This part is a remix of Wire Fence - Rabbit Heugh, a contact microphone recording of a fence. Sounds were generated from midi conversions from the sound spectrum of the  field recording, part of the open :zoviet*france: soundwork "Hidden-by-the-Wall", commissioned by Green Croft Arts as part of its Collision and Conflict project: 

soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix?fbclid=IwAR23eVCF-8yRxJ3BPAw3kh5poKlArMhxfqr8chJf62vwLgqG1_yf2JoEYXo

More on Collision and Conflict:
www.greencroftonthewall.com/collision-and-conflict

The recordings are made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

:zoviet*france:  Wire Fence - Rabbit Heugh - Second Harmonic Generation Remix

Diary set to sounds,texts and pictures to share thoughts, joys and sorrows. 
On the way..of poetry sometimes and forever..

(In Zen, Mushotoku represents a state of mind where the mind does not seek to achieve anything. It is the attitude of a mind that is not attached to objects and that seeks no personal gain.)

via Institute27 is an evolving hub of personal audio-art & archival material, spanning 40 years of creative exploration.
Musique Concrète, Proto-Techno, Industrial, Electroacoustic, No Wave, DIY, Instinctual Surrealism, ASMR & Jazz.

Endorsements....

"At the time I thought we needed a program but having none was the right way. I would have just being a try hard pushing dune pseudo waffle. Most of this music was spontaneous  Therefore it lacked any pretensions about trying to be anything."
..Anton Mullet.

"I really enjoy listening to those early recordings because they bring back the excitement and enthusiasm I used to feel whenever we got together to make music. 
There's some great stuff there: the vague, distant ringing of the telephone combined with the strings and piano allow you to float through a very atmospheric scape. There was something immediately satisfying about the simple methods we'd use to generate and record sounds."
..Ingo Wieben.

"Wow. That's beautiful. And uncanny. I always felt that D27 tapped into something very deep and universal.
It's an extraordinary body of work and so completely ahead of its time. It also has a very timeless quality. Unique and peerless." 
..Ian White.

Making a spear - Keyframe Media.
https://www.youtube.com/watch?v=EicTbrHfYFM

Take me higher- Defenestration- Keyframe Media.
https://youtube.com/watch?v=jZJcjzTtNUs&si=q87wX_lfJHaG4-t7

Not that funneled in by label, clique or creative place-making. 

In particular & as defined by Declan O'Gallagher, DEATHGUM manifested 40 years ago. which is described as  DEATHGUM 1984 (Esoteric, Noise, Avant-Pop, Post-Punk, Ritualistic, DIY, Ambient, Industrial, Electro-Acoustic, Acousmatic, Rock & proto-Techno).
Dreamlike, hermetic & surrealist.

"We played it live & at home°", with the floorboards, control levels, cooked discs, then pressed the record button.

Love is the Law.
_______________________

a.a - 
Andrew Rusker
Anthony Martin

a.a.i - 
Andrew Rusker
Anthony Martin
Ingo Wieben

a.i - 
Andrew Rusker
Ingo Wieben

Defenstration – 
CORE PERSONNEL
Andrew Rusker
Anthony Martin
Declan O'Gallagher
Ingo Wieben
Jason Florence
SPECIAL GUEST APPEARANCES
Angus Jones
Ian White
Jak Stress
Nick Flood
Owen Richardson
Sandra Halford
SPECIAL ENGINEERING
Robert Bursill
Karl & William Carter
Linda Ruff 

HellemaRusker -
Andrew Rusker
Pam Hellema

i.a - 
Andrew Rusker
Ingrid Rusker

Minerva System -
Ian White et al

NARCONIA-
Ian White

Nothing – 
CORE PERSONNEL
Andrew Rusker
Declan O'Gallagher
Peat Moss
SPECIAL ENGINEERING
Linda Ruff
Jason Florence
John Phillips

rusker -  
Andrew Rusker
SPECIAL GUEST ENABLER 
John Janson-Moore

rusker / rickertsen -
Andrew Rusker
Sonke Rickertsen

Satantra - 
Declan O'Gallagher
Digby Banks
Ian White
Kaz Tyler
Rachael Coutts
Stephen Faust
Tom Kantor

UNN - 
Ian White
Mats
Yohan Trombeta

All original Art & Photography by rusker, 
2 exceptions cited. 
Satantra graphics by Ian White & Digby Banks.
Please respect our Creative Commons overstanding.

DEATH is serial & difficult.
GUM is easily spat out.

In Dadais.

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



We like found sounds: acoustic instruments, field recordings, natural history, sound experiments, cycling, videomaking ... and collaborations.