is there no gentle place?

musique pour (sur)vivre

DL on : https://fhauna.bandcamp.com/




Words to : gwenole.fhauna@gmail.com

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https://upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Abraxas_gem_scan.svg/800px-Abraxas_gem_scan.svg.png

weird sisters : https://www.youtube.com/@muzak_order

art which overwhelms the senses, makes no sense, is incongruous with the 'normal' thinking process, which transforms and transmutates the listener into something they were not during before, and creates a permanent evolutionary change.

 
"Music projects a living image into your existence, it is an expression of something beyond our own comprehension, seemingly existing as part of the moment only as color and feeling – something that Unearth Noise has been able to achieve with every single track that I've listened to. The name itself can allow you to vaguely imagine what you are about to fall under the spell of. " -Rolby Perez of Neitherzine (http://neitherzine.com/)

Neitherzine interview (pg.42): http://issuu.com/neitherzine/docs/issue_seven?e=4786980/4515658

Facebook. page:: http://www.facebook.com/pages/Unearth-Noise/448815395188765

Downloads available on Bandcamp page http://unearthnoise.bandcamp.com/

Also check out my cyber band Ancient Aliens @ http://soundcloud.com/ancient-aliens-1

and: http://soundcloud.com/shadowface-2 (bitzone/Catcherye/Unearth Noise collaboration)

Jesús Lastra aka Voidborn Horde, is a Venezuelan ambient electronic music composer born in 1986. Since 2002, He starts this musical journey by exploring experimental sounds, influenced by ambient music and soundscapes that evoke vast and ethereal imaginary worlds. Under the alias Voidborn Horde, he has developed an unique style with electronic elements and ambient textures, finding a kind of "false enviroment sounds" to give the listener an immersive and dreamlike experience. His music is characterized by its ability to evoke neutral deep emotions and meditative states of patience, making him a reference in the ambient music scene.

@rawpinkbmp
@flat-stone
@zuheodosha
@jalastram
@kabomani
@solanmusic
@nobioyetmusic
@nobioyet
@0x4B

Software

- FL Studio
- Audacity
- Virtual Instruments
- Cubase LE AI Elements 6
- Adobe Photoshop CS2
- WaveEditor Record & Edit Audio (Sound-Base Audio, LLC)

Hardware

- Vieta Pro Way 4
- MSI GF63 Thin 11UC
- Interface Scarlett 2i2
- Condenser Microphone(CM25)
- Audio-Technica ATH-M50X
- Arturia MiniLab - USB/MIDI Controller
- Nikon D3200
- M-Audio Axiom 61
- M-Audio Oxygen 61
- M-Audio Hammer 88
- M-Audio BX5 D3 (Studio Monitors)
- JVC HA-RX330-E Headphone
- AKG Headphone
- SONY SRS-D25
- Samsung S10 Edge
- Xiaomi Redmi 9C
- Xiaomi Redmi 14C

https://freesound.org/people/jalastram/

listeners will find here the most recent edge of my research as well as album samples and one-offs from the last 10 years of my solo work, from official, upcoming releases, unreleased oddities, works in-progress, & experiments, all music by jeff gburek and collaborators, as noted. support directly via paypal: jeff.gburek@gmail.com or buy albums via https://jeffgburekprojects.bandcamp.com/

Explorations and experiments,  in sound, image, and animations . influenced by  interests from Organic Gardening to Neuroscience, Basic Electronics  and Mechanical Invention, Re-purposing Transforming and Recycling of Domestic Devices, Permaculture, Ecology,  Ambient and Noise music. Animated Sound and Image- Experimental,Animated and Visual Music Short films,installations and live audio visual performances with custom built interfaces such as the disco-microwave,midi-vacuum cleaner, and prepared ironing board.see more at 
www.paulfletcherartwork.com
and at vimeo
vimeo.com/album/188779sound music noise ambience

Pantoclast is a music project by Marco Maccioni, an italian born musician based in Berlin with indie alternative and electro backgrounds focusing on Noise-drones,Shoegaze, Ethnic World , Kraut music and  Dub Techno trying to follow and develope a formula between Lavosier´s Conservation of mass  and the interaction-attraction-repulsion of  Matter and Sounds-Music.
Pantoclast is a name taken from a mental disease disturb  that joins the greek words Panto-all, and Clastia-destroy : "Morbid impulse to break any object you can find in the surrounding environment; may occur in the states of schizophrenic manic excitement or histerism".

Cinematic noise. London.

"Clique Plaisir" now available through Bandcamp: https://encym.bandcamp.com/album/clique-plaisir

Debut album with Wodwo "Crown Shyness" out now:
https://encym.bandcamp.com/album/crown-shyness


More recent releases:
"Bloom/Foam": https://encym.bandcamp.com/album/bloom-foam
"Hyphe" with Wodwo: https://encym.bandcamp.com/album/hyphae
"Trajectorize EP": encym.bandcamp.com/album/trajectorize-ep
"Music for Meditation": https://neotantra.bandcamp.com/album/music-for-meditation

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

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Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)