Whether rapping, producing, performing, teaching kids to beatbox or working the former job of a youth counselor, it’s clear Carnage The Executioner was born to do two things: instruct and entertain. Musicians, dancers, DJ's, poets and television hosts who have worked with Carnage recognize his dedication to his craft and would confirm that he doesn’t disappoint. Ask emcees about Carnage’s skill level and you’ll find out that the phrase, "he’s your favorite rapper’s favorite rapper,” actually fits.

A music fan since childhood, Carnage has filled his memory bank with thousands of references from all genres to draw from. Carnage’s start as a human beat boxer has taken on a life of its own. He now uses technology like looping and effects pedals commonly used by guitarists. He enhances the experience of a live Hip-Hop show by providing his audiences the opportunity to hear original Carnage material, as well as unique improvisations and spot-on recreations of popular songs. Carnage uses this same musical knowledge and technology to create custom, studio human beat box tracks. His audio vision via mouth music can be heard on albums by Hip-Hop heavyweights Aesop Rock and R.A. The Rugged Man. Carnage is also a self-trained song writer who’s skilled enough to compose a heart-felt story as easily as he can craft an intricate battle rap.

Carnage gained national fame from his past guest appearances with Eyedea & Abilities. It’s his own original songs, however, that allow his fans to connect with him the most. Songs like Addict, Save My People and The MTW Story give fans a glimpse into the real-life experiences of Carnage the human being. 

Always moving forward, Carnage continues to expand his art and build the Hecatomb crew - a slew of like-minded artists who share his passion to create honest, raw Hip-Hop music. A student and fan in his humble beginnings, Carnage stays true to the culture that both helped to change and save his life.

PRESS MENTIONS:
In reference to Carnage’s beat boxing abilities, Chris Riemenschneider from Minneapolis Star Tribune said, “his mouth might be the best drummer in town” in 2011. Carnage was named one of the “Top 20 MC’s in Minnesota” by City Pages in 2012, ranking #8.

Well howdy there, it's me Coop!  Lots of fun music on this page, lots more at my website cooperbaldwinmusic.com
XoXo Coopie Girl

See also: 
http://soundcloud.com/monster-planet
http://soundcloud.com/orotund
There's more music on my hearthis page: https://hearthis.at/brian-oblivion/

I do not check my SuckCloud messages. if you want to contact me, do so thru my Farcebork profile.

Nathan M. Schilz is a songwriter, film and theatre composer, and theatrical sound designer from Seattle, WA. His first musical, "Nightmare Man," premiered at the MN Fringe Festival 2011 followed by the 2012 MN Fringe production of "Kafkaesque: A Musical Metamorphosis." He is currently working on his first full-length show, "American Nightmare: The Trials of Jeffrey Dahmer."

Nathan is a multi-instrumentalist (guitar, bass, drums, voice, oboe, baritone, violin, piano, organ, etc.) with an extensive background in music theory, composition, and arranging.  In June of 2008 he also attained Operator-level Certification for Pro Tools software from the Institute of Production and Recording. He is currently in the process of obtaining Ableton Live certification through Slam Academy in Minneapolis.

Nathan's Schilz's style is caught somewhere between lush orchestra and raging guitars, sincere piano and thumping ambient beats.  Each work is different, and that is how the composer approaches each new project--a challenge to create a new sonic field to support the director's vision.

Studio Alethea is following