Plainsong Demo (cure cover)

To write this composition I was inspired by the sounds of nature, in particular the storm with the roar of strange and powerful rhythms, where water is the most frequent, most varied and richest noise.
In the structure I wanted to emphasize the multiple sensations that arise from the storm, following its rhythm and its intensity, counting moments of full sound with moments of emptiness. The composition develops in two arches.
In the first, the Thunder, a mysterious rumble that comes from far away, like a threat. His rumbles are dispersed, just weakened, a new burst takes them back and renews them. Accompanied by the sound of the rain, which creates a wonderful variety of rhythms and metal tones of the roofs and gutters and the monotonous one of the earth, with a rhythm that is only the rhythm of the rain, but which has all the crescendo and diminishing intensity for increasing and decreasing the amount of water that falls. When the rain falls with sparse drops, the general tone is low, but when it falls a lot of the general tone of the noise of the rain is much more acute.
In the second part the articulation is similar to the temporal, but instead of the naturalistic datum there is the abstract datum, in an imitative sense, to avoid monotony. In this part I tried to reproduce the variety of timbres using acoustic instruments.

Temporale

Electroacoustic-core, one man band that explores the boundaries between act and performance sonore.
Destructured improvisations played with snare drum, metal percussions featuring additional electronic noises.

Temporale

SNARE DRUM EXORCISM

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