ciao, sono qui oggi per condividere la testimonianza di come la soluzione del tempio dell'amore mi ha aiutato a riportare indietro mio marito e fermare il divorzio con il sacerdote jaja in 48 ore di contatto. Non posso ringraziarlo abbastanza per aver ripristinato il mio matrimonio e riunito di nuovo la nostra famiglia. Ecco il contatto per contattarlo .lovetemple0001 {@} {gmail. { com} { whatsapp} +1716_503_7879

minimalist piano

Nous

Composed & Played by www.StanLeonard.com
Tell me why?

Why?

ig @ neogeodk • snap @ goodguygeo
https://spoti.fi/3GpHvz5 • Apple Music apple.co/3KCsf3F • BandCamp https://bit.ly/3pVmXqD

This release marks the second album in a series of 7, arriving each autumn. 
The more I look inside, the more the outside seems to unveil itself; a wild, wondrous place with so much to discover, both grave and novel. And even though there are times when we must take different roads towards common goals, hopefully we can easily find each other in the end.

Thank you for listening and please take care.
· 
Cette sortie marque le deuxième album d'une série de 7, prévu pour chaque automne. 
Plus je regarde à l'intérieur, plus l'extérieur se dévoile ; un lieu sauvage et merveilleux à découvrir peu à peu, grave et nouveau à la fois. Même s'il nous faut parfois prendre des chemins différents vers nos objectifs communs, j'espère que nous nous retrouverons facilement à la fin.

Merci pour votre écoute et prenez bien soin de vous.

Different Roads Towards Common Goals

Spotify

Unspoken

https://www.facebook.com/Lena.Violin/posts/888979737979655                   My violin with wonderful piano sound of Dirk Maassen.
Enjoy !!

Night Falls

Night Falls - Dirk Maassen feat. Lena MolFa #follow me on spotify

Explore the hauntingly beautiful 'Can You Hear the Voices?', a song that weaves the subtle whispers of unseen choirs with the profound depths of instrumental music. This piece invites listeners to delve into an unseen world, questioning the very essence of sound and silence.

Can You Hear the Voices?

Restless

My second album "Different Ways" is now on Spotify!

open.spotify.com/intl-tr/album/1K…lYRoqlF_cNKKdZcQ

Different Ways

From the upcoming release, A Grave Mistake (Oct 20, 2017, my piece "When Do You Leave?" Hope you enjoy.

When Do You Leave?

Originally conceived as a Royal Ballet-commissioned collaboration between composer Max Richter, choreographer Wayne McGregor and artist Julian Opie, Max Richter’s gorgeous score to ‘infra’ is deservedly given life of its own in this album-length release from FatCat’s instrumental/orchestral imprint 130701 Records.

The initial setting for ‘infra’ was as a ballet - written in autumn 2008 and premiered in November of the same year at The Royal Opera House in London – although here Richter’s score is given the full scope of a standalone new album. Expanded and extended from the original piece, ‘infra’ comprises music written for piano, electronics and string quintet, including the full performance score as well as material that has subsequently developed from the construction of the album – more a continued reference to the ballet than as a “studio album” in the strictest sense. The composition resonates with Max’s characteristic musical voice – majestic, involved textures; fluent and sweeping melodies; an enigmatic and inherently intellectual understanding of harmonic complexities that compels and mesmerizes.

Richter’s work on the ballet came initially from McGregor’s invitiation, a request for 25 minutes of music for his piece, inspired by T.S. Elliot’s ‘The Wasteland’ and named after the Latin term for ‘below’. This eventually became more collaborative as the project developed – Wayne would ask for Max to extend or alter certain passages of music in accordance with his own amendments to his choreography and concept, whilst logging the whole process for a BBC documentary (broadcast, along with the ballet in full, on BBC2 in November 2008). The dance performance was backed with digital images created by Julian Opie – observational scenes of street life, haunting and curiously balletic despite being of the everyday – and Max’s score is an appropriately close reference to the traveling theme:

“I started thinking about making a piece on the theme of journeys. Like a road movie. Or a traveler’s notebook. Or like the second unit in a film - when the scene has been played, and the image cuts away to the landscape going by. This started me thinking about Schubert's devastating and haunting "Winterreise" (Winter Journey), so I used some melodic material from Schubert as a found object in parts of my new piece.“

The recording of ‘infra’ took place in one day at London’s AIR Studios – recorded onto 2” tape, engineered by Nick Wollage and overseen by Max - before a return to the mixing studio (Max’s StudioKino and Trixx in Berlin) for Max’s typically intricate and lengthy process of crafting completed pieces from the recordings.

Infra 6

Promise Me

http://heinali.bandcamp.com/album/sway-sway

Sway, Sway

http://www.flutteryrecords.com/flttry039.html

October

Ebb & Flow

I have known recently Dirk Maassen for his wonderful music and as a person.
Generous in any sense and deeply dedicated to his and other people work.
His piano, a bliss.
Here I have only contributed with an orchestral arrangement which was due to the inspiring song Dirk has created. A full collaboration will come soon.
Thank you Dirk 

Dirk Maassen (feat. London-DC) -To the sky (Symphonic version)

Sophie writes piano pieces inspired by the highland landscapes in which she grew up and with which she still has a strong connection.  She plays by ear.  Sophie's first album, Glass Slopes, and follow up EP, The Passenger, are available to download from Bandcamp. 

http://sophiekazandjian.bandcamp.com/album/glass-slopes-modern-classical-piano-works

Promise Me

Sophie Kazandjian

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