From the album ‘Trust No Leaders’ by The Chronicles of Manimal and Samara. Released July 1, 2022. 

// Count the Dead
The events of 2020-21 have exposed the fragility of our global systems and the flawed foundations on which modern societies and economies are built. ‘Count the Dead’ brings attention to complex issues concerning the value of human life. The song draws attention to the social and economic injustices that plague society, and the violent health inequalities that have been further exacerbated by the global pandemic, which has now claimed more than 4 million lives worldwide.    

Continuing the themes addressed in ‘Love in the Time of Pestilence’, ‘Count the Dead’ is the second instalment of songs addressing the ongoing pandemic and global crisis. At a time when the world appears to be more divided than ever before, discourse has never been more important, and urgent.

______________________________

// Purchase ‘Trust No Leaders‘ Album CD + Digital Download:
▸ tcomas.com/trust-no-leaders

// Stream album on all platforms:
▸ tcomas.ffm.to/trustnoleaders
______________________________

🎵  Lyrics 🎵 

The human race has been living in fear for years 
No one to trust, who do we blame 
Millions have died because their leaders gambled with lives 
Who are they to decide who lives and who dies 

They put wealth, over our health  
They count us dead, while we are alive 
They let bodies pile, then feed us lies 

Here,  
Don’t lie 
Don’t waste my time 

The culling of man 
The great divide 
Priority to the rich  
The poor die like flies  

Thrive and despise 
No more love for those demised 
You count the dead before they die 
You prosper on fucking lies 

A great chasm has formed within our societies 
A story of two nations, rich and poor 
Rising inequality and injustice 
The worst of human nature, amplified 
  
You let the masses congregate   
Knowing thousands will die  
You gamble with lives, ignore the science  
Your policy has cost thousands of lives  
You look away, as the bodies pile high  
You count us dead, while we are alive  
Count the dead, before they die  

Thrive and despise  
No more love for those demised  
You count the dead before they die  
You prosper on fucking lies  

Thrive and despise  
No more love for those demised  
You count the dead before they die  
You prosper on fucking lies  

Here,   
Don’t lie  
Don’t waste my time  

Now is time for the human race to rise up  
Our leaders have fed us lies for far too long  
What humanity needs is a great reset  
Find ways to harmonise, not polarise  

Follow no leader  
But leave no one behind


------------------------------------------------------------------------------------------------------

Connect With The Chronicles of Manimal and Samara: 
➤ Official Website: https://tcomas.com
➤ Spotify: https://open.spotify.com/artist/2V3zzIcq2sbRbaEjbGypc8
➤ Instagram: https://www.instagram.com/tcomas.music
➤ Facebook: https://www.facebook.com/tcomasmusic
➤ Twitter: https://twitter.com/tcomasmusic

©℗ 2021 The Chronicles of Manimal and Samara / TCOMAS Music
#COUNTTHEDEAD #TheChroniclesofManimalandSamara #TCOMAS #TCOMASMUSIC

Trust No Leaders

Count the Dead

⚡️Buy Album ⚡️

Count The Dead

In the darkness of the night, I found light,
Illuminated shining so bright.
Something unknown, unseen by thee,
A mystery you'll never be, never see.

Halena Morbida is the product of a middle age crisis. It is not about a particular genre, it's about the joy of creating music.

I use Ableton Live 11, Ibanez GIO electric guitar, Harley Benton electric bass guitar, HB acoustic guitar and acoustic bass guitar, Boss ME-80 processor, bongos, tambourine, cajon, and a bunch of different kinds of flutes.
 I am not a musician, I just fool around, while learning how to play my instruments. 
The artwork for the tracks is AI generated and the titles are chosen mostly using the method of free association.
Thank you for listening to my crap! 
Have a nice life while you still have it!

Retired the beginning of 2023. Been writing music seriously for about six years. Thanks for listening - and sharing!

‘Dreaming Of Me’ OUT NOW ❤️‍🔥🤭
Singer | Songwriter | Producer 🖤

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

Some people may notice a stark difference between some of my music from a few months ago versus what I'm creating now. It represents a journey from anger and confusion to a desire to heal.

- Bob Garaffa 😎🎤🎸🎸🎹 (Lead and Bkng Vocals, Lead and Rhythm Guitars, Bass Guitar, Mandolin, Keyboard Synthesizers, $Drum Sequencer Programming and Percussion)
- *Kevin Newton 🥁 on Drums. 
- Produced by Bob Garaffa
 Formerly of the New Jersey band 'Amphibians'
A great band from New Jersey, a wonderful band that’s going to be around forever.” Don Dixon, REM/Counting Crows/Smithereens producer* “ A sixties British sound with cool guitar riffs. It’s nice to hear a song that sounds happy without being saccharine”. Jerry Harrison, Ex-Talking Head, Garageband founder (Advisory board member along with George Martin, Brian Eno, Steve Lillywhite etc.) and producer, review of “New Day” *
'New Day (I Feel Alone)' by Amphibians
https://on.soundcloud.com/Zjcj7
 Progressive rock with brilliant melodies” Billboard Magazine “ * When a band’s from Jersey you expect alot and the Amphibian’s power pop definitely delivers.” Yahoo Music/Listen *“Any one of the songs I heard tonight would make a great hit single.” Aquarian Magazine “Interesting and catchy, you guys understand that rock is groove-oriented. I loved the songs! Great job and congratulations!” Musicians Network * ‘They combine styles such as rock, dance and pop with the drive, ambition and determination shared by few songwriters.” Steve Zuckerman, freelance writer, Rolling Stone and other music publications.
Amphibians dig back to simpler times when vocals were key, melodies integral and lyrics from the heart. They mix this with a progressive backbeat for an appealing new sound unlike any other. Their offering is unique in its freshness, a change and yet preserving valid elements from the past. In a word-EVOLVING. The Amphibians’ track record speaks for itself and gives an indication of their enormous popular appeal. The versatile songwriting team of brothers  Bob and Fred Garaffa hail from Central New Jersey and also perform vocals, guitar and bass in live shows. They have fine-tuned their act at many NYC area clubs including the Stone Pony, CBGB’s and the Bitter End. *Garageband's Chart Success: Achieving three top five songs: 1)“New Day (I Feel Alone)” reaches #2 out of all genres combined in Garageband's Final Countdown (out of tens of thousands of submissions). "New Day(I Feel Alone)" also reached #1 in power pop and #1 out of 9,699 in the rock genre. 2) "Cabane de Dounier" by Amphibians 
https://on.soundcloud.com/tMvRc
 #3 and rising in groove rock and #5 of 3,147 songs in the rock genre. 3) "Hangin' On" by pop/rock side project Galactic Inner Groove reached #3 out of 15,665 songs in the pop/rock genre. CREDITS: *‘Artist of the Week’ by Billboard Talent Net on their first week * “New Day (I Feel Alone)” Reaches #1 on BTN three different times * Included on The Best Of Billboard Talent Net’s “New Talent Spotlight” CD * First and Second Prize, Musicians Network Songwriting Contest * Mid-Atlantic Song Contest winners *Four Billboard Magazine Songwriting Awards * Recognized by ASCAP Songwriters Workshop *“New Jersey’s Best Rock” CD, released by WDHA 105.5 FM, Dover, New Jersey *Finalists in Paramount's "Sol Goode" soundtrack contest.* Two songs chosen for United Nations UNESCO New Songs For Peace Project. REVIEWS: * “A great band from New Jersey, a wonderful band that’s going to be around forever.” Don Dixon, REM/Counting Crows/Smithereens producer* “ A sixties British sound with cool guitar riffs. It’s nice to hear a song that sounds happy without being saccharine”. Jerry Harrison, Ex-Talking Head, Garageband founder (Advisory board member along with George Martin, Brian Eno, Steve Lillywhite etc.) and producer, review of “New Day” * Progressive rock with brilliant melodies” Billboard Magazine “ * "When a band’s from Jersey you expect alot and the Amphibian’s definitely deliver the goods!!!"

— ОRIĢINS —
New Album • Out Now
Listen: https://ffm.to/origins-album

Origins, the third album by The Chronicles of Manimal and Samara, is out now.

The Chronicles of Manimal and Samara (TCOMAS), a UK-based duo featuring Daphne Ang (Singapore) and Andrea Papi (Italy), emerged in London in early 2020. Their debut album, Full Spectrum, established their innovative fusion of poetry performance and heavy music, creating a unique form of expression that has become synonymous with TCOMAS.
TCOMAS's sophomore album, Trust No Leaders, released on July 1, 2022, explores the history of metal, paying tribute to various subgenres. Set against orchestral and cinematic landscapes, the songs also incorporate non-Western musical influences. The lyrics draw inspiration from contemporary and classical poetry, as well as Jungian psychology.

https://tcomas.com