Great Concept...i also am a musician of perpetual improvisiation. Thats where all the good sh-t comes from ....right? All sounds awesome.

this is real fresh and creatively inspiring, makes me want to make music right now! super fresh lofi percussive sound, love all your samples, this is dope!

This all makes so much sense, I dont know why I feel this way, but I do. It’s a great way of taking something youd never expect, to be contemporary music, but it easily sides into soemthing so right, experimental, and unique.

The devil is the conductor and I didn't even pay for my ticket.

delicious

Full release on Album: "Anthropomorphism" on:
- Spotify: https://open.spotify.com/album/7aLiCDH3GGpdnz8eXXifU2?si=d0rv0KhzTrqIoyK2_BfTqQ
- Apple Music: https://music.apple.com/gb/album/anthropomorphism-ep/1805797138

Kit: uKORG, Hammerhead, Fugue Machine, Sampletank, Yamaha Synth&DrPad, Logic Pro X.
Acknowledgments: 
Samples 1) Samuel Corbin - “tba” copyright 2016.
2) Dead Peoples Records, No. 31 Mediated Voice & Silence (2014).
Both sample sets - Licensed under a Creative Commons Attribution license, CC-BY (freemusicarchive.org). 
Cover Art: Cold Dark Matter: An Exploded View (1991) by Cornelia Parker - a shadowy interpretation from Tate Modern.

Anthropomorphism 3: Analogical (excerpt)

Check out the original track by Funking Duck:
https://soundcloud.com/funking-duck/funking-duck-288-bites-of-rock-salt-bubble-gum

Check out Electra Volcana's great vocal on it:
https://soundcloud.com/user-6008493/opium-dreams

Her singing was used to create the robot singer diva :)

Funking Duck with his Magnificent Virtual Diva Electra Volcana: Give Us More Opium!

Over World 28722

Quite Possibly

Your Soul Moves The World

Another track from my EP "Short Songs For Tall People"
Lyrics:
You say your name is society and you think you’re sick?
Sit down, patient, and I’ll examine you!
Uh huh, just what I thought:
That complexion of yours--grey as a flophouse bed sheet.
Your breath--reeking of smog and sewer gas!
Headaches? What do you expect, with nothing but cash registers clanging inside your empty skull?

I'm a beatnik Daddy-O
I've got an electric bongo
I'm a beatnik Daddy-O
I howl, I scowl
I'm a beatnik Daddy-O

Of course your stomach hurts!
You’ve swallowed too many dreams, too many hopes, and turned them into one gigantic ulcer.
Look out—your hands are trembling—any minute now and you may drop a bomb!

I'm a beatnik Daddy-O
Steely Dan's a dildo
I'm a beatnik Daddy-O
I play pinball
I play Pachinko
I'm a beatnik Daddy-O

I’ve got news for you, society—you’re not sick, you’re dead!
Solid Baby!
I'm a beatnik Daddy-O
I've got an electric bongo
I'm a beatnik Daddy-O

And I’m going to bury you and dance the twist on your grave!
Solid Baby!
(Punctuated by finger snaps and applause.)
Audio clip from public domain movie "Big Kick"

Beatnik Daddy-O

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Spotify

Beaaaaaaam!!

Out of the Box April 2023
Weird and Wonderful variation of the original Open the Box 1 recording August 2022

Bush REMIX

The Smoking Trout collaborative is back with another installment in The Quest for the Holy Dumpling (follow the whole story here: soundcloud.com/tea_are_sea/sets/quest-for-the-holy-dumpling). This time Stephen/TexMex Shaman partnered with me on the production, and we're featuring Nadia Selvaggi who also joined us on 'amanita muscaria'. Thank you Jeff, Uziel, Stephen, and Nadia for another awesome creative experience, this one was a trip to work on!

Stonerjazz @user-911083679 - Vocals, Lyrics, Drums and Bass
Nadia Selvaggi @nadiaselvaggi  - Vocals, Spoken Word, and Operatic parts
Uziel @user-455619833 - Piano, Strings, and other acoustic sounds
TexMex Shaman @texmex-shaman - Guitar, Effects, Production
Tea R. Sea - Synths, Production, and Final Mix

Lyrics

Get on the bus get on the bus, Get on the bus wlth us
c'mon c'mon get on the bus
There's Gus, who drives the bus and he does Everything for us
He's got the peddle down--

and all the band and larry mary sid and johnny too and that's to jjust to name a few
and all of you who have the eyes and ears to hear and see-
all of us are on that bus Telepathically
so you had better be ln the vicinity of the bus
whose designated destination ls infinity and all points ln between

Believe you me, there ls no comfort or relief ln Clarity
Truer words were never spoken and even though we're all broken
here's a little token of the love l'm feeling for the instant beauty of the moment

Everyone ls psychedelic from those purple Mlcrodots
Fuel ls burning under stars so bright
on the bus, 10 feet off the ground
blacktop slippin under us at half the speed of light

Now lt comes flowln down, lt washes over me
something l can hear, but l can't exactly see-
Cans are Blarin, l'm just starin
hearin things we can't believe
music soothin, lt's not Taxing so relaxing
making music with some friends of mine
making noises so Delightful-
on the bus, where betrayal ls the only thing
that's not allowed

Come along, you're all lnvlted to rlde the bus wlth us
get on the bus get on the bus
c'mon get on the bus
don't make a Fuss
Just get on the bus

(Spoken word samples are readings from The Electric Kool-Aid Acid Test by Tom Wolfe)

---------
To hear more from the Smoking Trout, check out our first album, The Land of Zed soundcloud.com/tea_are_sea/sets/land-of-the-zed

Get On The Bus! (HOLY DUMPLING #4) w/ Stonerjazz, Uziel, TexMex Shaman, Nadia Selvaggi

VERSE 1
THE SOLDIER THOUGHT HE WAS A MIGHTY BIG MAN
WHEN HE DROVE THE NAILS IN OUR SAVIOR'S HANDS
I WONDER WHAT WAS REALLY ON HIS MIND
HOW COULD HE HAVE BEEN SO BLIND

CHORUS
HE DIED ON THE CROSS FOR YOU AND ME
JESUS DIED FOR THE WORLD DON'T YOU SEE
WITHOUT HIM NO HOPE WOULD THEIR BE
HE DIED FOR THE WORLD DON'T YOU SEE

VERSE 2
THERE'S NO WAY TO IMAGINE ALL THE PAIN
THAT JESUS FELT AND ALL THE SHAME
HE GAVE HIS LIFE THAT WE MIGHT LIVE
WHAT MORE COULD OUR SAVIOR GIVE

REPEAT CHORUS

The Soldier And The Cross (lyrics by Tony Harris / vocal/music by Phillip Clarkson) Original 1998

"Inside Out label bosses Stevie R & Alex Zed offer up a dub remix of ‘Delphi’. The guys take you on a rich journey of enchanting layers that become hypnotic as synth melodies drape over rolling drum patterns. Deeply beautiful, this is music for the more intelligent listener."

Review by: Knights of the Turntable

Delphi [Remixes]

Beatport

Elijah Simmons - Delphi (Stevie R & Alex Zed Dub)

Bee Gees - Stayin' Alive (PH Re - Edit Soulful Groovy Disco)

My Mountain

my mountain

Musical ramblings of a chaotic mind !!
#Musicismytherapy
A warm spring or summers day, the sounds of the outside world floating past........

TheCalmingFeeling

As so often the case, I conducted a jam session which took approximately four hours, and in which I experimented with a vast amount of sounds, settings and samples, and recorded the result in stereo in Audacity, which I used in posts-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

In this particular jam session, I experimented with something I would describe as "time-synchronized sampling of percussive sounds". I played back a list of prerecorded Hip Hop drum breaks at 100 BPM through my humble Eurorack which was also set to 100 BPM. The next step was feeding the drum sounds through the Make Noise LxD module (which is a dual low pass gate that can function as a filter, and also be pinged to produce percussive sounds) and modulating it by a collection of different Eurorack modules. Due to the imperfections in the synchronizing, the already percussive sound was "forced" into a slightly skewed percussive structure which results in these intricate glitchy raw rhythms.

Again, I made use of the outstanding Radio Music module, which is a sample player with a twist. From this module came the sermon speech samples, and that organ sample from the first section of this track (which I was able to loop on the Boss RC-300 loop station, albeit after dozens of takes).  

Additionally, I used the Arturia MocroBrute, that provides that arpeggiated metallic acidy synth voice in the second section of the track. The descreet bass kick in the second section was created using an LFO at audio rates, fed through one of the channels of the aforementioned LxD module.

Samples from the following material were used:
- 100 Classic Hip Hop Drum Breaks At 100 BPM FL Studio (Product Of Tha 90s) [https://www.youtube.com/watch?v=vxLURvusYD4]



The following hardware was used:
- Arturia MicroBrute
- Boss RC-300
- Various Eurorack modules

Please bear in mind that this track doesn't reflect my ability to create live music on the fly in one go, like many great artists can do. As most of my tracks, this one is free for download. If you use it in one of your projects, let me know what you can come up with and give Mrs. Audio Boy a shout-out!

Lo-Fi Sermon [Jam session sections: RAW2020 - 2]

Mrs. Audio Boy is a proud member of Project:Music (@projectmusicsounds) and MintFam (@mintfam), and is a German-based project, which creates experimental electronic music by the process of conducting jam sessions, improvising during these sessions, recording them, and then using best parts from those sessions to create so called "Jam session sections" (manually, no AI whatsoever). These are generally raw sound clips that are mostly left unprocessed apart from using a simple cross-fade in order to tie two or more clips together. Only very rarely some simple effects like filters, compressors or noise reduction are applied. 

In doing so, the special one-of-a-kind moment is pursued; thus, the created sound is highly inimitable and unreproducible. Most of the tracks can be downloaded. If you use them, please give a shout-out to Mrs. Audio Boy!

MAB logo by @maxim-lichtenwald, check him out!

dj/producer, 

YART Club & Bar , Stuttgart //// 



musician field recorder & labelowner at rogalist records 

@schneiderstube 
@rogalist-records 

#downtempo #deephouse #organichouse #acidtechno #ambient #experimental #world #triphop #pychedelic #afterhour #warmup #party #chill #dance

Lo-Fi Sermon [Jam session sections: RAW2020 - 2]

Mrs. Audio Boy

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