discovering this only no! such a great song!

Excellent song. Great musical and vocal; production.  I enjoy your guitars tone.

Excellent track! very well mixed/produced!

so cool... the vibe and sound you got going on Neil.

Simply about how someone might feel if they are misunderstood because of how their past affected them.

Who I Am

Release date:
27 March 2023

https://open.spotify.com/album/1DaF6H3HsTvpyn7sJgp9Tw

Andy Neonov - Forbidden Path

Introduction in English:

Recently I met a friend who spent a month in Crete earlier this year. 
As he told me about his wanderings there, I again remembered a drastic experience I had during my stay in Crete thirty years ago. 
During my expeditions through the bare Cretan mountains at that time, I met a young man who had been living in a cave for some time, completely isolated from the world. 
We walked together for a while. He told me that he suffered from psychotic delusions with inner voices torturing him. 
The secluded life here in the mountains would help him to deal with these powerful and alienating voices. 
Nevertheless, he longed so much for a release from this "voice terror". 
When I wanted to visit him again the next day, he was nowhere to be found. 
In all these years I thought of him from time to time, especially since I also meet people here in Berlin again and again who suffer from similar psychotic confusions. 
With this song I try to put myself in the place of these people who suffer so terribly and are still largely misunderstood

Lyrics (for those, who don`t speak German)

Voices in the head

Voices in the head
Eat me up

Controlling me
Beat on me

Persecute me, torture me
Incapacitate me
Condemn, despise, devalue, laugh at me 
They make me down, drive into all my limbs

Are always there, invade me
Come when they want, never leave me alone

Come through the walls, no wall can stop them

Hate, shun, move masses of vengeance 
They cause me pain with relish, they light stigma-candles inside me

I've made up my mind 
I'll be calm, because I know I can free myself from you
Yes, I can free myself from you!

The last thing I have left is to lay a hand on myself.
With my dying, I'll give you my last escort.

Then I'll cast you off like a garment of shadows

Your blasphemies, your bullying, your poison, your envy

Flow with the water and the blood from me
Disappears in the drain, far away from here

Emasculated sadists, coreless egoists, seedless fascists, 
You all can't nestle in me anymore

Float away
You stay behind

Your power is now completely null and void
A hollow space remains unnamed

I now lie in my hand

Deutscher Originaltext:

Stimmen im Kopf

Stimmen im Kopf
Fressen mich auf

Bestimmen über mich
Schlagen auf mich drauf

Verfolgen, Foltern mich
Entmündigen mich
Verurteilen, verachten, entwerten, verlachen, 
Machen mich nieder, fahr`n in all meine Glieder

Sind immer da, dringen in mich ein
Kommen wann sie wollen, lassen mich nie allein

Kommen durch die Wände, Keine Mauer halt sie auf

hassen, schassen, bewegen Rachemassen, 
Bereiten lustvoll Schmerzen, Entzünden in mir Wundmal-Kerzen

Ich hab’ mich entschieden, 
Ich werde ruhig, weil ich weiß, ich kann mich von Euch befreien
Ja ich kann mich von Euch befreien!

Das letzte was mir bleibt, ist, Hand an mich zu legen
Mit meinem Freitod gebe ich Euch letztes Geleit

Dann leg’ ich Euch ab wie ein Schatten-Kleid

Euer Lästern, Euer Stänkern, Euer Gift, Euren Neid

Fließt mit dem Wasser und dem Blut aus mir
Entschwindet im Abfluß, weit weg von hier

Entmannte Sadisten, Entkernte Egoisten, Samenlose Faschisten, 
Ihr könnt’ Euch alle nicht mehr in mir einnisten

Schwebe hinüber
Ihr bleibt zurück

Eure Macht ist nun ganz und gar null und nichtig
Zurück bleibt ein Hohlraum unbenannt

Ich lieg jetzt in meiner Hand

Stimmen im Kopf (Voices in the Head)

Stimmen Im Kopf (Voices In The Head)

Third part of my father trilogy.
The father trilogy ends with my naïve and youthful attempt, at the age of 23, to break away from my father, who seemed overpowering at the time, and stand on my own two feet: 
To move as far away as possible from my provincial hometown, to throw myself into a Berlin that was completely foreign to me at the time and completely overwhelming. 
My saviour at the time was my oldest friend, who had already been living in Berlin for a few years and took me under his wing like a big brother.     
But even with his help, I soon had to realise that the attempt at a radical inner "patricide" could not succeed in any way. The early imprints he had left on me, the demons I had 'inherited' from him, were all still there. No matter how much I turned my outer life upside down, there was no escape from the central patterns and beliefs that I had learnt from my father in the first 10 years of my life.
In this respect, the song title "The Singular Man" is a "Mission Impossible". It was only three years later, and especially after his early death, that I realised more and more that a lifelong confrontation with my inner father images could lead to a closely linked dialectic:
An ever deeper and visibly more reconciliatory bond with my father and, at the same time, an ever-increasing self-realisation    
 
The Singular Man  (Lyrics in English)

Run through streets crooked and skewed 
The bridges criss-cross

All around me the stink of the city
An army of people everywhere

Turn in somewhere now
Fall in at your door

You are alone
Your corridor infinitely long
Your walls high and wide 
Your front door broad and welcoming

You push me through the corridor now 
At the windows the siren-
song

I get scared and bang 
Am I still
Your catch of fish
Your silhouette
That only plays at being free

And yet I have escaped you 
Escaped!

I take off all hinges
Hang out the windows
Make me a magic wand
Grey Berlin becomes a colourful bouquet for me 

Ride on a peacock wheel
Take a foam spring bath in the Spree

All light 
Time thrown into the air

Pain-free in a glittering dress
An ecstatic feeling of life

But something pushes back
Under the carpet lies the hanging rope
The spider's web is
Still there
The old danger

I only know about her now 
Keep me out of her more 

Oh man, the singular man
Man Oh man, the singular man
Man Oh man, the singular man
Man Oh man, the singular man


Der Singuläre Mann (Deutscher Originaltext)

Lauf’ durch Straßen krumm und schief, 
Die Brücken kreuz und quer

Um mich herum der Großstadtmief
Überall ein Menschen-Heer

Bieg' irgendwo jetzt ein
Fall’ bei Dir zur Tür herein

Du bist allein
Dein  Flur unendlich lang
Deine Wände hoch und weit 
Deine Eingangstür willkommens-breit

Schiebst mich jetzt durch den Gang 
An den Fenstern der Sirenen-
Gesang

Mir wird Angst und Bang 
Bin ich immer noch
Dein Fischfang
Dein Schattenbild
Das das Freisein nur spielt

Und doch bin ich Dir entflohen 
Entflohen!

Lege alle Scharniere ab
Häng' die Fenster aus
Bastle mir einen Zauberstab
Grau-Berlin wird mir zum bunten Strauß 

Fahr auf nem‘ Pfauenrad
Nehm‘ in der Spree ein Schaum-Frühlingsbad

Alles leicht 
In die Luft geworfene Zeit

Schmerzbefreit im Glitzerkleid
Ein rauschhaftes Lebensgefühl

Doch etwas drängt zurück
Unterm Teppich liegt der Häng‘-Dich-Strick
Das Spinnennetz ist
Immer noch da
Die alte Gefahr

Kenn‘ mich jetzt nur mit ihr aus 
Halt mich mehr aus ihr raus 

Oh Mann, der Singuläre Mann
Mann Oh Mann, der Singuläre Mann
Mann Oh Mann, der Singuläre Mann
Mann Oh Mann, der Singuläre Mann

Der Singulare Mann (The Singular Man)

Der Singuläre Mann (The Singular Man)

Care

*Original Version: https://soundcloud.com/nadiaselvaggi/not-my-neighborhood-by-garddwr-porffor-nadia-selvaggi-with-the-windscale-blues-experiment
The Rant: Cono Corvino & Nadia Selvaggio
Instrumental & Mix by Garddwr Porffor: 
@garddwrporffor
Lyrics, Vocals, Production by Nadia Selvaggi
*New Sax Solos by Nigel Manning of The Windscale Blues Experiment: 
@windscaleblues
'Two Boys Smoking' (1975) by Photographer Peter Bellamy:
pswbportaiture.blogspot.com/
www.peterbellamyphoto.com/
More on Peter Bellamy:
medium.com/@Brownstoner/in-197…photos-a3bbe85c0246
New York Street Noise by Pixabay

Not My Neighborhood
by Nadia Selvaggi

This, this, this is not my neighborhood!
Where is Williamsburg, Brooklyn --
my crime-ridden, filthy, spray-painted 'hood?

Where is Eastern District High School?
Where is that old school cool?
Where is all the red brick?
Where are all the addicts itchin' for a fix?

I don't know this place at all
I don't smell my Grandma's moth or meat balls
Corporate greed, thy will be done,
as it is in Manhattan and the City of London

Mr. Global's mercenaries killed our low rent,
our culture, and our authenticity
Damn the L train gentrifiers!
Damn the cold glass and bitter steal!

Bamonte's, Fortunato Brothers, Nunzio and Sons,
survived New York's perpetual reinvention
Tell me craft beer drinking, Hipster trust fund --
where is my 11211?

Not My Neighborhood, Extended by Garddwr Porffor & Nadia Selvaggi (w The Windscale Blues Experiment)

Help!

Introduction in English

Sometimes I have to smile a little when I think about the fact that John Lennon was only 24 years old when he wrote these lyrics. 
He certainly didn't know about the cries for help that come with ageing from 60 plus. The experience of gradual physical decline and the increasing dependence on the support of other people. The gradual loss of autonomy, which is so important for one's own dignity. And the subliminal threat of retirement and nursing homes approaching, which then temporarily pulls you out of your increasing mental derangement by singing old Beatles songs.
But apart from that, he certainly already knew a lot about the hardships of being different, of not belonging; the longing to experience something like love in the worldwide recognition and at the same time having to suffocate and drown in this wave of adoration. 
In the pop era of the time, his desperate cry for help was reduced to a tolerable two minutes
I turned it into a leisurely three-minute waltz. And tried to express my increasing need for help in certain areas of life in different ways: shy and fragile, desperate and humble, angry and almost accusatory. 
And towards the end, I find myself in an almost otherworldly limbo in which a part of me comes to peace with the cry for help and finds its own new dignity in it.

Einführung auf Deutsch
Manchmal muß ich ein wenig schmunzeln, wenn ich daran denke, dass John Lennon erst 24 Jahre alt war, als er diesen Songtext schrieb. 
Da wusste er mit Sicherheit noch nichts von den Hilferufen, die mit dem Älterwerden ab 60 plus einhergehen. Die Erfahrung des allmählichen körperlichen Zerfalls und die sich zunehmend anschleichende Angewiesenheit auf die Unterstützung von anderen Menschen. Der allmähliche Verlust von Autonomie, der für die eigene Würde so wichtig ist. Und das unterschwellig drohende Herannahen von Senioren- und Pflegeheimen, die einem dann mit dem Singen von alten Beatles-Songs vorübergehend aus der zunehmenden geistigen Umnachtung herausreißen.
Aber abgesehen davon wußte er sicher schon viel von den Nöten des Andersseins, des nicht dazu gehörens; der Sehnsucht, in der weltweiten Anerkennung so etwas wie Liebe zu erfahren und zugleich in dieser Verehrungswelle geradezu ersticken und ertrinken zu müssen. 
In der damaligen Pop-Zeit wurde sein verzweifelter Hilferuf auf allseits erträgliche gut zwei Minuten eingedampft.
Ich habe daraus einen gut dreiminütigen gemächlichen Walzer gemacht. Und dabei versucht, meine in gewissen Lebensbereichen zunehmende Hilfsbedürftigkeit auf verschiedene Weise auszudrücken: Scheu und zerbrechlich, verzweifelt und demütig, wütend und beinahe anklagend. 
Und zum Ende hin befinde ich mich in einer fast schon jenseitigen Zwischenwelt, in der ein Teil in mir mit dem Hilferuf in Frieden kommt und darin eine eigene neue Würde findet.

Help!

Help! (Lennon/Mccartney)

Rhythm Me Blues - Single

Rhythm Me Blues

The GrOOvebOx is an "ideas and support" collective
with no specific genre barriers, just alternative open minds.

Click link for lyrics and further information about the track,
and if you like it here, please "like" it there as well :
https://soundcloud.com/saul-behan-dunne/the-promise-of-america

Rhythm Me Blues

The Never Belonged

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