Podzimní šátek - impro

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

Compositions for piano with some influence from classical music, American songbook, jazz and other styles.
All compositions written by Anibal Seminara.

https://www.youtube.com/channel/UCH0emQEWtUkH-3bKngmWjpQ

كأنك ما حدا .. ضايع بـ هالمدى !

My warmest thanks to everyone stopping by for listening to my tracks, the most of the representing a  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and in addition to them, also to a minor but growing  LISTS of MY MY OWN RENDITIONS, all of the latter representing a variety of piano music, & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

I'll follow you back when SC lifts the follower limit (!)
Loving listening to everyone's music on here :-))))))))))

Welcome. I'm having a bit of fun experimenting with different music styles these days so there is quite a variety here - ambient, jazz, blues, rock and experimental... anything goes!

Hope you enjoy listening.

Incidental Music For Eyelid Movies (IMforEM). That's the style of music I write and record. It's music to be watched with your eyes closed.

When I was 14 and trying to learn to play guitar no one told me about A440 tuning. I knew how to tune the guitar string to string, but wasn't aware that records and what I heard on the radio had a standard. I soon became frustrated trying to play along with what I heard and began making up my own music. Still at it.

More of my work can be found at https://incidentalmusicforeyelidmovies.bandcamp.com/ and everything (the good, the bad and the ugly) is at https://archive.org/details/@keith_q.

la Maggior parte della mia musica è ad improvvisazione, suono ad orecchio e amo la natura, ed è proprio questo che mi dà la vera ispirazione a comporre alcune melodie che hanno come protagonista il rispetto e l’amore per ciò che questa ci ha regalato....se tutti noi amassimo un po' di più la natura che è l’elemento di primaria importanza  che ci tiene in vita, avremmo sicuramente un mondo migliore

I began creating mixed media art during the early days of the pandemic by combining original piano compositions with my abstract paintings. The canvas, my personal stage, is where I’m free to let my inner thoughts share a story as colorful and messy as life so often is and I have grown accustomed to use this place as my source of inspiration and to grow as a person. And to safely fall flat on my ass without judgment or need to explain away the awkwardness of why I made a spontaneous creative choice that really has no broader significance than it being an outward expression of what was just an unconscious thought.

Podzimní šátek - impro

Olga Magdalena