Name: Church Of Fire by Sleep, Data in Neue private Playlist
Duration: 7 min 7 s
Description: as with all my tracks, listen with hedfones...

Great and unique combo of the big phat drone pad and the lovely melodic reverberating dreamy guitar work...Nice one!

Neue private Playlist

sea of apathy

Rise And Fall EP out on Bandcamp: https://zeitfaktor.bandcamp.com

Rise And Fall EP

Sanctuary

This is a stereo excerpt of my multichannel installation "Zijlijn / Linea Lateralis". The installation is an exploration of the underwater soundscape of the North Sea. For this piece I recorded at the southern (mainly coast of Belgium) and northern (coast around Bergen in Norway) borders of the North Sea. 

The North Sea is the busiest and therefore loudest sea in the world. The installation researches the difficult relationship between biological sounds and man made noise. 

"Zijlijn / Linea Lateralis" was awarded an honourable mention by the 2021 Sound Of the Year Awards in the "Composed with Sound" category. 

More information about the piece can be found here:
http://stijndemeulenaere.be/zijlijn.html

Zijlijn stereo Excerpt

Tageslicht

Raw sonic explorations of the tools I am designing at INA grm. No external input, no post-processing, live capture with minor editing.

Today, a(nother) lullaby for sines.

GRM Development Diary 6

https://caterpillarrec.bandcamp.com/album/transparent-forms?fbclid=IwAR2MDtUAVEyTzpVchoR3fwAMPJ5VHkhc6Qsdyf_xPuVaN_SZn_5DltuNFw0

Transparent Forms - Nick Ashwood - Cat 010 

Composed in 2022 for Microfest, an annual microtonal festival hosted by Kraig Grady and Michael H Dixon. 

Transparent Forms is Nick’s first group composition following on from his 2020 solo piece Unfolding/Overlay, (Inexhaustible Editions 027). Amanda Stewart wrote in the liner notes to that: “Enfolded in the shifting tones, our ears are at the edge of themselves.” With this new work, he continues this interrogation into the edges of harmonicity and perception. Frequencies from bowed guitar, flute and clarinet burst away from any notion of a stable lattice to reshape our understandings of intervals and chords, and our listening is continually surprised and delighted by the 'tastes' and 'colours' that are revealed. 

The instruments dissolve into each other to create an unrecognisable timbral unity where melody emerges from harmonic clouds.
credits
released December 2, 2022 

Laura Altman - Clarinet 

Jim Denley - Flute 

Nick Ashwood - Acoustic Guitar 

Recording at Tempe jets by the group, Tuesday 14th June 2022 
Mixed by Jim Denley

Transparent Forms

New jaz guitar : ) made by : Francois Pierre Morin AFM/SOCAN/APEM member

IMPRO GUITAR JAZ AND SYNTH LIVE RECORDING

as with all my tracks, listen with hedfones...

Church Of Fire

... experimenting bass clarinet on  this  old cover track ...https://soundcloud.com/ddjohn/jamming-with-mop-mop 
thought it would sound nice ...hope you enjoy ! 
Have a nice WE
Steph

Ash (Mop Mop cover) with bass clarinet (WIP)

Guitars By Martin Reed,
Produced By Martin Reed.

When The Heavens Open

When I heard Todd's (@tbone711) beautiful original (https://soundcloud.com/tbone711/our-days) I immediately loved it. 
I am very grateful that he allowed me to add some vintage sounding keys to it. I hope you'll like it too!

Photo by Jake Blucker on Unsplash

One more time 
All the things that matter in our hearts and minds
will unwind 
When our days are done...

If I could find a way to get to you
A way on through your door...
Pull the curtain that surrounds u now
To the place you were before

Every minute is a symphony
Ringing like a bell..
The dust collects upon the window sill 
As sure as time will tell

One more time 
All the things that matter in our hearts and minds
will unwind 
When our days are done...

The evening brings a wealth of tragedy
Will it ever ease...
Discontentment seems beyond repair
need my shoes upon the street

One more time 
All the things that matter in our hearts and minds
will unwind 
When our days are done...

Our Days (tbone711 with Wane of Summer)

All sounds and vocals produced by Marcus Swambo for Fudge Nutz Productions

Tinuviel Was Dancing There Interpretation

https://blearmoon.bandcamp.com/album/windbreak
Windbreak single produced in early June of 2020 in the peak of seclusion in Snezhinsk, Russia where I accidentally confounded for several mounts far away from my natural habitat, friends and family. 
This piece is one of the few that resulted from my attempts to adjust in forced situation and find a ways for music creation in given situation and tools. 
Windbreak resulted from my exploration acoustic properties of current living place and ambiance around it with use of tape machines and various texturing techniques of digitally synthesized melodies.

Windbreak

download on bandcamp

Blear Moon - Windbreak

Originally composed for the 2020 edition of the Australasian Computer Music Conference, 'City Circles' is a 28 minute piece that furthers my research on loops as a main musical currency, as well as the exploration of urban sounds and scenery, also present in 2018's "A deafening silence". 

Available from chemical imbalance in CDR and digital: https://chemical-imbalance.bandcamp.com/album/subespai-city-circles

Composed by Subespai (Mauri Edo).
Artwork & layout by Josh Paton.
Recorded, mixed & mastered by Matthew Syres.
Performed @ Alpha House Gallery in Erskineville, Gadigal Land. Sovereignty was never ceded.

City Circles (excerpt)

Two worlds, photography and Sound Art mixed together.
/ latente / photo book by Claudio Rosa and music by SAN Ā T ANA.

Analog photography, used as a means of orientation within a new collective human condition, intimately reveals a vitality forced into domestic environments where presences and absences interpenetrate and coexist.

The Frames
Photographs taken using an analog point-and-shoot camera loaded with 400 ISO Kentmere black and white film. The entire process of shooting, developing the negatives and acquiring the images was performed by the artist in his own laboratory.

The Music
7 short compositions based on repetition were born as a function of the image. The geometries and the superimpositions of the different planes intersect and interpenetrate, showing a vitality not yet considered. The music therefore tries to tell what is hidden but which somehow re-emerges, generating a loop of different states of being.

Claudio Rosa, visual artist, originally from Sant’Antioco, carries on his double research on visual perception and on the reuse of objects of mass consumption characterized by a strong geometry. His art seeks the spontaneity of a child's play but does so through a methodical, and even obsessive, semantic processing, apparently cold but deeply linked to childhood.

SANĀTANA aka Marco Salaris is a musician born in Sardinia in 1988. His music has its roots in Noise and Drone Music, developing and finding new trajectories more akin to Electroacoustic and avant-garde music. His creative process is articulated around the improvisation, listening and sound processing practices, typical of Electronic Music. In 2019 he released his first solo album "SANATANA" for the SUPRANU Records label.

supranurecords.com  
credits
released January 11, 2021

Composition: Marco Salaris aka SANĀTANA
Percussion samples: Giacomo Salis L 01, L 02, L 04
Graphics and Handmade book: Claudio Rosa
Communication and management: SUPRANU Records
Master: TeraMastering di Marco Vincis

all rights reserved

/ latente /

L 05

https://amhain.bandcamp.com/album/arcv-dts-91-98-vol-vii

1997

Rdsp

Hello and be welcome
I love it to listen to all your beautyful musix and I really enjoy it
Thank You and You undYou#



have all a good time and relax
                                      peace

they call me Arkansas shawn and i play guitar in a band called Zombienaut. in my spare time i make guitar noises...


Church Of Fire

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