For the first show of the new year, The EDWIN Music channel welcomes Tokyo-based producer, DJ, and "Organic Music" Record Store owner Chee Shimizu (@organicchee).

For the full interview and tracklisting, please visit https://edwin-europe.com

№ 114 - Chee Shimizu

On this show we present a sonic journey from the London based, Dorset raised duo In-Form. They run a YouTube channel and are part of Thirdspace, running quarterly parties in London. This mix is the second in a series called Desired Path and covers a lot of ground, but is circles iterations of introspective new wave and avant pop. Check out their excellent mixes and YT channel if you get a chance.

Séance Centre Radio Episode 62 - Desired Path w/ In-Form

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

The unofficial mayor of Naarm aka Dawn Again brings us a gift from above, a three hour stopover filled to the brim with the deepest of chill core cuts and mind-bending principles. The literal embodiment of the soundtrack to spring. This is made for the sun. Slip, slop, slurrrrrp. Xo 

his sounds >>>> https://soundcloud.com/dawn-again

FHUO # 89 // Dawn Again

more than a mountain I used to know @tasya-kudryk

Shared Dreams [Mix, 2014]

A long awaited two hour triiip to the deep with the primo heads from Daisy records. 

ID Requests ~ @daisyrecordsmelbourne

Also peep their immaculately curated online store - > https://www.daisyrecords.com.au

1800 triiip - Daisy Records - Mix 69

Franz Bobel (Zapa / Hidden Sounds) paid us a visit at the cashmere-headquarter for Past Forward Episode #96. Meandering through cozy and dreamy landscapes to perfectly fit your autumn mood. Hosted by @Menqui

Artwork by @kryptic_dj

The Past Forward radio show is hosted and aired on Cashmere Radio. Find more info and other episodes on the Cashmere Radio website - cashmereradio.com/shows/past-forward/

Past Forward #96 with Franz Bobel

Nathan Dawidowicz's path has been one of contrast and exploration. Born to a Polish-Lithuanian mother and Cameroonian father, they moved from Milan to Jerusalem at the age of six, growing up in an ultra-Orthodox Jewish community. While pursuing an academic path in design, music remained a constant companion, deeply rooted in childhood experiences playing the piano within religious ceremonies.

Though design became their formal study, it was music that provided a way to navigate life. Inspired by their father’s time as a DJ in Milan throughout the '80s and '90s, Nathan’s relationship with sound evolved, eventually leading them to Berlin, where they continued to explore expression through music.
In Berlin, they joined forces with Luspoderosa, a label based between Zurich and Berlin, known for its unconventional approach. This collaboration became the foundation for Nathan’s debut solo album, Sanctuary of Ideas—a deeply personal, cosmic exploration of memory, heritage, and the emotional landscapes of sound.

This mix is the recording of Nathan's set at Horrorscope's night at Sameheads on 10.01.25

@nathan-dawidowicz

LIO Press mix #29 ~ by Nathan Dawidowicz · 'Live at Horrorscope'

Exploring the space between analog textures and digital echoes, Internet Offline and Junus from Hamburg deliver a genre-fluid selection full of rhythmic experiments and hazy atmospheres.

Artwork by @kryptic_dj

The Past Forward radio show is hosted and aired on Cashmere Radio. Find more info and other episodes on the Cashmere Radio website - cashmereradio.com/shows/past-forward/

Past Forward #102 with Internet Offline & Junus

Lula Mirage-Electric lover [MUTANT REBELS]

Dreaming Is A Private Thing by Alicia Carrera | NOODS Radio 19.12.2019

It's with great pleasure to welcome long time dear friend Jonny Nash (@jonnynash) who in 2019 released 'Make A Wilderness' with us (MFM037). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Jonny, welcome to the series. So, it's already been over a year ago since Make A Wilderness came out. How do you look back on that now? 

JN: In many ways Make A Wilderness marked the start of a new chapter for me, the first steps into new territory - a wilderness you could say! That record was really about exploring a simple question - what kind of sounds resonate with me, and why. I think the record was primarily an exercise in sound, and not necessarily in arrangements or songwriting. I felt it was necessary to open the doors to new sounds in this record, and I feel like I got pretty close to creating the album that I wanted to make. 

MFM: You went to different places to record specific instruments and in certain environments. Why? 

JN: It took me a long time to make the record, not in terms of actually writing the music, but determining what the instrumentation should be. I wanted a finely balanced mix of alien, unfamiliar sounds and organic human sounds, to somehow express a feeling of “ancient future”, the sense of floating in some timeless space that could be millions of years in the past or in the future. I found that the Cristal Baschet, was perfect for expressing this feeling of “deep time”. Capable of beautiful harmonics and also wonderful atonal textures, it was a central part of the album. I contrasted these sounds with familiar instruments such as piano, vibraphone and voice. It was very important to have some sparse elements of voice in the record to somehow keep it grounded on earth. 

MFM: Have you always been that interested in sound and sound sculpturing?

JN: Well, I’m a naturally curious person and I think my brain and also my ears are always developing and learning new things. I think that I am able to hear sound in a different way than I did a few years ago. A big switch from focussing on melody as the dominant element that catches my attention. Of course, melody is still a central element for me but I now spend alot of time thinking about timbre, the colour of the sound and how the distinctive character of a sound sits in context with other sounds in a given composition. New ways of hearing influenced the record and took me to a place where “sound sculpting” was of equal importance as deciding what chords and melodies to choose. 

MFM: You mentioned earlier that the past couple of months your label Melody As Truth got a lot support through digital sales. Does that have effect on your label vision and strategy?

JN: The switch towards digital and especially streaming does undoubtedly have an effect on how I think as a label owner. It is pretty clear that this is an important area of growth and although there are lots of issues with certain platforms and revenue models, I find it important to keep on top of what is going on and try to adapt. In the future I can see the label experimenting more with digital only releases, I think there are interesting areas to explore here. Quiet dynamic music cut on vinyl in 2020 often sounds worse than a WAV file to my ears. I also buy hardly any vinyl myself these days, it is expensive, taxing on the environment and often a form of object fetishism. The other side is that a physical object looks amazing, can sound great, gives full importance to the artwork and design, can be treasured and won’t be lost. So a physical object is almost like an insurance policy for not losing the music too. I guess I’m sitting somewhere in the middle.

MFM: Thanks for contributing your mix. Can you tell us a bit about it?
 
JN: The mix is pretty much a selection of music I have been enjoying or discovered this year. A few older favourites too. I had no idea except to make something that I would enjoy listening to whilst having a walk or reading in the morning.

MFM Mix 020: Jonny Nash

Séance Centre is a label, publisher, and distributor conjuring timeless music from the past, present and future.

For NA distribution contact: info@seance-centre.com
For EU distribution contact: info@rushhour.nl