
Born and bred in Washington, Keith Harris (a.k.a. Deckard) starting DJ-ing in 2000, at venues and clubs in Seattle and Canada.  He moved to San Francisco in 2005 where his skills and talent evolved and became even more prolific, garnering interest and accolade and earning him a spot in the underground music scene.  


Deckard made his big splash as a member of Coda in 2006 at Burning Man. Soon after he joined forces with the Space Cowboys whose parties are legendary in San Francisco and Burning Man and whose Ripecast podcast was nominated for Best Podcast of the Year by Breakspoll for 2013. 



Mixing together a blend of music selection including, but certainly not limited to breakbeat, nu funk, and house, Deckard keeps crowds on their feet and moving backed by his unique sound and ability to mix genres whether it be playing a sunrise set at Breakfast of Champions or closing down the main room in front of a packed warehouse.

Deckard has performed in a variety of venues on the west coast and Canada with DJs such as Jondi & Spesh, Uberzone, Lee Coombs, Plump DJs, Dylan Rhymes, Meat Katie, Elite Force/Simon Shackleton, Worthy and more. 

Barclay Crenshaw makes electronic music that includes bass, dub, jungle, funk and hip-hop. His performances seamlessly blend genres, creating an immersive experience that transcends traditional boundaries. Barclay’s ability to connect with diverse audiences and create an unforgettable atmosphere has earned him a following of like-minded oddballs. Originally a house music producer called Claude VonStroke and the founder of Dirtybird Records, his shift in sound further cement his long-standing reputation for innovation and authenticity.

DJ Nysus eats, sleeps and breathes dance music. Whether its Breakbeats, Funk, DnB, House, Psy or Techno, his skill and passion for the music he loves is undeniable and contagious. His signature series "Breakbeat United" features mixes so meticulously crafted they have created an almost cult-like following, and continue to influence both the local and regional breaks scenes for the better. He is equally renowned for putting on jaw dropping live sets that ignite dance floors and make instant fans out of anyone lucky enough to witness them. With over 25 years behind the decks professionally the list of legends he has played alongside is staggering. From the Buzz & Starscape eras in the rave scenes early days, to becoming a staple in the East Coast festival scene his old school roots run deep. Now expanding to the West Coast desert party scene his storied career continues.

Traveling the world ... seeking fresh beats!

Red Ear Announces Project 52 Launching at Amsterdam Dance Event

Red Ear is set to embark on an ambitious year-long project, releasing one track per week for 52 weeks, beginning at the prestigious Amsterdam Dance Event (ADE). This innovative project will deliver a dynamic mix of House, Deep House, Tech House, and Progressive House tracks, capturing the evolving cultural moments of each week and blending them with immersive soundscapes.

The journey kicks off on October 16, aligning with ADE, a global hub for electronic music's top talent and pioneers. Red Ear’s approach promises to captivate fans with weekly releases that pulse in sync with current global events, infusing rhythmic sophistication into every track.

Red Ear's signature sound draws on the deep grooves of House, the driving energy of Tech House, and the atmospheric build of Progressive House. Each track will showcase a distinct blend of underground aesthetics with mainstream appeal, allowing the project to evolve alongside its audience over the year.

Uberzone 2010
 
Uberzone equals innovation. In the electronic music scene, where the “next big things” come and go like the weather, Uberzone has remained an incomparable source of fresh ideas and vitality for well over a decade.
 
The man behind the moniker is Anaheim, California native Timothy Wiles (a.k.a. Q).His music has weaved its way into the hearts and minds of a generation. Stubbornly defying gentrification, he blends house music with techno and broken beats with electro to create a sound all his own.

Aside from being name checked by dance music luminaries, his studio skills are legendary. He’s been tapped by everyone from Adam Freeland to Alan Parsons and BT to The Crystal Method for remixes, production or mixing work.

He’s currently in the studio working on the follow up to his last single “I No You” and his 2007 album “Ideology”.



contact: loumar.mayniel@gmail.com
management: tom.king@redmanagement.info & pasricha.robin@gmail.com
booking : david@codaagency.com
 
⭐

In today’s electronic music world there are not many artists who can lay claim to a legacy like that of DJ T. Born in Dusseldorf, DJ T. (aka Thomas Koch,) re-located to Frankfurt with his family in the late 70s. During his formative years, he fell for the hypnotic grooves of disco, inspired by his parents’ record collec-tion. At the age of nine he was already completely enraptured by music and that love affair continues until this very day. He began an obsessive quest to collect music, feeding his soul with everything from Disco and Hi-Nrg, through to early Hip-Hop and Electro, Soul, Funk and R’n’B. The groovy, infectious rhythms of all those genres continue to permeate into the music he makes and plays today, providing an intrinsic part of his sound ethic. 
He took up breakdancing, before becoming a DJ, playing at private parties ini-tially before landing his first professional gigs in the late eighties. This period proved to be a pivotal moment in his life as Acid House swept through Europe, landing in Frankfurt and taking over with the launch of Sven Väth’s legendary Omen club in 1988. The first wave of House and Techno took hold and T. was there at the forefront, absorbing all the fresh new sounds from Chicago, Detroit and the UK. He picked up a residency at the infamous Music Hall and held resi-dencies at countless clubs across the city during the next 10 years from Plastik and Dorian Gray to The Box. By the end of the nineties, he was one of Frank-furt’s best-known selectors. 
In 1989 DJ T. tapped into another side of his creative energy to set up Groove Magazine. Identifying a gap in the market and fuelled by a need to satisfy his own desire for specialised music journalism, which focused on his interests – namely underground dance music. Under his leadership the magazine was launched into the public’s consciousness and he guided Groove to become one of Europe’s premier dance music publications, which it still is today. 
DJ T.’s progression continued at a pace, as he launched his own club, Monza, using the experience gained through a decade of club events and tours under the Groove Magazine banner. He also invested his skills and knowledge into con-ceiving Get Physical – a label, which remains one of the world’s best- known House and Techno platforms. Though he left in 2010, T. still occasionally A&Rs for the label, lending his uncanny ability to uncover new talent to the seminal label. 
Production-wise, he has been consistent ever since his debut release, the ‘Mon-sterbaze’ EP with Steve Bug, which was released on Poker Flat in 2000. Since then, T. has released several well-received EPs, a slew of remixes and three al-bums, ‘Boogie Playground’ in 2005, ‘The Inner Jukebox’ produced with Tho-mas Schumacher in 2009 and ‘Pleasure Principle’ in 2011. His special touch has also been employed by numerous labels to curate compilation mixes , including ‘United Under The Ball – 30 Years Of Disco’ in 2011 and ‘The House That Jack Built Vol 1 & 2’ in 2012. In 2013 he celebrated 25 years of DJing with a very personal mix compilation, followed also by ‘Body Language 15’ and col-laboration with Defected and Strictly Rhythm to celebrate the latter’s 25th anni-versary. DJ T.’s reputation for being a master selector has been cemented by these superlative collections of music, each of which has received widespread praise, often featuring many of T.’s own edits of classic tracks. 
Despite so many accolades, his passion for music remains staunch, recently making several key changes to his professional life that have inspired him to explore new terrains. With hot new releases on AUS Music, Moon Harbour, True Soul and Jackathon representing his continued to desire to push his crea-tive boundaries. 
A highly-skilled DJ and producer and an A&R with an uncanny ability to dis-cover a nurture new talent, DJ T. is a master selector and one of the industry’s most influential figures.

Breakbeat, tech(no/-house), drum&bass & psytrance DJ, producer, and radio presenter.

Former co-presenter/co-gaffer of Southampton Voice 103.9FM and later Bournemouth Hot 102.8FM's internationally renowned weekly techno show Beyond Control, which persists in the very capable hands of colleague Wayne DJC. Also historically involved with various online shows on NSB Radio and Brap FM, as well as playing guest spots elsewhere (eg Psymusic.co.uk recently).

Specialist subjects: 
Precision machine funk. Driving hypnotic rhythms. Menacing atmospheres.

Currently located in Southampton, UK having been denied re-entry to the mothership and not yet made it to Germany.

Follow on Twitter, @digitalfist for updates and general musings.

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Recent appearances have included:

ABGT pre-party, Punto, Prague 2019

Deevstock 2017-19;

Brighton - Volks;

Southampton - The Soul Cellar, The Talking Heads, Voice 103.9FM, Resident at DropOutz;

Portsmouth - The Barn;

Andover - Area 51;

Salisbury - The Music Box;

Scotland - Drumfreeze 2014

Northern Ireland - Rathlin Island Festival ("Jigs n Rigs") 2009;

Triplicity 2015

Somewhere in North Hampshire - various remote fields and forests :)

The Scritch is following