Fridge

We had the pleasure of interviewing Robot Monster over Zoom video!

Rock duo Robot Monster has released their newest single “OUT”, streaming now here. The song comes on the heels of their debut full-length album which was released earlier this year. Both were produced by Grammy award-winning Jacquire King (Kings Of Leon, Kaleo, Tom Waits, City and Colour) at King’s studio, The LBT, just outside of Nashville, Tennessee.

The band’s previous single, “Get Somewhere” saw Robot Monster featured on Pittsburgh contemporary station T102; fans flooded the station with calls with over 7k calls following the band’s on-air interviews. The song has also been featured on Spotify’s Rock Hard and Apple Music’s All New Rock & Breaking Rock playlists.   

Last May Robot Monster played their first show ever, serving as direct support for Stone Temple Pilots at the Palladium in New York City. The band is on tour now with The Bronx and Drug Church, with upcoming stops in Charlotte, Atlanta, and Memphis. 

For a full list of dates, please see below or visit: www.robotmonstermusic.com.

About Robot Monster: 

In 2020, guitarist Will Brennan and drummer Logan Sidle weaponized Instagram and TikTok with scrappy appearances in backyards and junkyards, quickly earning supportive comments and direct messages from the diverse likes of Skrillex, Fred Durst, and Wesley Schultz of The Lumineers. Since then the band has experienced a meteoric rise – gaining a combined social following of 500k and regularly garnering over 2M views per week on TikTok.

The magnetism of their musicianship and creativity quickly drew producer Jacquire King (Kings Of Leon, Buddy Guy, Tom Waits). King guided the New Haven, Connecticut duo as they collectively sharpened an identity and vision for what became Robot Monster. The band took shape without sacrificing, limiting, or overly complicating the initial spark, which quickly attracted so many.

On their self-titled debut album they summon the enduring strength of stripped-down, bluesy rock n’ roll with the feel of indie rock and punkish power. Songs like the riff-oriented and hooky groove monster “Caged,” the moody “Cargo Cult,” the expansively melodious “King of Everything,” and the atmospheric “When We Sang” confirm ROBOT MONSTER is a genuine force of nature.

Both guys are in their twenties yet fully cognizant of the timeless appeal of what they’ve begun. 

We want to hear from you! Please email Tera@BringinitBackwards.com. 
www.BringinitBackwards.com

#podcast #interview #bringinbackpod #RobotMonster #WillBrennan #LoganSidle #JacquireKing #NewMusic #zoom

Listen & Subscribe to BiB 
https://www.bringinitbackwards.com/follow/  
Follow our podcast on Instagram and Twitter! 
https://www.facebook.com/groups/bringinbackpod

Interview with Robot Monster

Like the track? Click the [<i>↻ Repost</i>] button!

Join the EDM Movement @ http://EDM.com
••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••
Follow @malia-katherine-civetz
https://www.youtube.com/user/MaliaSings

Follow Us @ http://EDM.com
www.Facebook.com/edmcom
www.twitter.com/TheEDMNetwork
www.youtube.com/EDM
www.instagram.com/edm
www.lockerdome.com/edm
plus.google.com/+EDM
SC: http://soundcloud.com/EDM
•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••
Send all demos to pop@theedmnetwork.com to have your track featured!
•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

Malia Civetz - End Of The Road

A FUN COVER/RE-IMAGINATION OF ONE OF MY FAVORITE SONGS BY NEW FOUND GLORY FEATURING THE AMAZING MAIYA SYKES ON VOCALS.

Head On Collision (SLOANE COVER)

Love it when you talk like that,
When you need something
Breathe your words down my back
Tattoo chills on my skin 
Love it when you talk like that
When you need something
You ain’t even have to ask
You could take it from me



Wrap your hands around my neck
Tell me I’m your favorite
Let me know that I belong to you
Light me like ya cigarette
Smoke it til there’s nothing left
Show me everything you want to do



It’s written in your eyes it’s all I see
Come and taste the fire you started in me
Let me be your darkest fantasy
Know you want it like that, like that, like that, like that, like that
Feels so good to be bad yeah

(Drop)

Feel your thoughts on my tongue
Taste your emotions
Take the life from my lungs
Drown in your ocean
Use me up until I’m numb
you have my devotion
Sacrifice for your love
I’m begging you just

Wrap your hands around my neck
Tell me I’m your favorite
Let me know that I belong to you
Light me like ya cigarette
Smoke it til there’s nothing left
Show me everything you want to do


It’s written in your eyes it’s all I see
Come and taste the fire you started in me
Let me be your darkest fantasy
Know you want it like that, like that, like that, like that, like that
Feels so good to be bad yeah

It’s written in your eyes it’s all I see
Come and taste the fire you started in me
Let me be your darkest fantasy
Know you want it like that, like that, like that, like that, like that
Feels so good to be bad yeah

GOOD TO BE BAD

Broke Boy

Broke Boy (Stripped)

Did my own version of this beautiful Sasha Sloan song. Really connected with the lyrics and am constantly striving to make the most of each day while I am able to live and create.

SLOANE 'Smiling When I Die Cover'

things i never said

​​We had the opportunity to interview Leon of Athens on Zoom with video!
​​
​​Please share while we are #togetherathome ​🏠​
​​
​​"London based indie-pop star Leon of Athens channels the flamboyant beauty of Sufjan Stevens and Francis & the Lights, alongside a similar widescreen pop sensibility as Lauv and MARINA, who he has both supported. His album Xenos (EMI/Universal) is a beautiful, thoughtful piece of work. It showcases just why he has become a big live draw across Europe and his rising profile in the USA where he has been confirmed to appear at SXSW, Okeechobee, Firefly Music Festival, Summerfest and Shaky Knees. The album follows the highly acclaimed release of his debut album Global, championed by the likes of The Guardian, NME, Q, New York Times and more. It is produced by David Kosten (Bat For Lashes, Everything Everything) and is informed lyrically by the refugee crisis, the rise of the far-right in Europe and the US, but also personal upheavals: fractured relationships, lost faith, youth, freedom, and death.” - Spotify 
​​
​​PRAISE FOR LEON OF ATHENS
​​“Brainy pop inspired by Bernardo Bertolucci, inflected with electronic, folk and other flavours” – The Guardian
​​“Leon of Athens has mastered the art of electronica-tickled, horn-smattered, melodic pop.” – NME
​​“The Greek god of indie-pop” – Wonderland
​​“In this place where tragedy was invented, the song was joyful and sadly cathartic.” – New York Times
​​
​​http://leonofathens.com/
​​
​​We want to hear from you!  Please email Tera@BringinitBackwards.com 
​​
​​www.BringinitBackwards.com

Interview with Leon of Athens

Bo Exotic

Bringin’ it Backwards’ mission is to provide a platform for both legendary and rising artists to tell their personal stories on how they achieve stardom so that all artists and music enthusiasts have access to meaningful and memorable advice to inspire their own musical journeys. 

https://www.bringinitbackwards.com/follow/

Interview with Robot Monster

Bringin' it Backwards Podcast

Recent comments

User 369809985

Related tracks