the Glorious reveal and subsequent Launch of I.S.S. Acquiescent

Started putting up playthroughs of my tracks on Instagram (so far, all of Demo 1 and 1st track of Demo 2)

I'm a 36 year old, man, playing guitar, living in MA. Making metal riffs!

I don't know how to use music recording software (I just make my riffs at home and go to the studio to get them recorded) but if you want to collaborate just let me know and we can try to work something out

After successfully participating in a PXD Musicsoft competition, I gained my first experiences with composing and arranging electronic music in the late 90s. But then I concentrated on playing the bass in various bands from different musical genres. At the same time, I started my electronic-metal-solo-project BLUTWURST BREATH (1999 - 2010), which was featured on numerous samplers (https://blutwurstbreath.bandcamp.com). In 2011 it was succeeded by the new, more focused electronic-grindcore-project TUNNELBOHRER (https://tunnelbohrer.bandcamp.com), which is still active today. In autumn 2021, my bands, in which I had been working as a bassist since 2006, unfortunately broke up. This was the occasion to revive my old passion for electronic music: KASTROPODUX was born. KASTROPODUX is devoted to the synthwave-sound of the 80s and the techno-style of the early 90s, sometimes combined with rock-guitars.

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

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Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

Philip joined the folk scene at Montreal’s renowned Yellow Door Coffee House in the late ‘60s playing the weekly open mic ‘Hoot Night’ and eventually earning a gig there. He was a regular participant in the downtown pub and youth centre scene of his generation.

During a varied non-musical career Philip continued to bring his music to open mics in London, UK (The Crypt, St. Martin in the Fields), Paris (Le Traditional Mountain Sound, St-Germain-des-Pres), and Sao Paulo, Brazil (Bom Motivo).

Philip’s music is the back catalog of his life. From lost loves of his youth to the discovery of a life partner in his elder years.

Philip now lives on an urban lake next to a conservation area and swims with loons.

https://www.youtube.com/@Shoocrane
The name means "Thank you"
I use ableton live 9 and Max for live, with spitfire audio.
It doesn't always work but I like some limitations.
I have only used ai for images and video and I am signed up for ai rehab...

Lynn Paul Pierre is "Alternative", a combination of early Jungle, Rave, Industrial and Dance mashed up with precision and harmony.
New Music dropping every 2 months, all good things take time.
Dedicated Husband, patient Father, Voting NARAS Member with the Producer & Engineer Wing, Lead Operator Pyrotechnics.

Hi, I’m Kelly.
Thanks for checking out my songs!

I started playing the piano when I was five years old.   I also play some accordion and harp, and I am hoping to improve my guitar playing.   

What you hear here are 250+ of my original keyboard based compositions, mostly written in my spare time outside of work between 2022 and now.   

I like to add in layers and nuances and extra tracks.  I’d like to get better at midi editing and composing and making my own drum tracks.   I’m an imperfectionist and incorrigible publisher of songs with errors in them.  

My main keyboard at the moment is a Nord Stage 4 88 key instrument of my dreams; and I’m still learning and experimenting with its features and capabilities.   

I made some really cool iridescent and black high quality vinyl sevenmiddlenames stickers: sometimes I send them in the mail (for free!) to kind repeat listeners.  If you’ve read this far, perhaps you’re one of them.   The honor of anyone hearing and enjoying my work in a world of so many competing demands for attention is motivating and inspiring: thank you.   

I'd love some feedback.

My seven middle names  (six of which I made up and gave to myself when I was 15) are for my true friends to know.

Singles and EP's available on all platforms
#electronic #punk #jazz #hiphop 
#microtonal #experimental

Dadaistic music since 1904! 
Somehow I wanted to post my old, "chaotic" or fallen out of style recordings here, but within the last year I got the taste again and produce new stuff as Dr. Zwakkus.

I don't see sense in nonsense but I see nonsense in things that a lot of people call sense.

I did a lot of music in my life. Did Hardrock, Metal, Psychedelic-Rock, Swing, Jazz, Latin, Dance Music, modern and so called post-modern classic, even playback gigs and did some little film scores also. Everything that either brought some money in the pocket or gave some fun.

I have not studied music, either the conservatories did not want me or, in the other case, I didn't wanted them.
The Zwakkus project was for a long time a kind of discharge of frustration or a valve to let "it" simply flow, without caring about what some client or bandleader will think about. 
It then took me a little time to realize that this project is really unique and true to me and that I can't be this free anywhere. So I'm giving more energy into it and I'm having really fun with it. Knowing that this can't be everyones style, I am extremely grateful for everyone who can get involved!
Also I am very thankful for finding so much really authentic, inspiring and original stuff here on SC.

AI? Can go home!