method: crave, voice, vt 4, reface dx, voice, r20, samplitude ... it's more or less in b locrian, I guess ... a fitting mode.
Narration: the original title is ‘70s synthesizer‘ in the cycle SONIC CASCADES (as published in A SINGLE LOOP OF FORTUNES). imagine a family in Western Germany. it‘s the 1970s and  conforming to strict norms is the latest rage wherever the youth invasion (o for the horrors of the 'gammler'!!!!) had to be fought off. I spent the decade (and more) going to school and trying to cope with fellow human beings …. and there still was this all encompassing being …..  the best mode of survival (at that age, at any age) was identification ….. 
Image: copyright jo richter. it all started out with a portrait of my vt4 ;-) we're all robots anyways, aren't we? (still, no AI involved, - i'm just gimping my way to jerusalem!)

poem / copyright jo richter:

she steps in 
from the balcony
steps in to soothe
the tan on her skin

OH, WHAT A FIRE
MIGHT BE LIT
TO SMOKE OUT, TO BURN OUT
THIS SCENT IN HER HAIR

so many days
in her infancy
days she was told
to stop fidgeting

OH, WHAT A NOISE 
MIGHT BE MADE
TO FORCE OUT, TO DRIVE OUT
THE WEEDS, THE WEEDS

she spells out the spells
on her rosary
spices and herbs
flown in from the south

OH, WHAT A TIME
MIGHT BE HAD
JUST FIND OUT, JUST TURN IN
THE PLACE TO BE

so many veils
of dependency
too many veils
untangling within

OH, WHAT A SELF
MIGHT BE CUT
FROM STENCILS, FROM SHAPES
THAT WITHER WITHOUT

she sits down
in the living room
this is the room
where she lives

memory effect variation

Diary set to sounds,texts and pictures to share thoughts, joys and sorrows. 
On the way..of poetry sometimes and forever..

(In Zen, Mushotoku represents a state of mind where the mind does not seek to achieve anything. It is the attitude of a mind that is not attached to objects and that seeks no personal gain.)

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



Curly Compositions from a German Composer.

Psych sounds, dub vibes and a whole bunch of FX in operation
SoundCloud collabs most welcome. Remixes, guitar bashing, conceptualising (a big word for a guitar player, I know) or whatever you have 😎

Member of the transatlantic music machine that is The Eclectic Collective

Member of Mid-Wales’ premier cheezepunk band The Recursives - watch us get down and boogie!!

https://youtu.be/f0CnN7FsIzM?si=4yCzlCMsylbIjKLx

https://youtu.be/E_tYwc83XPs?si=MjmQbwNeRpNXRhQS


Logo and cover art by Marianne

You may wish to check out my older dub based stuff here 
https://soundcloud.app.goo.gl/TwJYv9QgWsDdKNvu9

🚫🕷⛔🕷☢🕷❎🕷☣🕷⛔🕷🚫

I'm a counter-clock wise guy when the speed does me in,
Right from the get go, I'm mad till the end...

I'm mean, lean, cruel, obscene... Not only am I Elvis, I'm also James Dean.

ღahan 💀 ღahan, the bass player of the not-so-legendary Los Angeles based grunge band of the 1990's "Toxic Daisies" nowadays spends his time writing jingles for commercials never aired for products never sold in stores. Aside from the jingles, he also collaborates with other musicians and artists and produces musical tracks and posts them on SoundCloud. Long time sufferer of ADHD and a born-again atheist, he... (due to a sudden loss of interest, this bio has been left incomplete...!)

I ♡ Audiobake 




⚧  ☠  ⚧  ☠  ⚧  ☠  ?  ☠  ⚧  ☠  ⚧  ☠  ⚧

...Namas`cray (the crazy in me recognizes and respects the crazy in you)

https://moekim.bandcamp.com/album/ep5

10_24: New song out, hope you all like it!

Moe Kim is middle-aged man who doesn't usually refer to himself in the third person. In another life he was a surgeon but left the field because he got really tired and needed some rest. Now he has more time to record music, which is way more fun than living at the hospital.

Yan Grooger, artiste belge né en 1987, Créateur de sons électroniques depuis 1998.Signatures en 2015 de plusieurs singles sur des plateformes comme Beatport,Spotify, itunes...Sa discographie comprend des titres tels que Slow Motion, Human et Vis pour la musique, auto-production des albums L.P.E et easter eggs en 2025, On peut retrouver sa musique sur des services de streaming majeurs, ce qui témoigne de son activité en tant qu artiste indépendant. Il a également une chaîne YouTube où il partage ses créations.

Keep creating, this world needs music! 

infos:
grooger.yan@gmail.com

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

memory effect variation

sonic structures and silent stretches