shortwave noise comp: field recordings of radio frequency layered with noise of an electric razor on sheet metal.

sheet metal + electric razor = noise

A sad, nostalgic, bluesy truth bomb of a song that required me to kill my pride and speak the truth. I know we all relate to this shit, I just never like to really talk about it or make music about it, until now. 

It is better to remain open, vulnerable and honest and get burned, than to keep your guard up, a gag order and a choke chain around the voice of your heart's truth, and STILL get fuckin burned. FR. Lesson learned 🖤 

Also, it's okay to love, even when it's messy, inconvenient, or just a straight up dumpster fire. It's okay to still have that ability - honor it, because it makes you human, and the world needs it right now. Don't shut down. When your heart breaks, let it break open. 

Podcast, Socials, Music Videos and more: https://linktr.ee/tesstamona 
Instagram, TikTok, etc. Find me @Tesstamona 
Podcast name (on all platforms): The Great Silencing with Tesstamona ✨ 
The episode that goes along with this song is some serious real talk, and the title of the song is in the title of the pod, episode 6. Enjoy. 

Written, Sang, Recorded, and Performed LIVE at the self reliance festival in Tennessee by: Tesstamona 
Produced by: Tellingbeatzz
Mixed/Mastered: Saw Tooth Wave (Cris Cordero)




Copyright Tesstamona September 2022

Farewell Is Never Forever

Farewell Is Never Forever (Prod. Tellingbeatzz)

1. Face the mxnstxr

I wanted to create a piece of music which would give the listener a feeling of being underwater 🫧🌊

The Blue Abyss

Its that simple - Valentino

Birth of a Ninja (Prod. STL NiNjA)

The theme for the album is “ I was really high when I made this and thought it was really good, only to wake up the next day and go what the hell was I thinking.”

Mystic Rhythm

Trying 2 Rock Rap a New Order 🇺🇸🏴‍☠️

New Order (Prod. Ryini)

This song was written by a great composer & pianist Jennifer L. Jones. She also plays the piano on the track and we did it as a collaboration effort. I play the Bass & Jingle Bells and sing back-up, my wife Ana arranged and played the Cellos & Flutes and also sang back-up with me, Charlie sang lead vocals as well and did a wonderful job! I had a great time recording the audio as well as putting together a Christmas video for everyone to enjoy! It's very lighthearted, funny, and family orientated and will bring a smile to your face! On the video I added lots of sound effects and it's filled with a Ho, Ho, Whole bunch of Christmas cheer! Watch on YouTube - https://youtu.be/MIIJ9bjcyek
       I hope that this is the beginning of a long collaboration with Jennifer because she truly writes some beautiful melodies and I would very much like to compose lyrics for her tunes and contribute in any way possible to bring her songs to life! Visit her channel on Youtube & SoundCloud for some miraculous music, you will not be disappointed! Merry Christmas everybody everywhere! Let there be peace on earth and good will to all, please!🙏🎅🧑🏻‍🎄🤶☃️

“IT’S CHRISTMAS”

IT’S CHRISTMAS, IT’S TIME FOR LOVE AND CHEER,
IT’S CHRISTMAS, MY FAVORITE TIME OF YEAR,
IT’S CHRISTMAS, MY HEART IS POUNDING LOUD,  
IT’S CHRISTMAS, PLEASE DON’T BRING A CROWD,                   

IT’S CHRISTMAS, I DREAM OF SUGAR PLUMS,
IT’S CHRISTMAS, MY HEAD IS FEELING NUMB, 
IT’S CHRISTMAS, WHEN WILL I GET SOME SLEEP? 
IT’S CHRISTMAS, IT’S CHRISTMAS, IT’S CHRISTMAS, IT’S CHRISTMAS,

MERRY, MERRY, MERRY, MERRY,
MERRY, MERRY, MERRY, MERRY,
CHRISTMAS,  
MERRY, MERRY, MERRY, MERRY,
MERRY, MERRY, MERRY, MERRY,
CHRISTMAS,

THERE’S LAUGHTER AND SPARKLE,
HEARTS BROKEN AND DESPAIR,
COOKIES AND TUMMY ACHES,
ENOUGH TO SAY “I DON’T CARE”,
I’M DONE WITH THE GIFTING,
AND NOW I NEED A BREAK,
BUT EVERYWHERE I TURN, EVERYWHERE I GO,
IT’S CHRISTMAS, IT’S CHRISTMAS, IT’S CHRISTMAS,

IT’S MERRY, MERRY, MERRY, MERRY,
CHRISTMAS!
     
BY JENNIFER L. JONES © 2021

ODDS & ENDS

"IT'S CHRISTMAS" (Feat. music/piano by Jennifer L. Jones)

Dope track by E . One of the strongest souls on the cloud 🙏🏼🫡 . 

Emarie - https://on.soundcloud.com/1yfM2UVFnzRJXBxr6

Matt James -

LET IT GO  - EMARIE  - Feat. MJ (Prod. Microphone Mafia)

My interpretation of "Socialite", the song written and performed by Richie Kotzen & his band / from his Album "Mother Head's Family Reunion" (1994). It's a song of poetic irony against so-called 'Socialite'. 

This cover mainly consists of 2 versions; 
1) 00:00 Intro-Verse-Chorus-Bridge sections (& Outro) that basically follow the Original Studio Version.
2) 02:36 Interlude-Guitar Solo sections that basically follow the Live Version (“Live in Sao Paulo”, 2001) >>  Solo 1 (Clean) starts at : 03:34 & Solo 2 (Distortion): 04:50- .

- I first covered this song about 25 years ago with my band...I've loved its various rhythm pattern especially drumming in this song and it's been one of my drum practice pieces since then.  
I'd completed the first half of this cover (studio version sections) about half a year ago...but couldn't find a vocalist this time and decided to make an instrumental version, then let it alone since I wanted to record the latter half but couldn't have time...anyway, finally I could make it last week...
-Vocal parts are substitute by my humble Keys (Synth Organ). 

Hope you enjoy. Any feedback would be appreciated.

[Music Info]
The song was originally performed by Richie Kotzen  (Guitars, Lead and Backing Vocals, Wurlizer Piano, Hammond Organ, Clavinet and Bass Guitar) and Atma Anur (Drums) .
-----
Cover: 
- Rhythm Guitar on the left : Fender USA CS Telecaster (w/ DiMarzio Hum-backer on the rear PU) 
w/ Marshall-JVM(50W), Boss Vintage CE-1 (for booster-use or splitter-use only), Maxon RTC 600 (only for the Bridge sections), Boss MT-2 Metal Zone or Sobbat DB-3 & Maxon AD-9, Partially w/ MXR Phase 90.
-Rhythm Guitar on the right: Fender Japan Stratocaster (w/DiMargio Hum-backer on the rear PU ),
w/ Fender Vibro-King Custom Amp (60W), The Electro Harmonix Big Muff Pi, Boss CS-2,  Maxon AD-9 & Partially with Jen Crybaby Wah or  MXR Phase90 & Boss DD-7 (ping pong delay).
-Additional Guitar Fills & Guitar Solo: Fender USA Stratocaster ‘58, w/ Marshall-JVM(50W), Sobbat DB-3 & Maxon AD-9, Partially w/Boss Vintage CE-1 (Only for Clean solo).
- Bass Guitar: Fender USA '66 Precision-Bass , w/Boss CS-2,‘59 Bassman LTD Amp. Partially w/MXR Phase 90.
- Electric Piano and Organ: Korg Software Synth (Wurlitzer, Clavinet & Hammond B3 Emulators) w/ Kurzweil PC88 & Pedal Boards (incl. MXR Phase90, Boss BF-2).
- Drums: Tama Acoustic Drum Kit w/Zildjian Cymbals (6-mics rec).
Except the Keys, all instruments were played and recorded in the studio (live, open-mic rec).
- Mixing: DAW
-----
Cover art is borrowed from the Album "Mother Head's Family Reunion". All credits must belong to the artist.

(Ain't No) Socialite - Richie Kotzen Cover (Instrumental Extended Version)

ALT HIP HOP - R&B - DARK WAVE
Peep the music vids below 😈
---
kicked heroin and started music. ultimate reason to live 🙏
www.tesstamona.com

Farewell Is Never Forever (Prod. Tellingbeatzz)

TESSTAMONA

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