Un super titre très agréable à entendre, je partage dans ma playlist

What can you say? Excellent singing and playing performance

Great song!  Nice guitar and vocal performance.  Keep up the great work!

love this track listened to it 3 times overall

Nice acoustic version, yore's a little bit of George Harrisson !

Tons of guitar with a big phat beat to pump the hell out of it.  Nice smooth bass all around and a ton of extra Shit to fill the cracks .
Composer Fernando Melo

Well Dressed Rage

Las Luces feat Ziberia

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Written by Juan Rojo, Andrés Landon, Nicky V
Lyrics: Juan Rojo
Guitars: Nicky V, Juan Rojo
Drumsteel & Luces: Andrés Landon
Vocals, Juan Rojo, Ziberia
Backing vocals: Aurus
Production, Mixing: Juan Rojo
Mastering: Nicky Howard

Las Luces feat Ziberia

Call back Angels, track 4. Angels beg to act out of love

If You're Brave enough

Recorded with a 1976 Gibson Les Paul and a Sterling by Music Man StingRay Bass.

RON SNYDER - Jaywalker (Instrumental)

Written: 2022-23
Duration: 30'
for piano trio (violin, cello, and piano) and orchestra (2-2-2-2 / 4-2-3-1 / 3 percussion, timpani, strings)
Commissioned by Neave Trio
World Premiere: Mostly Modern Orchestra with Neave Trio, JoAnn Falletta, conductor, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 17, 2023.
Publisher: Bill Holab Music

As we live through a sixth mass extinction, it is not difficult to question whether we can act as good stewards of our earth. While I often feel a sense of despair — how could we have messed this up so badly? — my thoughts are often, perhaps irrationally, tempered by a sense of optimism. Maybe we can fix this, or at least that’s what I tell myself. Triple Concerto is essentially an exploration of these emotions. As a scenic point of departure, the entire work also uses three types of geographical regions as inspiration.

Triple Concerto is structured a bit differently than a traditional concerto. An introduction and three larger movements are interspersed with three small trio-centric movements that loosely function as either a prelude, interlude, or cadenza. These three smaller movements also exist as a stand-alone version for the piano trio that may be performed as a sort of “teaser” for the concerto on a chamber music concert.

The first movement, Introduction, loosely evokes a sunrise. Toward the end of the movement, bird song melodies from around the world are incorporated and performed by the winds. This leads to a movement entitled Chorale Prelude, focusing on the piano trio, leading to a joyful third movement, Bright Pastorale, filled with bright, sunlit bell-like chords and sounds reminiscent of birdsong. Moments of despair begin to appear as the movement progresses. The movement ends darkly, like an overcast sky before a storm. The fourth movement, Interlude, echoes the beginning, focusing on the trio once again and evoking a sense of longing, the sound of a more innocent time. Tundra, the fifth movement, is cold, dark, and bleak but with swaths of color. A sense of sadness and loneliness permeates this movement, at times represented by various mournful effects such as bent notes created by dipping tubular bells in water and glissandi in the strings and brass.

After the fifth movement, the trio performs a virtuosic Cadenza, full of grief and rage but with signs of hope. This leads to the final movement, entitled Summit. Ascending lines suggest climbing a mountain, both literally and figuratively. After a brief climax, eleven bell-like chords sound one after the other, symbolizing the chimes of the Doomsday Clock. The winds perform birdsong once again, perhaps of songbirds that may soon become endangered or even extinct. In a nod to Haydn’s Symphony No. 45 (his “Farewell Symphony”), the players leave the stage one by one until all that is left are the trio and conductor.

Triple Concerto was commissioned by the Neave Trio and premiered by the trio and Mostly Modern Orchestra, JoAnn Falletta, conductor, at Mostly Modern Festival in Saratoga Springs, NY.

– RP

Movements:
I. Introduction
II. Chorale Prelude
III. Bright Pastorale
IV. Interlude
V. Tundra
VI. Cadenza
VII. Summit

Triple Concerto, "Summit" for Piano Trio and Orchestra (World Premiere)

Audio Music Library for Videos – FREE DOWNLOAD!

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Track name: Fun Adventures in Paris
Music by Michael Herter
Free Download: https://bnd.link/sibviolin
Video: 

Embark on a lively journey through the streets of the capital of France with "Fun Adventures in Paris", a delightful music track in the style of Vladimir Kosma and French comedy music. Featuring enchanting accordion melodies, grooving double bass, jovial tuba, playful clarinet and energetic percussion. Perfect for film, television, advertising and more. 

d-moll; 4/4; 115 bpm

► Support my Creativity: https://bnd.link/sibviolin

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Fun Adventures in Paris

Fun Adventures In Paris

Our new song Hold Me
Enjoy

Lyrics & Vocals - ALDONALD SHYLKI SHYLLA
MUSIC, MIXING & MASTERING - PREETAM RAJ GAYARI

Licensed to CD Baby

Hold Me ft Aldonald S Shylla

Impossible Lover (His Theme)

La Brea

"We Shape the Sky" is about love's fleeting yet essential nature, painting a universe sustained by a lovers' bond. The chorus is about the enduring power of love to shape the universe.

Verse 1
In the beginning, there was nothing but void
No light, no sound, no stars to avoid
A spark of energy, a cosmic seed
Burst into being, the universe freed

Chorus
Shooting stars you cannot keep
Passing strangers in the street
We arent standing by
We shape the sky

The stars are you and the moons are me
One another we always see
We don’t occupy
We shape the sky

Verse 2
Expanding outwards, at a rapid pace
Particles and matter, taking their place
Gravity pulling, causing a swirl
Forming great structures, each one a pearl

Listen to my band

We Shape the Sky [acoustic]

A. I.

Singer/Songwriters from Massachusetts
Stowell: Vocals, Guitar, Keys, Writer
LoConte: Bass, Writer

Impossible Lover (His Theme)

STOWELL

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