A great introspective scene. Well handled.

awesome and powerful music!! love the strings

@user-138663860: Thanks so much for listening Sandy, and sharing, much appreciated! :)

Nice and deep musical feel ( i imagine Scotland mountains )

An excellent atmospheric feel, beautiful.

some deep mystery in this. Great piece Lizzie

Celtic

Conga and Bass brothers

Thank you for listening!

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

Surrender

'banjovi'

something until the next thing

banjovi

Final mix of this tribute to all pollinators. Vanessa atalanta (aka Red Admiral) was formerly known as 'The Red Admirable'. This beautiful butterfly is on the ropes and in need of our help. The admirable creature needs long grass and not manicured lawns.  
Pic. c/o Pinterest
Previous mix:
https://soundcloud.com/user-146692255/red-admiral-cla158m2-early-mix?si=82d7ae9dec5a48c0ac7d52f11e10f236&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Vanessa atalanta ['Red Admiral' -  final mix]

Cast of characters:
Jack Karasek — beats and seed idea
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–beats
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Roland Phantom workstation
Llanpsych–@llanpsych –Tez– electric guitar
Tea R. Sea @tea_are_sea -- Terry – Synthesizer
TexMex Shaman–@texmex-shaman –Stephen– mix, master, and production
This song began with Ken's oldest son, Jack, who laid down the basic rhythmic beat. Ken took over after that with the rest of the beats, though. Jack just graduated high school last week, and he's into hip hop and trap music, so he wanted to share some of it with his musician father, who is very proud of him.
  Tez was first up on this one, which surprised me when I went back and checked the workflow. He added the perfectly placed guitar hits throughout. Josh was next up, using his synth to add the falling bass line. Last, but not least, Terry came aboard, adding the moody, melodic, high register synth.
  When it was all finished, we asked out resident pro mixer, Stephen, to mix it for us. 
  This song was in its current form for about the past eight months. It was originally part of a series of vehicles Eclectic Collective composed for The Mysterious Decibel. He got caught up in life, though, and had to abandon the project. So, we sat on it, asking all the rappers we know if they'd be interested in having a go with it, but no one bit. So, with Jack's recent graduation, Ken revived it as a celebratory song for his son. It could still use some vocals, too, so think of this as an open invitation to anyone who want to do the honors. 
  We hope you enjoy listening to this as much as we enjoyed making it. 
  Oh, and just a side note for all of our friends who follow along with us, we won't be releasing a song this coming Friday, the 4th, but will have  new one for you, the following Friday, the 11th. Thank you for keeping up with us!

Throwing Rocks (Eclectic Collective)

Une chanson contre la violence conjugale...
A song against domestic violence...

Composer/Arrangements/Guitars/Slide : Philippe SEGUINARD
Songwriter : Guillaume DULER
🎸J I M🎙️: @user-759566380

Piano/Synth/Arrangement : Régis GAUBERT  musicoman@wanadoo.fr soundcloud.com/robspiritduo/tracks

Vocal/iIntro&Final text : DelhyA

J'entends les cris là-haut d'une autre qui se débat , d'une femme qui pour cette fois ci n'est pas moi. Rien ne doit transparaitre , je ne dois pas laisser mes larmes couler et se frayer un chemin jusqu'à mes lèvres scellées . Et même si les bleus sous ma peau se réveillent , je dois les ignorer et agir comme si tout était pareil...


La peur de lui parce qu'un verre de trop
surtout se fondre invisible sans mots
elle en vit par la force à coté de la vie
prisonnière isolée sans porte de sortie
cécité de son sang et de ses amitiés
ne pas parler se taire rien ne doit transpirer
se voiler d' un rideau de tissus de mensonge
triste jeu de cache cache qui consume et qui ronge

Et il dit qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort

mentir au soleil quand la lune voit tout
les nuits sont cruelles écrasées de tabous
la honte qui maquille la vérité trop laide
qui étouffe les cris de ces appels à l'aide (help!)
accoudés au silence les sévices bien tranquilles
se prennent du bon temps ils jouent à domicile
au coupable les mains pleines de frappes de raisons
à la victime le doute de fuir sa déraison

Et il dit qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort

le sourire de façade sous des tonnes de semblants
donner le change à celles comblées par leurs amants
vider ses yeux de tout ce qui pourrait trahir
ces miroirs là qui font qu'elle ne pourrait mentir
les bleus des sentiments qui lui cognent à la peau
violence d'un élément qui laisse sur le carreau
un corps vandalisé mort pour la fratrie
tombé au champ d'horreur abattu par celui

Qui disait qu'il l'adore...Toujours un peu plus fort... jusqu'à la mort

des baisers dans la gueule
caresses à poings fermés
d'un amour qui dégueule
de passions débordées

La tendresse des coups (quelle tendresse?)

Je ne peux les laisser atteindre ce rivage muet… où les vagues d'une mer intérieure contenue se brisent en silence...
———————————————————————————————————
I can hear the cries of another woman struggling, a woman who this time is not me. I mustn't let anything show, I mustn't let my tears flow and make their way to my sealed lips. And even if the bruises under my skin awaken, I must ignore them and act as if everything were the same...

Fear of him because one glass too many
above all melting away invisible without words
she lives by force beside life
prisoner isolated with no way out
blindness of her blood and her friendships
don't talk shut up nothing must transpire
veil itself with a curtain of cloth of lies
sad game of hide and seek that consumes and gnaws away

And he says he adores her...always a little harder... until death

lie to the sun when the moon sees all
nights are cruel crushed by taboos
shame that disguises the truth too ugly
that muffles the cries for help
crouched in silence quiet abuse
have a good time they play at home
to the guilty hands full of strikes of reasons
to the victim the doubt to flee his folly

And he says he loves her... always a little harder... until death

the facade of a smile under tons of pretence
giving the lie to those fulfilled by their lovers
emptying her eyes of anything that might betray
those mirrors that make it impossible for her to lie
the bruises of feelings pounding against her skin
violence of an element that leaves
a vandalized body dead for the siblings
fallen in the field of horror shot by the one

who said he adores her...always a little harder... until death

kisses in the face
caresses with closed fists
of a love that spews out
of overflowing passions

The tenderness of blows

I can't let them reach that mute shore again where the waves of a continuous inner sea break in silence...

La tendresse des coups (with 🎸JIM🎙️and Régis GAUBERT)

Another ancient song from my back pages ...back when I was so much older  and serious

I See You Now

A lonely walk to the water                  
Another taste of the rain               
How it stirs and frees a memory       
That trips me up again                                             

As I float on this river
I hug the question of time 
All that is it will be was
Each hour yours and mine

And maybe                                             
One day, I 'll breathe                               
Another way, another life to be found    
And maybe
You'll signal me
And I will finally see when I look around

I see you now, you say to me                 
So far from shore so far from me          
I see you …you say to me                                       
I see you now, you say to me 
I can not hear you're far from me
Can't see you, hear you calling out to me

A glimpse of your story
How could it be
A light, a trick, some wistful dream
That danced along with me

This fleeting emotion
It's been cast to the floor
Just a soft mirage of all there was
Now hanging by my door 

And maybe
One day, we 'll breathe
Another way, another life to be found
And maybe
You'll still be there for me
And I will finally see you when I turn around

I see you now, you say to me                 
So far from shore so far from me          
I see you can you see you                     
I see you now, you say to me 
I see you now can you see me
I see you, see you

I See You Now

Everyone is a traveler... May good fortune be with the traveler!!
This was created with such feelings in mind.

thank you for listening！！

DAW: Cubase pro 14
Spotify↓↓
open.spotify.com/artist/312MPUfW0fyacOfLoDMc9u

Instagram↓↓
https://gate.sc/?url=https%3A%2F%2Fwww.instagram.com%2Fsuperps32023%2F%3Fhl%3Dja&token=68bce4-1-1686833662817



Lonely traveler

Cast of characters:
Llanpsych -- @llanpsych -- Tez – Fender Telecaster electric guitar, mix, production, and composition
Mistermark-- @user-432503709 -- Mark – synthesizer, vocals, and lyrics
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four string bass
TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson cutom T electric guitar, sometimes with an ebow
J.J. Terrell– @j-j-terrell – organ and synth

This song began as an idea Tez came up with on his guitar while on holiday not far from his home in Wales. It had such a solid form, it inspired Mark to write lyrics and come up with vocal melodies within a few days of hearing it for the first time. The two of them have written several songs like this, making them a solid songwriting source for Eclectic Collective. 
  Once the song had a even more solid form, Ken took added his dynamic, bouncy-groove drums to it. As soon as Ken had the drums down, Josh took his turn, adding the fretless bass and solidifying the groove. Now that the basic framework was done, Stephen added his thrilling electric guitar. Last, but certainly not least, JJ added his dancing organ and the really cool, psych synth lead part in the bridge towards the end. Mark also added some awesome backing synth to it, as well, filling out the sound. At the very end of the process, Tez also dropped in the hot intro and outro solos, as well.
  Once we had it all in the can, it was time to turn it over to Tez for his expert production and mix. He came up with the idea of adding reverb to the drums, as well as some other compression tricks, which he employed with subtle style. 
   This, as mentioned, is a great example of what Eclectic Collective can do in house with the composition and songwriting skills of Tez and Mark. The rest of us really had fun working on this one, too, of course. We hope you enjoy listenig to this as much as we enjoyed making it.
Original lyrics by mistermark:

There’s something I’m seeking that I’ve never found
but the seed that you planted went deep in the ground 
there’s a journey that I’m on and the path is uncertain 
the magic fades when you pull back the curtain 

Wherever you go I will follow
there’s always another tomorrow 

There will never come a time when I do you harm
cause my soul is steady when I’m in your arms
and never have I heard music like your Voice 
when you call me to you I have no choice

Wherever you go I will follow
there’s always another tomorrow 

Like a puzzle on the table all the pieces fit
like I’m standing in the dark and a match is lit 
and what it all means man I just don’t know
but it’s a powerful feeling and it’s starting to grow

Wherever you go I will follow
there’s always another tomorrow

Wherever U Go - The Eclectic Collective

slide with me

Abissi

An Irish-tinged tune about the Lindisfarne Gospels to reflect the Irish foundations of the community despite the later Romanisation of the Celtic church. 

The track title comes from me thinking about it being a beacon of civilisation, a rallying point, during the Early Middle Ages whist a far chunk of the UK was under Viking rule and Christianity had again been pushed to the margins of the UK.

Thanks to Karen O'Mahony (MonnoDB) for her (harp playing) advice - check out her stuff here:- https://soundcloud.com/monnodb

This track is now part of "The Pilgrims Way Project" exploring the history and natural world of Lindisfarne

Project Playlist

soundcloud.com/mrbouzouki/sets/the-pilgrims-way-project

Project Website 

https://www.pilgrims-way.co.uk

----------------------------------------------------------------------------------------------
Instrumentation
A Light in the Darkness instrumental features strings, high C whistle, harp, violin,  Uilleann pipes, bodhrán (Irish frame drum) and a choir backing.

The sound of 'Eadfrith' doing his writing is a sound FX that is classed as Public Domain and used to add colour to the track, It can be found on www.freesound.org

creativecommons.org/publicdomain/zero/1.0/

----------------------------------------------------------------------------------------------
Background
The Lindisfarne Gospels is an illuminated manuscript gospel book probably produced around the years 715-720 in the monastery at Lindisfarne, off the coast of Northumberland, which is now in the British Library in London. The manuscript is one of the finest works in the unique style of Hiberno-Saxon or Insular art, combining Mediterranean, Anglo-Saxon and Celtic elements.

The Lindisfarne Gospels are presumed to be the work of a monk named Eadfrith, who became Bishop of Lindisfarne in 698 and died in 721 AD

A Light In The Darkness

Semi-Finalist in the Instrumental category in the UK Songwriting Contest 2018

With The North Shore I hope to give a feel of that 'magical interface' between land and sea, a place apart from the hustle and bustle of life where your soul can find peace for a while. A natural world full of wonder for those with the time and inclination to see.  

This track is now part of "The Pilgrims Way Project" exploring the history and natural world of Lindisfarne.

Project Playlist

soundcloud.com/mrbouzouki/sets/the-pilgrims-way-project

Project Website 

https://www.pilgrims-way.co.uk

----------------------------------------------------------------------------------------------
Instrumentation
The North Shore instrumental features low whistle, DADGAD tuned acoustic guitar, strings, choir backing, violin and synthesizer

A sea waves sound FX that is classed as Public Domain is used to add colour to the track from www.freesound.org

This recording was actually done at Bamburgh, just down the coast from Lindisfarne island.

creativecommons.org/publicdomain/zero/1.0/

"Flock of Seagulls" by juskiddink (5th June 2010) licensed under creative commons attribution licence via www.freesound.org

creativecommons.org/licenses/by/3.0/

----------------------------------------------------------------------------------------------
Background
The 'semi-hidden' North Shore of Lindisfarne is driven past by tourists every day, eager to see the 'sites' of the Island in their race against time before the tide cuts them off from the mainland. It is part of the Lindisfarne Natural Nature Reserve and its shifting sands and tides combine to create the 3500 hectares of dunes, saltmarsh and mudflats of the Reserve, home to a fascinating array of birdlife, seals, rare orchids and other wildlife. To experience it you need to spend time on the island, either by choosing to be cut off by an early tide or ideally stay on the island for a while.

The North Shore

Music by Carmen Belle White - www.carmenbellewhite.com

Video on YouTube: https://youtu.be/DjsV10ZpoTY

Cover image by Carmen Belle White

© 2018 Carmen Belle White

Wildwood Mantra

Buy on Bandcamp

A Bard's Tale

Today we celebrate Imbolc, the start of the Celtic Spring
Blessings to you all and may you always have fire in your hearth!
Music, guitar and vocals  Lizzie Taypen

Stirrings from the Cell of Oak

( REPOSTS  are  routed to Synthgrinder [REPOSTS] )
( https://soundcloud.com/user-813544615 )


++++. PROFILE NOTES ++++

Once a wannabe, not yet a has been.

It had been over a decade since I put together a song,
and for that matter basically walked away from music altogether.
Losing hope that I would ever have the time to put into music again,
I finally gave away my 3rd music studio.
I ran across SoundCloud around 2013,
and thought I might take what few songs I had recorded, 
and lay them to rest there.
And there they languished.

HOWEVER, around 2017 I went back to SoundCloud
and began listening a little more and a little more,
and actively taking a part in visiting the sites
of so many wonderful musicians and beautiful songs.
Also, more and more often I would discover that these artists
were blossoming everywhere around the world,
and most definitely worthy of high praise and compliments.

Then suddenly, these old dead soundtracks right here
began to have a bit of life breathed back into them.
From the kind words that began to come trickling in,
I thought, maybe, someday I might give this music thing a try again.

The thing that finally pushed me into action
was a particular SoundCloud artist…Sander Heerings,
AKA https://soundcloud.com/wane-of-summer
 

Not only was he encouraging,
but he began faithfully responding to a few questions,
then a barrage of them.

The final result seemed to be that after a couple of months,
the Old Grinder now has a 4th studio and, finally, a new song.
I hope there may be many more to come.

Thank you Sander, and to the multitude that have dropped in
to listen to these old songs, 
and most of all, for perking up my spirits.

Stirrings from the Cell of Oak

Lizzie Taypen

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