CheapShow is a comedy podcast all about getting the very best out of the worst! Be it Poundlands, Charity Shops, Car Boot Sales or Bargain Bins, hosts Paul Gannon & Eli Silverman poke around in the corners of the high streets and internet to find treasure in the trash.

One week it could be a studio based show, the next, a live comedy event. It could even be a location report or a scripted adventure! A few things it is, however, is rude, crude, silly and drizzled in pop culture, nostalgia and plenty of verbal violence!

It has guests, videos, songs, reviews, games and dares.  We apologise in advance!
www.thecheapshow.co.uk

Broadcasting from the heart of Amsterdam since 2012, DHA has evolved from the deeper side of the musical spectrum into a platform for all things electronic. We convert new audiences and reinforce old ones through carefully curated music and editorial selections, remaining one of the most engaging and informative platforms today. DHA is internationally known, but locally felt, offering content meant to inform, discover, and highlight.

Check us out on:

https://linktr.ee/smutlee
INSTAGRAM.COM/SMUTLEE
E: SMUTLEEPROMO@GMAIL.COM

With over 20 years experience, from holding down residencies at Fabric and YoYo to DJing Soundsystems at Notting Hill Carnival in London,  to tearing down clubs in Ibiza, Paris, New York and LA, Smutlee’s versatility as a DJ and Selector has been his strength to get a party rocking. Smutlee is as comfortable playing a main room club set as he is more recently providing vibey deeper cuts for private members venues such as Soho House and The Ned.

Now holding it down in Melbourne where he has been representing the UK sounds, supporting touring artists such as Skepta, JME, Big Zeeks & Novelist and DJing regularly in clubs across the city.
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On top of all that, he can boast guest slots for Radio 1, Rinse FM and Kiss⁣ FM, as well as bookings from the big guns of the fashion world – from⁣ Nike, Adidas and Puma through to American Apparel, Maharishi and Vice⁣ magazine.⁣

Well known for his exclusive ‘Smutlee Blends’ series, he’s had club and Radio play from most big DJ’s from Diplo, Toddla T, Mark Ronson and Annie Mac. ⁣
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Expect to hear Smutlee mixing up the styles, never expected, always on point.⁣

Last year, after some informal exchanges, we decided to meet-up to discuss a possible songwriting project together. Rossella cut a bold, stark image in the dark, early fall evening outside of Holborn Station and looked like she had just appeared out of Little Italy, New York City, circa 1957 - I was ready to jump in the tour bus immediately. As well as being struck by her appearance, I was equally impressed with her voice and songs. The evergreen quality Rossella brings to any song is something to behold and makes her, in my opinion, a real gone girl.
-Gerry-.
Gonegurl are:
Rossella Scarlet; Vocals and Rhythm Guitar.
Gerry Collins: Lead Guitar.

The world has a new Synth Super-Villian. Fresh out of its hide-out, where its been creating Doom Mood Acid Synth Destructo Beats from another Dimension..

Kaufman is Will Collins, a songwriter from North West London. This song was recorded at Clashnarrow, in the Highlands of Scotland, with Will and Carwyn Ellis (Colorama) on multi instruments, and Jake Hutton on drums and sound recording.

Inquiries:
mgmt@fastfriends.co

Bookings North America - Wasserman
james.whitting@teamwass.com

Bookings UK/RoW -Wasserman
james.whitting@teamwass.com

Mgmt: andres@paperclip.no
Booking: thomas.reade@allofloride.eu (World except), brent@good-direction.agency (US+CAN), watty@movidamusica.com (MX)

For over a decade now the name Satin Jackets has been synonymous with sublimely laidback Balearic house and sun kissed disco. The brainchild of German producer Tim Bernhardt who, following a successful career producing house music under a variety of different aliases, launched Satin Jackets as a vehicle to explore his lifelong love of disco and the clean, polished productions of artists like Chic and Trevor Horn.

“I had always been fascinated by just how glossy people like Nile Rodgers made their music,” Bernhardt explains. “It always sounded like the musical equivalent of a fashion magazine’s cover. I’d been making somewhat more underground music for a while but really wanted to go in totally the other direction and create this really smooth, polished sound.”

That first Satin Jackets release, the dreamlike You Make Me Feel Good, would set the tone for what was to come. Released on the iconic Belgian label Eskimo Recordings, which had previously helped launch the careers of artists like Aeroplane and Lindstrøm & Prins Thomas, it was an instant hit. Its graceful melodies, airy textures and yearning chorus became the soundtrack to the setting sun at parties worldwide.

With almost metronomic precision You Make Me Feel Good was followed by a string of acclaimed singles and remixes for some of the genre’s biggest names, including Goldroom and Blank & Jones, establishing Bernhardt as one of the most exciting new names in the nu-disco scene. While the face behind the mask may have remained a mystery, Satin Jackets’ warm, polished take on disco soon made the name familiar to music lovers around the world.

Taking things to the next level, 2016’s debut Satin Jackets album, Panorama Pacifico, firmly cemented Bernhardt’s position as both Eskimo’s flagship artist and as one of the biggest nu-disco producers around. Winning praise from the likes of Mixmag, DJ Mag and Groove, the album has gone on to click up over 75 million streams on Spotify alone, and Satin Jackets’ golden mask has become a regular fixture behind the decks at clubs and festivals from Mexico City to Seoul.

2019’s follow up, Solar Nights, would see Bernhardt further develop and refine the Satin Jackets sound. Rapturously received by fans, DJs and press alike, the album, propelled by singles like the global hit ‘Northern Lights’, proved that, much like the original disco artists that first inspired the project, Bernhardt was just as capable of crafting radio friendly pop hits as tracks for the dance floor.

While the pandemic may have put plans for global tours and festival appearances on hold, Bernhardt kept himself busy as clubland went into hibernation. Having relocated to Munich just before lockdown, a succession of singles that ranged from out-and-out pop collaborations to instrumental, chilled-out tracks as well as a series of live Lockdown Streams kept Bernhardt in touch with his ever growing legion of fans. Indeed, it was those Lockdown Streams and the response from his fans that allowed Bernhardt to rediscover, in his own words, “the connection between what I do and what people feel” and sow the seeds for what was to come.

Now as we emerge blinking into the new world, Bernhardt returns with Satin Jackets’ third album, the aptly titled Reunion. Where the first two Satin Jackets albums saw Bernhardt work to first develop his own sound and then elevate his productions to another level, Reunion reveals a musician and producer wholly at ease with both his abilities in the studio and artistic vision. 

From blissful instrumental tracks that seem to effortlessly float above the clouds, through to bittersweet wistful pop songs featuring the likes of Australian star Panama, Belgian singer Ivy Falls, US based vocalist Metaxas and up-and-coming British singer Tailor, Reunion is a strikingly confident album that layers new depths and dimensions to the Satin Jackets sound and sets the stage for the next exciting chapter of the Satin Jackets story.

@scholesymusic
I sing in my bedroom and make tunes on my laptop

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