a dreamscape that feels both futuristic and nostalgic, distant and familiar - like a forgotten past or an undiscovered future - offering an immersive, yet intimate cinematic experience that unfolds like the soundtrack to an unmade film, all while staying true to their distinct styles and crafting a vivid and emotive journey.

SAHAR [single] - out now on Loop Electronic / Loop Recordings 
https://ffm.to/-sahar
TRACES [album] - released 12 September 2025
https://ffm.to/traces-album

Sahar

Had a great time working on this cover of Ramin Djawadi's composition called "Light Of The Seven". 
Thank you so much for your supports, i hope you like it.
Don't forget to share :)

"Light Of The Seven" is now available for free!
https://bit.ly/2IzAn7h 

▼ Follow Abandoned ♬
● Soundcloud: @Abandoned_Official
● Facebook: facebook.com/AbandonedOfficial
● Twitter: twitter.com/IamAbandoned_
● Instagram: instagram.com/abandoned_music

▼ Follow SHERVEEN ♬
● Soundcloud: @Sherveenofficial
● Facebook: facebook.com/sherveenofficial
● Twitter: twitter.com/sherveenoff
● Instagram: instagram.com/sherveenofficial

Stream / Download

Abandoned & SHERVEEN - Light Of The Seven

The Theory of Everything (Original Motion Picture Soundtrack)

The Theory of Everything - Johann Johannsson

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.