another amazing piece of music I am a fan!

Grate toe tapping piece. So glad you compose jazz music...

@user-369089703: Thank you very much! So glad you like it!

I was drawn by the title and stayed for the music. Great!

Phantom World

“Second Passacaglia for String Orchestra” was completed in July, 2022 in Fairview, TX. 

From the composer's publisher Creative Spirit OnLine: "Brooks’s Second Passacaglia unfolds broodingly over a 17-bar, slowly moving bass line in cellos and basses, while the variations above increase in movement and intensity until finally arriving at a subdued and haunting final cadence."

The work is in one movement. Performance time is about 10 minutes. 
Printed and electronic scores and parts are available from www.CreativeSpiritOnline.com
A virtual recording of this work is posted on www.soundcloud.com/robert-john-brooks.

Performance notes:
•	Tempo, expression, and dynamic markings should be strictly observed.
•	There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
•	Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
•	Passages marked  fff  or ppp  indicate playing as loudly and as quietly as possible, respectively.
•	Double-bass “C-extension” is required.

Contact information: 
Email: robtjbrooks@yahoo.com 
Web: www.soundcloud.com/robert-john-brooks
Web: www.CreativeSpiritOnline.com

View/Purchase Score

Second Passacaglia for String Orchestra

(Written by Terry Reeves)
Terry Reeves: Vocals, Acoustic Guitar
Hans Albers: All other instruments, Arrangement & Production

I think it’s important to say that a lot more women than you think have had one or multiple miscarriages. It’s just that it is a subject not often talked about because of the very personal pain that the couple go through. The unborn life has no contact with anybody else except the mother and the emotions are often only remembered by the mother and father.
When Jo and I were expecting our second child we were very excited and looking forward to having another Reeves in our growing family. I will never forget the day that we were told we were going to lose the baby and once told, left sitting in an open A & E waiting area having to cope with all our raw emotions and the prospect of the impending loss amongst the rest of the other patients.
Jo had to go through a painful operation to terminate the pregnancy and it is a day she will never forget. We were a family of three planning being a family of four having now to plan being a family of three recovering from an invisible loss and explain it to our young son.
It was an extremely difficult time but we were fortunate that after a few years we did have two more children. Jo tells me that although it is difficult to explain the connection she had with the unborn child that the presence of life inside her will never be forgotten.
I felt I couldn’t let this moment in our lives pass by without acknowledging our unborn child in some way. The rollercoaster of emotions we shared at that time from euphoria at increasing our family to devastation and bereavement at our loss were felt intensely only by Jo and myself played it’s part in forging the strong bond we have had throughout our relationship. (Terry Reeves)

Two giving chance for more to love
Sharing excitement of a life that grew
Future moments by imagination
Holding tightly to a dream, not knowing who

The moment will always be there

No blessing from a hand of friendship 
Could change the feeling of love untried
A desperation of disappearing contact
Sixteen weeks of wonder with a life inside

The moment will always be there
Will always be there x2

Will always be there x3

It’s hard to share the tears of life unborn
Expectations waiting, true feelings strong
Growing three to four into a family together 
Not knowing where to be or why we belong

The moment will always be there
Will always be there x2

Many questions asked reasons who or why
Emotional growth but no name it’s true
An everlasting memory impossible to share
Changing 4 back to 3 kept just between two

The moment will always be there
Will always be there
Will always be there
Will always be there

FOUR TO THREE - CRIPPLE CLUB & HANS ALBERS

Bedtime for Businessman

The October 2022 DIAMC writing prompt was about displacement, taking a character either fictional or real and putting them into an alternative reality. I imagined a world where Little Red was all grown up and off to the bright lights and big city, in search of Mr Wolf.

Demo, recorded in the spare bedroom of our holiday cottage in Ackergill.



Little Red

Little Red she’s grown up proper
Little Red, nothing’s going to stop her
She’s going to shine, like the moon
Mr Wolf, big man in the city
Mr Wolf sure likes them pretty
In for a surprise, Mr Wolf
You’d better watch that back
Look both ways
She’s coming for her due
Little Red

Little Red, headed for the Hood
Telling Granny she is going to be good
She may be lying, but honest she’s trying
Little Red steps into his bar
Mr Wolf greets her with a snarl
“Hrrrrrrrr, Babe, you’re looking swell”
Little Red flicks back long hair
Walks by, ignoring his stare
“Make mine a double on the rocks 
And wipe that look, off your face,
I swapped out that blunt old axe,
For some Mace
And I’m not afraid to use it,
Don’t need a Woodcutter no more.”

Little Red, now she’s a star
Mr Wolf, he’s gone and bought her a car
And a house, and a yacht, and a ring
He fell under her spell
Little Red, she played him so well
But damn, that girl could sing
Ahoooooo, Little Red
Ahoooooo, Little Red
Ahoooooo, Little Red

“Turned out there’d been a bit of a misunderstanding. Mr Wolf isn’t all bad, you know? Last I heard…he’d gone and bought Granny…a new condo”

Ahoooooo, Little Red
Ahoooooo, Little Red

"Turns out, it had all been a misunderstanding. Mr Wolf, well, he is all bad you know. In fact, the last I heard, he'd gone a bought Granny a new condo.

Ahoooooo, Little Red
Ahoooooo, Little Red

© S Barr 2022

Little Red - Demo

This came out of a piece I'd been developing over a couple of weeks, searching for variations around a central theme on felt piano. After a couple of less than successful attempts at developing the track with a fixed bpm I ended up freestyling it as an improv with some subtle drones from Spitfire labs Foghorn, a unique and free library of sounds derived from recordings of the Sumburgh head Foghorn on Shetland. 
One of the options in the labs library is a selection of engine room noises from the two diesel engines that power the foghorn, I wondered whether the engine room could stand in for percussion on the track and here is the result. Thanks for taking time out to check it out.

the engine room

Words and music K Gennery

For my Nan, Emily Adelaide Francis 1903-1972
Mother of 15 
Grandmother to 24
intro voice, my 93 year old Mum, talking about her Mum.....Emily.

While on my own i find myself lost in the past
maybe i should step back and leave well alone
For there you are ready to receive me
feel safe and warm wrapped in the arms of emily

long ago wished i could have told you so
such a long time ago ooh how i loved you so
ooh how i loved you so....emily

you were gone in a blink of an eye
i should have come and whispered goodbye
 i was young but it doesnt ease the hurting
age is not an excuse its all i have

long ago wished i could have told you so
such a long time ago ooh how i loved you so
ooh how i loved you so....emily

emily

Emily

As is usually the case after completing an album, I tend to return to my style of emotive piano melodics.  "Reflect" was completed in one evening, after sitting at my controller keyboard exploring different phrases, until finally coming up with something that resonated with me. There are countless evenings like this that I never end up with anything at all worth recording. Just meandering with fingers randomly playing unmemorable motifs. Something I'm trying to learn with these types of tracks is to stop when I have a sense that the feeling is conveyed. Even if it ends up only 2-3 minutes long. I hope you enjoy it and helps you reflect on good times. 

I want to thank all the wonderful people in this SC community that have supported and expressed their enjoyment of my music. It's a hobby(turned passion) that has so much more significance when I get to read the gracious feedback that I'm so fortunate to receive.

I look forward to sharing more material from my new album “Focus”. I also have a new Blink Twice single coming next week that should satisfy those electro heads out there. And much more to come in 2023 most definitely. Cheers!

Mood Exhibit - Reflect

Chapter 119 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums are available for free on Bandcamp.
Released in 15 part/chapter increments:

TAFFETA Vol. 7 is now available on Bandcamp
belialpelegrim.bandcamp.com/album/taffeta-vol-7

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA 2022 t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical

Taffeta  119

TAFFETA | 119

Here’s my first composition of the year with piano, bass, percussion, strings, koto, synths and vocals! 
Thank you to my awesome Sander for mastering for me. @wane-of-summer 😊🎶❤️❤️❤️

Picture by myself. 😊🌲❤️

EVERY STEP OF THE WAY

Temperate Zone

Finest sleepy garage jazz on the market.
Only original tunes.

Bedtime for Businessman

BoxTox

Recent comments

Michał Wajss

Paul Haas

TheGat(s)

Nadine de Macedo

Related tracks