Further information: bleep.com/features/bleep-mix-183-coldcut

Legendary duo Matt Black and Jonathan More aka Coldcut deliver a boundless career spanning Bleep mix. Since the late 1980s, their sound has morphed from cut-and-paste approaches into some of the foundations of every alternative and electronic hip-hop LP made well into the millennium. The duo’s exclusive Bleep mix is testimony to how deep their impact has been over the years, as each selection indelibly refracts from their own innovations. Actress and Floating Points are in there, as well as some ace remixes of Marie Davidson and Cinematic Orchestra, and of course, a smattering of Coldcut’s own collaborations with Bug Brand Modular and Synth Farm.

Bleep Mix #183 - Coldcut

Neal Howard - Indulge
Xon - Dissonance
Rhythmatic - Take Me Back
Cyclone - A Place Called Bliss
Energize - Report To The Dancefloor (Electro Mix)
Rhythmatic - Frequency (Depth Mix)
Model 500 - Info World
Nexus 21 - Self Hypnosis
Rhythim is Rhythim - Drama
Heychild - Heychild's Theme
Suburban Knight - The Art of Stalking
Symbols And Instruments - Mood (Optimistic Mix)
Fade II Black - The Calling
The Forgemasters - Track With No Name (Unique 3 Remix)
Nexus 21 - Together
Neal Howard - Indulge
MK - Somebody New
C&amp;M Connection - Bio Rhythms
Critical Rhythm - Fall Into a Trance
Psyche - From Beyond
Constant Ritual - Hard Way To Come
Blake Baxter - When We Used To Play
R-Tyme - R-Theme
Altern8 - Move My Body
Altern8 - Infiltrate 202 (Vs Astrix &amp; Space Mix)
True Faith featuring Bridget Grace - Take Me Away (Pin-Up Girls Remix)
Rhythm On The Loose - Break Of Dawn (Original Mix)
Liberty City - Some Lovin'
Altern8 - Re-indulge
MC Lethal - Rave Digger (2 Bad Mice Remix)

Network Records Megamix

Autechre - Breezeblock 31-03-03

Sounds for the arrival of Spring with Sybil.

Sybil @ Kiosk Radio 24.03.2025

Full tracklist & Video Mix: bleep.com/bleep-mix-309-dj-food

To celebrate the release of the Telepathic Fish compilation, we have a special ‘O Is For Orange 2025’ Bleep Mix from DJ Food.

"A version of this mix first appeared in 2013 at a night to celebrate the release of Boards of Canada’s ‘Tomorrow’s Harvest’ LP release. It then morphed into an Audio Video DJ set that I toured around the UK in 2019, playing the Bluedot festival to a packed tent that year. The idea was to thread Boards of Canada’s music with original sample sources, tracks they’d remixed, fan remixes or songs that fitted their sonic blueprint.

I recently resurrected and refined the mix for a gig booking, updating it into a new version. This happened to be a week before I was due to deliver my guest mix to Bleep and it seemed to be too good an opportunity to pass up. I abandoned the mix I was going to deliver and put down the first hour of the ‘Orange’ set including a video mix to go with it. I used stem splitting apps to deconstruct some of the tracks into unique versions before video mixing it all on turntables using Serato then editing the footage in Premiere." - @strictly

Bleep Mix #308 - DJ Food

Full tracklist: https://bleep.com/bleep-mix-309-wevie-stonder

Earlier in 2025, Wevie Stonder returned to Skam with their first album in 16 years, and such an occasion requires further celebration, no? Sure Beats Living delivers more of the collective’s signature cheekiness, and this mix for Bleep unravels all of the wildly eclectic sounds and styles that have powered over two decades of iconoclasm.

This is probably the only mix you’ll find that travels from drill and bass to Ecuadorian synth cumbia to 40s jazz. Constant stylistic U-turns are the name of the game, and as the group recontextualise tracks with comedic skits and spoken word pieces, you never know which little sonic nugget is going to be the jumping off point for a completely opposite yet cleverly connected world of sound. Wevie Stonder’s own strange crossing between avant experimentation and punkish irreverence sits between the jangling bass guitar of Gary Le Strange, whose reclusive hikikomori-induced paranoia is delivered in an ironic nasally britpop voice, and the wonky synth funk of Devonwho with lush crisp beats and thrumming jazzy keys.

Bucolic Moog wash and lounge piano tiptoe beneath a Radiophonic Workshop-esque segment testing out the possibilities of synthesisers; “Finally, an example of rhythmic electronic music,” says the posh presenter, introducing a full and proper rinsing with some classic Squarepusher chops. Amen breaks are chucked in the shredder and glued back together with thick jungle bass, then dissipate into Hiroshi Yoshimura’s birdsong bliss. With these disparate tracklist transitions, each track in itself brings together unlikely combinations: further melodrama from Gary Le Strange pairs southern crooning with jaunty harpsichord, bass punches and cascading pianos flow between J Dilla’s slow hip hop hits, and Polibio Mayorga merges accordion and cowbells with the theatrics of expressively vintage synth sounds, brass and electronics trading lines on ‘Muñequita Blanca’.

Bleep Mix #309 - Wevie Stonder

Sounds Of Beat Rhythms In Dark Foundry Refinery

Oil Foundry Refinery

Sounds from the far east.

Read more: http://www.residentadvisor.net/podcast-episode.aspx?id=511

@soichi-terada

RA.511 Soichi Terada

After the legendary AFX soundcloud dump of 2015 the tracks seem to have scattered far and wide, so thought I'd assemble my playlists into convenient and logically-titled audio packages. 

Plenty more here :)
https://soundcloud.com/selectabwoy/sets/aphex-twin-soundcloud-albums

Sams Car
prncDMC
bob morgan
phase acid
SallyVingoe
Parking Lot
10 Bcr78
Jcj868e
ep string
3 gerald Remix
4 Ny Groove
21 Forgotten T
Symbonsad
Bimbongo

Aphex Twin: Selected Ambient Works 1.5 (Part Two)

Solid Steel (29th June) In Hour 1 we welcome Octo Octa ahead of the 'Under The Ballroom' EP which is out on 13th July via Skylax Records and also features music by Lauer and  Violence FM & The Underground Soulsavers. The Brooklyn producer has also released music on 100% Silk, Running Back, Argot and HNYTRX, and had this to say;
"I love house music. Vocals, bouncy percussion, and piano lines put me in headspace where I really lose myself. It lets me communicate feelings and ideas about body, love, and relationships. I feel like I can tell stories with house music. This vinyl mix was made at my house with records I've collected from different places that are all linked to people and moments in my life. I hope you enjoy it 💙"

The Solid Steel website http://solidsteel.net/ for track lists and archive shows.
You can follow Solid Steel on
fb.me/solidsteelradio
instagram.com/solidsteelradio
twitter.com/SolidSteelRadio
Email solidsteel@ninjatune.net

Go to Hour 2 here https://soundcloud.com/ninja-tune/solid-steel-radio-show-2962018-hour-2-proc-fiskal

Hour 1 - Octo Octa  https://twitter.com/octo_octa

Gisele Jackson & K.O.T. - Happy Feelings (Johan S Speedy Dub)
Ambassadors of Swing - Get On Up
Time Out -  Give Me Love (The Hard On Mix)
Grant Nelson - Rhode House
Roger S. - Yes I Do (Gumbo Mix)
Octavia - Strength (Mentalinstrum Dub)
Bjork - Violently Happy (Master At Work Dub)
Johan S - Feelin'
Public Domain - Make It Rock (T.M.V.S. Club Mix)
Sound Design - Devil's Dance
DJ Duke presents Inner Soul - I'm In Need 4 U (Power Music Dub)
Head Rush - Underground (King-Size Mix)

Solid Steel Radio Show

Solid Steel Radio Show 29/6/2018 Hour 1 - Octo Octa

****UPDATE****DOWNLOAD MAX REACHED****

****Big thanks to my brother Tony Rodriguez (Brothers Vibe, LUV4WAX)for the DAT player loan and the surgery on the DAT tape when it SNAPPED when we first tried to play it. You saved a piece of early TECHNO history!****

Thanks for all the comments everyone! If I was wrong on the date, I apologize, I honestly didn't think I was still going to the Limelight after 1993 and thats why I dated it earlier. 

Yes the sound quality isn't the best but like I said I snuck in a Sony portable DAT recorder and recorded it straight from the crowd from the floor level right below the DJ booth. 
While I was outside on line, the security guard frisked me at the door and was like "what the hell is that? You can't bring that in here!" I told him its just a walkman and he let me go in with it. I'm lucky to even have this bad recording to be honest.
While we were waiting for his set, Richard James walked by me and this kid I was with and the kid stopped him and asked "hey my friend snuck in a DAT recorder, can we record right from your mixer??? RDJ just laughed in his face, said NO! and walked away. Haha.

Thanks for the track IDs, that was very helpful!
*********************************************************
Back in the early 1990s when techno was just starting to explode in NYC, I snuck a portable DAT recorder into the Limelight nightclub when Richard James, The Aphex Twin was DJing a very rare live set. I recorded his entire 1hr set from the crowd and then put the DAT away for 25+ years. The other day with the help of my friend Tony Rodriquez (LUV4WAX)and his DAT machine, we finally made a digital copy of the set and finally uploaded it for all to hear. As far as I can remember, RDJ did only 2 live performances (one performance blew out the power to the entire club and left the place pitch black and silent for a few minutes!) and 1 DJ set at the Limelight during that time. I have never heard a live set from RDJ from the Limelight so this might be the only recording of this set (please correct me if I'm wrong, thanks!) The recording is loud and noisy just like 90s techno but I think its clear enough to enjoy. If you can ID any tracks to create a track list, feel free to post it in the comments! 

Enjoy -
Lofidelic Records

LOFIDELIC.COM
LUV4WAX.COM
BELMARSOL.COM

Aphex Twin Live at Limelight NYC MID 1990s LOFIDELIC RECORDS

* Message me if you have any copyright issues *

Home of my own mixes - predominantly jungle/hardcore with the odd bit of D&B, plus eclectic sample-digging, breaks and hip-hop, techno & electronica. 

Pre-2001, all mixes vinyl; Post-2016, all mixes digital (DJay 2); Post-2018, Ableton Live. Why? Why not?
I've got an old skool DJ's mentality, early influences ranging from Sublove, Ratty, Randall & Hype to Coldcut, DJ Juice, MK & Primo.  In the early 00s I turned my back on D&B, retired my turntables in favour of family/work commitments, and got into funk, soul, reggae and so on... a lot of this driven by curiosity around the sample roots of hardcore and jungle.  Forward another decade and an early mid-life crisis saw me messing around with virtual decks on my phone, and later acquiring a vinyl ripper, with one vision in mind: making mixes.
Although I'm partial to the odd DJay or vinyl mix when I get the chance, the progression into Ableton Live was a simple means to an end.  My ideas stretch further than the limitations of my physical collection and real-time mixing, and by sequencing I can pick, choose, chip away and structure mixes at my leisure. Which I do... a lot :)

Wait, there's more ... an absolute stack of classic golden era/old skool hip-hop/turntablism, jungle and d&b, hardcore, techno and house mixes retrieved from my dusty tape & CD archives.  This includes (by my reckoning) the most exhaustive collections of classic Full Cycle and Sublove Galaxy Radio shows, live Ruffneck Ting jungle tapes, loads of studio & compilation mixes, all manner of rave tapes, and so on. 

Have fun, spread the love :)

Please check out and support these like-minded individuals
@the-roadblock
@ethereal94
@kolanut 
@drumtrip 
@repertoiresound
@sonarsghost
@dj-madbeats
@dareerickson
@danielnorman
@vykhod_sily
@sonicrampage
@rough-culture
@wiseguisedjs
@distantworldtransmissions
@code618
@user-381614661 (trackfx)
@user-626612322 (Made in Chedzoy)
@mafsone
@mihailpetrovski
@cash_bailey
@sinewavebass
@10inchpress
@user-118560124-972751930 (hardscore)

Aphex Twin: Selected Ambient Works 1.5 (Part Two)

Selectabwoy