Wonderful work.  Well done!  Great performance too.

We don't have a great talent like this nowdays, keep up the good work

@tunqsounds: Thank you so much for the compliment!!

Really interesting harmony choices right away

Great piece of art! I feel like I’m listening to a combination of Rachmaininoff and Grieg in one piece. Great work!

beautiful. and it works perfectly as part of my daily going-crazy procedure, at least in some of the more "chaotic" parts. great work! although I'd love a piano-only version too...

Compsition by SiHyun Uhm

A sequence of rhythmic patterns is performed on top of a continuous beat. Splash of Colors creates continuous movement between tension and rest that each listener will experience differently depending on the focus of their attention. 


For Percussion (Congas, Tambourine, Crotale, Cowbells, Bongos) and Electronic percussion (Logic Pro Patch provided, can be performed by MIDI keyboard by a pianist)

Splash Of Colors

Circus Suite for Clarinet, Violin, Cello, and Piano by SiHyun Uhm originated as a piece for solo piano. The composer reworked and expanded upon that wonderfully programmatic composition for enhakē in 2020.

The first movement (Monkey) begins with an unassuming introduction before the ensemble barrels into the Allegretto tempo that governs most of the remaining bars. As the group executes descending chromatic triads one easily gets a sense of the creature scurrying down various apparatuses. As they lunge forward with extreme crescendos, so too does the primate bound into action. The middle section oozes with mischievousness. Clearly this monkey is not a simple organ grinder’s companion. One final set of scampering figures concludes the movement.

Uhm paints another vivid picture with the succeeding movement (Clown). Half-step dissonances and off-beat accents abound as the obvious absurdities of the character are depicted. By bar eighteen one wonders if a “sad clown” has made its way to center stage. Glassy-sounding ponticello in the violin and a plethora of minor triads—many dressed up with grace notes—color the section. Col legno battuto and snap pizzicato are among the percussive devices employed by the composer here. A mini cadenza for the cello temporarily halts the action before a short, but eventful, coda ushers the troupe quickly off stage.

Most of us will never know what it would have felt like to have been one of the Flying Wallendas. Uhm gives us a sense of what it’s like to watch such an event, though, in this effective third movement (Trapeze). It is disconcerting to see the flyers and catchers swing at different speeds, I think. The composer represents this tension and lack-of-togetherness by spreading complicated polyrhythms—three-against-four, four-against-five, etc.—around the ensemble all the while alternating time signatures from bar to bar. When the players do meet it is as unexpected as when the two, off-set human pendulums safely grasp wrists high within the Big Top. It’s an imperfect world, of course, and by bar 22 we hear at least one flyer fall to the safety net; perhaps another one hurtles towards the ground five bars later too. The conclusion is sheepish at best. Perhaps a slightly embarrassed celebration of survival is all that they can muster.

The Lion isn’t anywhere close to being the largest land animal. They’re not even the largest cat—sorry kids—but they’re still the king. [Given the fact that the females do all the hunting for the pride, perhaps we should be talking about her majesty, though.] The closing movement (Lion) strikes an appropriate amount of fear into the hearts of the onlookers. Quickly ascending and descending chromatic scales in the piano imitate roars—like Camille Saint-Saëns’ treatment
in his Carnival of the Animals. Tension builds from bars 59 through 66—as if we’re approaching a moment of repose—only to start again. [A lion tamer must always be on their guard, after all.] A dramatic piano cadenza sets up the end of scene as the spotlights fade and the performers disappear from view.


Written by Brent Williams

Circus Suite

SiHyun Uhm Music

Stirring of a Sparkle

Performance in Perigee Hall in 2016 
Piano by Tae Wung Yoo
Composition by SiHyun Uhm

Holding a Breath for Solo Piano

Concert in Perigee Hall in 2016
Composition by SiHyun Uhm

Two Movements for Cello and Piano: II. Doleful Hazy

"Hänschen klein" is a well known German song, written in major. If you know people, who might know it, try this game: Play this song, without telling or showing the name. Many people then know it really good, but can't name it ;) Enjoy!

Classical Orchestra #1

Haenschen Klein in C minor

Orchestra 37 - "Haenschen Klein" in C minor

[Trailer Park Etudes]
01 The Stars
02 The Rain
03 The Wind
04 The Grass

Performed in 2017 September by Luisa Hidalgo(mezzo-soprano) and SiHyun Uhm(piano)

Visit my website: https://www.sihyunuhm.org

Thank you

Trailer Park Etudes

Fractions

We often misinterpret the idea of life; We think that life can either be happy, bright, like the WHITE color, or life could be a dark, grim, melancholic and a sad journey, which we interpret as a BLACK color. But that is incorrect. In fact, life is more than ONE COLOR, it is more than one can imagine; life is fragile, and it constantly changes its shades — The Hues.

Hues Of Life is a song which is BOTH, my hard work and God's grace. I thank the creator OF MY LIFE, for helping me to come up with this theme, this melody, which I believe that you will surely love.

PLEASE COMMENT, LIKE it if you like it, and SHARE if you would like your friends listen to this.

Hues Of Life

I recently collaborated with game designers and this is level 2 of the game! You could check out other levels and main theme on my page. It is very uplifting and cute music. Hope you guys enjoy!

Candy Game Level 2

Have an amazing Christmas everyone!!!

Today's upload is 'Jingle Bell Remix' for the upcoming Christmas! It is really fun and exciting that will instantly brighten your day! 

The track is also uploaded on Instagram, SoundCloud, and Grafolio. Please let me know what you think about the track and contact me for using or downloading the track! 

Vote is opened until the 18th and I would really appreciate you could vote for the track. 
https://m.grafolio.com/works/687369

Instagram: https://www.instagram.com/p/BrYnhhPH7Ho/?utm_source=ig_share_sheet&igshid=h80aq8qa8yzt
SoundCloud: https://soundcloud.com/sihyunuhm/jing...

Sheet Music will be uploaded soon to my website:
https://www.sihyunuhm.org

For any inquires, please contact to : sihyunuhmmusic@gmail.com
----------------------------------------------------------------------------------------------------
이번주 연재하는 곡의 제목은 'Jingle Bell - 크리스마스 시간여행' 입니다! 

다가오는 크리스마스를 맞아
징글벨을 편곡해 올려봤습니다!

정말정말 재미있는 곡인데요,
곡 중간에 두번이나 엄청난 큰 반전이 있답니다!
그러니 꼭 끝까지 들어주셔야 합니다!
(힌트 - 1:24 & 2:30 쯤)

행복하고 재미있는 크리스마스에
신나는 분위기를 
더더욱 만끽하게 해주는
그런 곡입니다!


행복한 크리스마스 되세요~~

 
곡이 마음에 드셨다면 꼭 한번씩 좋아요와 댓글 남겨주세요:)
저의 곡은 매월 8, 18, 28일날 연재 된답니다.

Jingle Bell Remix

Today's upload is ‘Baby Penguin’s Second Excursion’! You can hear penguin’s excited footsteps and happiness from the excursion! 



Instagram: https://instagram.com/sihyunuhm
YouTube: https://youtu.be/pj5RKS22LH4

Sheet Music will be uploaded soon to my website:
https://www.sihyunuhm.org

For any inquires, please contact to : sihyunuhmmusic@gmail.com
----------------------------------------------------------------------------------------------------
이번주 연재하는 곡의 제목은 '아기 펭귄이 두번째 나들이' 입니다! 

몇주전에 첫 나들이에 다녀 왔었는데요,
설레는 마음으로 첫 나들이를 마친
아기 펭귄은 이렇게 두번째 나들이를 떠났답니다.

첫번째 보다는 조금더 여유있고 
차분하고 재미있는 
아기펭귄의 발소리와, 모험에서 느껴지는
행복함이 느껴지는 곡 입니다!

그리고 큰 위험에 처하지도 않고 
무사히 돌아온 아귀펭귄이 떠날
다음 여정도 함께해주세요!

 
곡이 마음에 드셨다면 꼭 한번씩 좋아요와 댓글 남겨주세요:)
저의 곡은 매월 8, 18, 28일날 연재 된답니다.

Baby Penguin's Second Excursion

Dancing In The Rain Forest for Flute, Clarinet, and Cello

Ladybug In The Room is an orchestra piece written during November in 2018. It was based on a special story when the ladybug got in to my room and lived almost---throughout the winter. Send me any questions you have :)Thank you

Ladybug In The Room

Phone Call was written to tell a story that almost all people can relate to -- an annoying phone call to the bank. In this piece, a simple phone call quickly turns frustrating after questions are not answered and the
the caller is continuously redirected.

This piece brings an irritating phone call to life through comic yet angry-sounding conversations between instruments. The beginning of the piece starts with the sound of a ringing phone, followed by a dial tone that can be heard in the alto saxophones. The caller behind the dial tone is eager to solve the problem they have encountered and wants it solved quickly. A bank employee answers and the caller and employee engage in friendly dialogue. Unfortunately, the employee is unable to help. The call is redirected to another department, and the caller is put on hold until they speak with another employee.

Slightly annoyed, the caller has to explain the situation a second time. The two try to troubleshoot the problem but are unable to solve it. The caller then has to be redirected for the third time and is forced to listen to happy background music while on hold. The caller feels far from happy and is frustrated and angry.

Another representative answers the phone but is unable to fix the problem, and the piece climaxes as the two yell at each other. The conversation comes to an abrupt stop as the caller hears a waiting tone.
Confused, the caller asks if the representative is still there. The representative then asks the caller to restart the bank app which solves the problem. The piece ends whimsically as the problem is solved with
a solution that is as simple as restarting an app.

Phone Call (To a Bank) for Wind Ensemble

SiHyun Uhm is a composer, pianist, and multimedia producer currently based in New York and South Korea. Her works have been commissioned by US AirForce Academy Band, YAMAHA, Rice University(Sviatoslav Richter Fund), Columbia Digital Audio Festival, Five by Five Ensemble, Josun Palace Hotel Pilates Series, and Enhakē Ensemble. She is a Composer Fellow with American Composers Orchestra, Really Spicy Opera, Nashville Symphony Composer Lab, Universal Artists Festival, Daegu MBC Orchestra, Intimacy of Creativity, Red Note Workshop, and has received prizes from President’s Own Marine Band, Luna Nova, JMI, Korean Wind Ensemble, Pyeong Chang Olympic Celebration, Howard Hanson Orchestral Prize, Louis Lane Prize, Leopold Auer, Future Symphony, NY Composers’ Circle, Next Notes, National YoungArts, Golden Key Festival, Avalon, and MTNA.

Her distinctive and interactive musical style is recognizable to audiences, and since the release of her first album in 2017, the listenership of her music has continued to grow. She not only works as an audio engineer but also as an active pianist and accompanist. She also is an established producer/arranger in many different genres (electronics, pop, rock, film/game music) and an electronic music enthusiast making music with launchpad in her free time. 

She is currently attending The Juilliard School studying with Prof. Beaser. She recently graduated from the Eastman School of Music in NY, studying with Ricardo Zohn-Muldoon, David Liptak, Carlos Sanchez-Gutierrez, and Vincent Lenti. She graduated from Walnut Hill School for the Arts in MA, where she studied composition with Whitman Brown and piano with Mana Tokuno from New England Conservatory. SiHyun was born in Seoul, Korea, where she went to Yewon School.

Trailer Park Etudes

SIA (SiHyun Uhm)

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