Happy Friday :)

D'tch & Soul Defiance - Lovehearts [Sweetbox 2016]
Amy Dabbs - Allure [Lobster Theremin 2021]
Jack Ruby - Moderate Progression (VIP Mix) [Rumour 1995]
Percussive P - You & Me [Green Bay Wax 2014]
Tek 9 & Sonar Circle - Hypertrophy [AKO Beatz 2021]
Uncertain Hour - Run [Uncertain Hour 2019]
Andy C - Change (Liftin' Spirits Mix) [Breakdown 1995]
Tim Reaper - Ecospheres [Lobster Theremin 2021]
FFF - Never Give Up (The Vibes) [7th Storey Projects 2018]
Fracture - Sci-Fi Tramp [Astrophonica 2019]
Duburban & Jahganaut - Falling Star [Tuff Cut 2021]
Danny Scrilla - X [Cosmic Bridge 2012]
Corrupted - Late Night Conversations [Halogen Music 2016]
Coco Bryce - Hold The Line [Critical Music 2020]
Earl Grey - Levitate [Western Lore 2018]

https://soundcloud.com/selectabwoy/sets/untitled-mix-series

Untitled Mix Series (Part Eleven)

Free Download

* Message me if you have any copyright issues *

Home of my own mixes - predominantly jungle/hardcore with the odd bit of D&B, plus eclectic sample-digging, breaks and hip-hop, techno & electronica. 

Pre-2001, all mixes vinyl; Post-2016, all mixes digital (DJay 2); Post-2018, Ableton Live. Why? Why not?
I've got an old skool DJ's mentality, early influences ranging from Sublove, Ratty, Randall & Hype to Coldcut, DJ Juice, MK & Primo.  In the early 00s I turned my back on D&B, retired my turntables in favour of family/work commitments, and got into funk, soul, reggae and so on... a lot of this driven by curiosity around the sample roots of hardcore and jungle.  Forward another decade and an early mid-life crisis saw me messing around with virtual decks on my phone, and later acquiring a vinyl ripper, with one vision in mind: making mixes.
Although I'm partial to the odd DJay or vinyl mix when I get the chance, the progression into Ableton Live was a simple means to an end.  My ideas stretch further than the limitations of my physical collection and real-time mixing, and by sequencing I can pick, choose, chip away and structure mixes at my leisure. Which I do... a lot :)

Wait, there's more ... an absolute stack of classic golden era/old skool hip-hop/turntablism, jungle and d&b, hardcore, techno and house mixes retrieved from my dusty tape & CD archives.  This includes (by my reckoning) the most exhaustive collections of classic Full Cycle and Sublove Galaxy Radio shows, live Ruffneck Ting jungle tapes, loads of studio & compilation mixes, all manner of rave tapes, and so on. 

Have fun, spread the love :)

Please check out and support these like-minded individuals
@the-roadblock
@ethereal94
@kolanut 
@drumtrip 
@repertoiresound
@sonarsghost
@dj-madbeats
@dareerickson
@danielnorman
@vykhod_sily
@sonicrampage
@rough-culture
@wiseguisedjs
@distantworldtransmissions
@code618
@user-381614661 (trackfx)
@user-626612322 (Made in Chedzoy)
@mafsone
@mihailpetrovski
@cash_bailey
@sinewavebass
@10inchpress
@user-118560124-972751930 (hardscore)

ohrchitekt.de & https://ohrchitekt.bandcamp.com/music an Experimental/IDM/Breaks/Jungle sound design. Exclusively inspirations and influences. Listening is an art…
 
!constructions for ear is what you hear…

___________________________

Releases @ pharmacom-records:

"KLAPPE DIE ZWOTE“ - (PCR027)

"EXP-DNB-Set 2008" - (Ltd.FloppyCaseEdition)...sold out!

"SNAKE SEED" - (PCR049)

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REVIEW:

https://soundcloud.com/ohrchitekt/ohrchitekts-exp-dnb-set?si=5d356958f0864ebc9f59298083ec8bae&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

New on Pharmacom Records is Ohrchitekt's "EXP-DNB-Set" - an approx. 52 minutes non stop journey into his specific Drum'n'Bass realm which is jam-like, lead by non standard beats and breaks, Electronica influences and some Electro and Downtempo breakdowns. Some will call it Leftfield Drum'n'Bass, some will name it as experimental, which is what "EXP" in the albums title stands for I reckon, and some will refer to it as IDM or DarkJungle rather than Drum'n'Bass. But whatever definition you choose, this one is interesting and defo stands out from what your everyday producer serves on 12" these days. Recommended to open minded people and not to those who expect UK-standards whenever they think of experimental Drum'n'Bass these days.

BIG THANKS to baze.djunkiii https://on.soundcloud.com/fbXfN (Nitestylez.de )

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The mixes they don't take down:

https://hearthis.at/mark84/

2025/12/12:
Anybody else prevented from accessing SC servers via VPN?  All of them are blocked for me.  This is the first time it happens to me in six or seven years of almost daily SoundCloud activity.  I use a VPN in SC because when I don't I get horrible delays that show up in many different ways.  The only explanation I have found is that somehow their security/identification system has flagged my IP address and introduced all kinds of speed bumps.  It makes the experience very unpleasant, irritating.

2025/12/06:
Why was Jonathan Bellot's account
[https://soundcloud.com/jonathanbellot] deleted?
...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...
My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
Sorry Joe. =(
...
sometime in 2025:
I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Untitled Mix Series (Part Eleven)

Selectabwoy