Sweeping All The Clutter Out (G. Di Nunno)

The dirt pile grows higher, so why must you add more?
Your face wears signs telling; the fight's hard through losing

The drama not worth it, repeating the pattern
Of toil and bruises, quite totaled with damage. 

All friends kept stunned guessing, what plans stay stored, hidden
A spring trap bite triggered--enjoy all this chaos.

Love the attention
Feel the power
Sneaking up
Quick attack
Can't resist
Stunned and lost
As you grin and walk on by.

Here is the broom to sweep all the clutter out
One chance to clean the rotten reputation that you have.

(A trip to 3/4)
And all trust has withered
Your family hides out
So where are you heading?
No one wants you around.

(Back to 4/4)
To wash off all trouble will take more than one storm
The meantime, such backlash when someone says your name.

The difficult task of repairing, undoing
Has worth in performance, and actions rebuilding.

What was sent out
Was returned
Wounds that stung
Healing slow
Grudges held
Stay awhile
Consequences thick, you know?

Here is the broom to sweep all the clutter out
One chance to clean the rotten reputation that you have.

All lyrics, music, and performance by Gino Di Nunno
Copyright 2025.

#6, Sweeping All The Clutter Out

Thank you to all my supporters. Much love <3
-
Vocalist; songwriter; poet; author; D-grade philosopher.

#anderssonarte
-
Collaborators/Affiliates:

> Salvatore Nuccio
[ https://soundcloud.com/salvatorenuccio ]
>> Angelo Annicchiarico
[ https://soundcloud.com/angelo-annicchiarico-1 ]
>> Tracey Cracknell
[ https://soundcloud.com/user-656984672 ]
>> ZODALITT
[ https://soundcloud.com/lise-jonsson ]
>> Jostein Kihl Svarthe
[ https://soundcloud.com/jostein-kihl-svarthe ]
>> BlueToad 
[ https://soundcloud.com/dan-lemiel ]
>> Kenny Dyer
[ https://soundcloud.com/kenny_dyer ]
>> Behold the Sludge
[ https://soundcloud.com/beholdthesludge ]
>> IPG1 aka LOU
[ https://soundcloud.com/ipg1 ]
>> #WEATNU
[ https://soundcloud.com/weatnu ]

Hey there! Thanks for stopping by my SoundCloud page!

I quit my secondary job not long ago, so i guess this is my secondary job now. (?)

I'm an independent musician exploring different genres and styles that resonate with me. I play drums, guitar, bass and keyboards, and I’m always looking to grow.

My philosophy in music is simple:
If we don’t lift each other up, who will? The industry won’t. So let’s support and inspire one another. If you have the power to help, use it—otherwise, what’s the point?

My new single, "A Crimson Stain", is out now!


My new album, "No Glimmer",  under my own name is out now!
Link below!

LORRIDI is a heavy/viking metal solo project by Jan Magne Garte. Taking inspiration from the sagas of the viking age and norse mythology, Garte creates vivid images of the old gods and warriors through his music and lyrics.

Born in Norway, 1971. At the age of 16, Jan Magne Garte played bass in different bands starting in the mid '80s. Growing in popularity and opening for some of the most popular Norwegian Rock bands at the time. By the early 2000s, Garte started expanding his repertoire by singing songs himself and switching from bass to guitar.

Around the same time his parental duties would start to take the focus from the music, and his career as a musician   took a hiatus for almost two decades. Now after all this time, his love for making music has truly rekindled and the old musician has returned. 

All of his music is heavly influenced by the songs of his youth, from genres such as '80s hard rock, heavy metal, thrash, but also taking notes from the next generation of musicians.

Garte also has another solo project under his own name. 
All tracks were composed, arranged, recorded and mastered by Garte himself.

I’m a visual artist who works with music creators to turn sound into stunning visuals. Whether you need a logo, album cover, attention-grabbing thumbnail, motion graphics, lyric video, or even 2D/3D animation, I’ve got you. I’d love to team up and help make your next release stand out.

*A couple of old guitars and a dusty keyboard
*Love collaborating. Message if you are interested
*Various vids on youtube
*Paintings on Yola and insta

Gino Di Nunno is a 66 year old guy from Greensburg, Pennsylvania. He can't sing, but since starting writing and recording his songs in 2016, he is improving. He is obsessed with Rock Progressivo Italiano, Orchestral music (Beethoven, Mahler, Shostakovich), Jethro Tull, Mercyful Fate/King Diamond, and Philosopy. Gino started playing guitar in 1976, but two years later he suffered a left-hand accident and lost 3 and 2/3 fingers (He also started dabbling with piano in 2016, though he doesn't consider himself adept he knows enough to make it sound good). He did not start playing again (as a left-hander) until 1980, and with very long practice sessions, he was able to start a band, taking the hard road by writing original material with his brothers and a few vocalists, where they played everything from Punk, Blues, and a mix of Progressive Rock and Metal.

The band of brothers decided to end their music pursuit in the early 90's to catch up with life. Gino decided to give music another try in the early 2000's and didn't start recording and releasing music until 2016, releasing versions of albums on Soundcloud where he had no idea what he was doing; however, each album saw improvement (yes...even his vocals) by learning through trial and error experimentation. 

Gino said the best advice he ever received was when a guy told him, "if you can't sing, make sure your lyrics are good so people will focus on them instead of your singing." Gino writes deep lyrics dealing with life struggles and predicaments, yet always with a bit of hope. He prefers to write small symphonies within a song, with lots of changes, added dynamics, and a breaking away from familiar forms and structures. He realizes he is not unique in breaking new ground, and that aging and long practice sessions has given him (at times) an aching right wrist which has taken away the speed he once had, and even with his spotty vocals his only request is that you dive deep into the songs because he insists something beautiful can be discovered.  (Antonella Gaspari)

"more fun than i deserve" 
 stepping off the ledge with desire

Hello! Iam an amateur singer/songwriter with a lot of passion for singing and Music.  I mostly sing originals,  but also covers . I like to write lyrics with meaning, something people can relate to. Not necessaraly my own experiences, it can be something i heard, seen or something someone  told me.
I also make music in GarageBand with small loops I put together. 
I am very impressed with how many talented people there is on Soundcloud! And so much love and kindness!
Thank you all for listening,  likes, reposting and comments! It really means a lot to me❤️
(My own originals sounds best with ear phones )
I also have a YouTube channel with the same nick name 🎵
Take care!🥰

(And I don't use AI at all! )

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)