Treasures from all over the world: contemporary productions as well as edits | reworks of rare & forgotten music. Available here: https://mata.re/shop

Got into DJ'ing in the early half of the 80's.Originally i started off off life as a breakdancer but was also  drawn to the scratching element of the music.So,as one did back then,i cut out a slipmatt from an old pillow case and got to work on an Amstrad stack system.I couldn't use the volume control so had to use the function button to cut the sound.This gave it an Eric B style scratch,messy but it did a job.It didn't take long for the turntable to eventually die on me so i used anything that played records until i finally got my 1210's in the early 90's.
I'd constantly be chucking out mix tapes but unfortunately living where i did the want for hip hop wasn't there so i moved onto the club circuit.
I did that for a good few years but got bored as the crowd then was only into what was in the charts and i liked breaking new stuff so eventually i knocked it on the head and only did the occasional house party.
Many years later,by chance,i bumped into an old friend who told me about some software he used to mix on.I got it and started putting some mixes together.This was all cool but i got bored quickly just blending one track into another every 5 minutes or so so started doing mash up mixes.I figured if i was using a program to mix then don't do what i could do on my turntables.
I know many DJ's don't class this art of mixing as real DJ'ing and of course they are right but i use my many years experience as a DJ to make these mixes work.
I've had many mixes played on The Streetsounds radio show with Morgan khan and also been lucky enough to be asked to mix up some albums(turning them into minimixes for promotional purposes).
I'd love to get back into live work again but financially i can't just yet.My priority is,and always will be,my family.
So for right now i do this as a hobby.I love music and i love mixing it.
My preference is old school but i do mix modern music also,basically,if i like it i'll mix it.
If there are any record labels or artists out there wanting to put out a megamix type album then(or minimix) inbox me.If i can work with it i will work with it.
Big thanks to all my followers and always appreciate your comments and feedback,they are my payment for what i do...provided they're nice of course!! haha!!
Phurty

cutlawhut@gmail.com. -  DJ Cut La Whut
I live in the Tetons, Victor, Idaho.. The greater Jackson Hole Area.
Catch me rockin The Rose in downtown Jackson Hole (almost) every Saturday night this summer. I have other gigs sprinkled in…I'll post other events via my facebook and instagram.  @ cutlawhut on Insta, Facebook is linked below!

dulce@opulenttemple.org

::::: UPCOMING ::::: 
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3/9 - BurningMan: Burnal Equinox @ Public Works
3/16 - Raindance: Lunar New Year @ The Midway
3/23 - Disco Donuts: Glazed @ F8
3/30 - Opulent Temple: Mau P @ Public Works 
4/13 - Take 3 (Private) @ East Bay
4/20 - Brass Tax: Birds of a Feather @ Flamingo 
4/26 - Duckpond: Migrations @ Asiento
5/3 - Unscruz @ Santa Cruz
6/1 - Flaming Lotus Girls + HPZ @ 7th West
6/21 - Love Shines Down (BM art fundraiser) @ Fame
7/6 - Opulent Temple: The Sponges @ Public Works
7/21 - Dusty Rhino @ Great Northern

::::: ARTIST BIO :::::
______________________________

Enter Dulce Vita (pronounced dol-sie/vee-tah). Nationally requested, dance floor approved! In direct response to specific performances at Burning Man, she has been invited to rock stages in New York, Chicago, Los Angeles, Washington DC, Chicago, Denver, Miami, Seattle, Portland, Boise, San Diego.  As a DJ performer in San Francisco, how does DV stand out? True individuality happens here as a result of a musical risk. Using the cross fader as her primary canvas with a signature brand of aggressive intent, she performs a sound all her own - an energetic soundscape peppered with loads of texture, chunk, and curious desires you never knew you had across breakbeats, bass house, tech house,  melodic techno, electro, organic house, world beats, downtempo, and bass music.  Emotion evoking dance music is quintessential DV.

Dulce considers any single performance a personal success if she can make a deeply positive impact on at least one person's experience. Since her debut performance at Google headquarters in 2004, you might have already experienced her audio collage of eclectic tracks at underground warehouse venues or major nightclubs such as The Midway, Public Works, The Great Northern, Monarch, Temple.  In the past, Dulce was named WINNER of SF Weekly: City of Spin 2009 (Annual DJ Competition) and her performance at Burning Man earned a prestigious mention in international publication 'DJ Mag' within the 2008 issue featuring Top 100.

Over the years, Dulce has held down numerous DJ residencies based in San Francisco. In 2006, she was proud to be selected as the first female to be affiliated with 'OPULENT TEMPLE' (the infamous large-scale sound camp at Burning Man featuring world class DJs on over 300,000 watts). In 2009, she was invited to wobble out with 'CALIFORNIA DUBSTEP REPUBLIC', a collective of performers who provided the first ever Dubstep float in San Francisco's equivalent of a large scale EDM festival like Love Parade. That year also debuted her solo event production alias: 'DVANT GARDE'. DV created a new breed of event (known as 'Womper Womb') showcasing dubstep, glitch, and breaks with all female DJ talent from Burning Man. Dulce Vita booked nearly 100 performances as a DJ in 2009.  

In 2010, she gained a new monthly residency with 'BELOW ZERO', featuring downtempo, chillout, trip-hop, and IDM.  'UNDERGROUND NOMADS' was introduced in 2013, a weekly show featuring global bass and world step in combination with belly dance performance. Dulce spent many years feeling at home within the Northern California campout and  invitational festival circuit involving Burning Man communities. In 2020, Dulce became officially affiliated with 'STRATEGIK SF'.  Burning Man community based groups she has performed with over the years also include: DUCK POND, ROOT SOCIETY, DISTRIKT, HOOKADOME, SPACE COWBOYS, DUSTY RHINO, BRASS TAX, FLAMING LOTUS GIRLS, SLUT GARDEN, DISORIENT, DANCETRONAUTS, SACRED SPACES, BASS CAMP, NEXUS, OSIRIS, BMIR.  

Dulce has also provided A&R representation in past at Winter Music Conference in Miami for two Oakland based labels, Mizumo Music (tech, filtered disco, and electro house) and Funky Cactus Recordings (big beat and nu skool breaks).. Her actual birth name is Dulce Vita.

bookings: stewart@triplea.agency

stream links & shows: https://linktr.ee/tsuruda

Scribble Records was the brainchild of Trevor O'Shea and begin 2007, a small Dublin based label as part of the Bodytonic Music collective. Scribble also host a weekly Friday night in The Bernard Shaw in Dublin. Previous guests at Scribble gigs have included Simbad, Mr Scruff, DJ Yoda, DJ Craze, Greg Wilson, Zed Bias, Rahaan, Dam Funk &amp; more. The aim of the label is to release quality music that reflects the sound of the weekly night - anything from reggae, funk, soul, hip hop &amp; the rest. In 2010, Scribble Records, will build on the previous ten successful releases with single &amp; album releases from label artists Kormac, Yolazy, Scribble Soundsystem.

For more info on Scribble Recordings check out ...

www.bodytonicmusic.com/scribble

www.myspace.com/scribblerecords

Scribble@bodytonicmusic.com.

5-time Australian State DJ champion. Record Pimp. Mixtape King. Diggin' God. I have records you don't have. You can support me here: http://djsheep.bigcartel.com

Hailed as a “music guru” by Rolling Stone and cited among the “world’s Top DJ’s” by The New York Times, J.PERIOD is a master of his craft: a musical storyteller whose work bridges cultures, generations and styles.

As a DJ & Producer, J.PERIOD's resume boasts collaborations with GRAMMY® winners Nas, Kanye West, Common, John Legend, The Roots, Q-Tip, Lauryn Hill, Mary J. Blige and Pulitzer Prize-winning Playwright Lin-Manuel Miranda on the Billboard #1 album, The Hamilton Mixtape.

His extensive roster of collaborators, combined with a visionary approach to musical storytelling, have earned comparisons to both DJ Khaled and Ken Burns and most recently, a prestigious post as a founding member of The Kennedy Center's Hip Hop Culture Council. “Make no mistake,” says DJ Booth, “as to the power of J.PERIOD’s impact and influence on hip hop culture.”  Music icon Questlove (The Roots, The Tonight Show with Jimmy Fallon) calls J.PERIOD “the most creative mixtape producer of all-time.”

J.PERIOD’s work has also been featured in film and TV (American Gangster, NBA Inside Stuff, The Doctor), earning an EMMY®.  His groundbreaking work as Music Supervisor for the Brooklyn Nets’ debut Barclays Center was lauded as “the new standard” for music in the NBA arena.

For more: http://JPERIOD.com

dropthebaste is following