Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Label, booking agency & online record store

A seal of quality. It's the banner for a global network of friendships and creativity and - let's not forget - parties.
Made in Berlin. International. One of the most polyphonic chords ever struck by an electronic music label: Techno, Electronica, Indie, IDM, Pop, Beats, Song Writing. 
What matters is music that moves: bodies, spirits, emotions.

cheval qui s'emballe fleurs poussées par miracle morsure d'un chien enragé baignades involontaires vols de fruits et d'une poupée égarement dans la forêt maladie noyade fêtes au château

::: Mission : streaming sounds from space
::: How : sending sound probes

French House and Techno Veteran, Rex Club Resident, Geschäftsführer of 510k

 http://www.510k.de


Fabrice Lig is considered by his peers & techno fans around the globe as a world class producer.

He is well known for his particularly funky use of Roland’s sh101 analog synth, and for his particularly emotional and personal melodies and harmonies.

There is no doubt that after more than 20 years of teaching himself production processes, complex midi programming and harmonies, Fabrice’s sound is unique and recognisable among the thousands of weekly techno releases.

Demonstrations of these skills appear on the crème de la crème of electronic music labels such as KMS (Kevin Saunderson), Planet-e (Carl Craig), Submerge, R&S, Third Ear, 7th City Records (Dan Bell), F-Communications (Laurent Garnier) , Versatile, Classic, Compost, Subject Detroit, Motech, Raygun, Playhouse Records, Kanzleramt (Heiko Laux), 70 Drums (Ken Ishii), Clone, Trapez ltd and so on...An exceptional discography into mythic labels, into history of electronic music.
By the end of 1998, after his first DJ and production experiences, under the Interwaves and Bug Orchestra nicknames, Fabrice was elevated to the ranks of the Detroit musical elite by Mad Mike himself, thanks to his classic remix of E-Dancer’s Banjo track on KMS: “Fabrice is a part of Detroit music's history by being the first white producer to record on KMS, and the first double groove recording from NSC”.
Fabrice has built a solid discography and reputation, confirmed by his reknowned appearances at the world’s best clubs & festival line ups such as Panorama Bar-Berlin, Fabric - London, Womb-Tokyo, Detroit Fuse-In Festival, Fuse - Brussels, Loft - Barcelona, Sub Club - Glasgow, The End - London, Sonar Festival, world famous official Montreux Jazz Festival, Bourges festival (On stage with Jean-Michel Jarre ), to name but a few. One of the highlight of Fabrice dj career is the paper into Detroit Free press where his performance was voted best dj Set of 2005’s Detroit Fuse-in Festival.
Fabrice also collaborated and remixed some artists like Laurent Garnier, Kevin Saunderson, Agoria, DJ Hell, Ken Ishii, Kenny Hawkes, Rob Mello, Frederic Galliano, Chymera, Trüby Trio…
After his last Soul Designer's album on Third Ear (2007), Fabrice decided to take a bit of a break from music and concentrate on some educational projects. Nevertheless, he released his classic Purple Raw EP on Versatile in that period, as well as some own EPs on R&S, Subject Detroit, .. next to a few remixes. Over the last few months however, Fabrice quietly prepared the celebration of 20 years of music by producing a new album with the idea to make a strong “come back” with fresh material for late 2014.
And when Carl Craig first heard "Galactic Soul Odysseys", he instantly decided to invite Fabrice to join Planet E's prestigious family. Once again, Fabrice work is entering history of music through one of the most respected labels from the techno community.
Fabrice is really excited to be back on tour for live performances around the globe and to present that new material to his fans...

As Jean-Michel Jarre said in an interview for MTV : "What is touching me in Fabrice Lig's career is the way he is following his own line, without caring about trends, and that's the path an artist should follow. It is not post Detroit, it's an emotion"


sound designer.  synthesizer patcher.  experimental electronic musings.  synthnerd.  occasionally producer of rock albums.

DOC RECORDS is an independent record label founded in 2013 and operated by Brazilian architect and music producer Gui Boratto. The name is a reference to "Denominazione Di Origine Controllata" or D.O.C., used for certifying all different types of food which follow a set of regulations and come from specific geographical areas. In this case, it's about music that relates to Gui's own sound-like principles: to Gui, more important than style, it is the music itself that and its beauty and harmony that count the most. Thus, the intent to launch quality timeless music, avant-garde, rhetorical and with a well defined and efficient language and expression, regardless of its shell. 

After all, there's only good or bad taste.

i am not checking the PN here on SC, please contact me via email or other socials , thank you. 

Robert Babicz has been redefining the boundaries of electronic music since the early 1990s. His unique artistry encompasses sound, vision, emotion and spirituality. From releasing and performing acid techno as Rob Acid, to his role as a highly-sought after producer and studio wizard infusing technical perfection with deep emotion, to his striking photos, everything Robert does expresses his desire to celebrate beauty and humanity, and to live each moment with utmost consciousness. Robert's art and philosophy are so distinctive there's a word for it: Babiczstyle. 

Photo by Andre M. Hunseler | thinkingpixels.com

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