Name: Down Where the Wurzburger Flows (piano cover lo-fi) by Green Lassie Blues
Duration: 1 min 32 s
Description: I guess this is a drinking song but I thought it was about a beautiful land. haha. I like the way this sounds like an old bad record but maybe you don't. The image is my drawing of my mom's piano.

Pure, old school vibes of fullness of spirit and life. Lovely. Durge

waves of nostalgia in this old time sound

really nice, don't know if it's just me, but I'm hearing it like a nursery rhyme in a horror movie. cool sound, really interesting.

it seems to come from a distant fairytale era

I love this vintage sound and also your drawing of your mom's piano..I could definitely enjoy drinking to this!

Mill Lane is our temporary rehearsal space this year - located in the nth suburbs of Hobart its a huge warehouse that is in the process of being emptied of museum equipment. Each week the space gets bigger and more cathedral like as the crates go out the roller door. Heres a little taste from the other night.. you will need to excuse me on 2 fronts - My zoom seems to be reaching the end of its life so the recordings is pretty scratchy and 2 I reckon i am a bit out of tune... anyway the energy is good and the ears locked in to what the other musician is doing which I guess is the main thing. Happy Riffing

Kirby/Ward riffing at Mill Lane

Midnight Talking (For two guitars)

I guess this is a drinking song but I thought it was about a beautiful land. haha. I like the way this sounds like an old bad record but maybe you don't. The image is my drawing of my mom's piano.

Down Where the Wurzburger Flows (piano cover lo-fi)

Wrong Spell For Crimson Divinations My Dear Runny Angel Eye

Methods of Curing the Mischiefs of Faction (2023)

Discussing Potato Salad Recipes With A Bunch Of Iowans

To quote Josh
"This is a song that began as a bass line I came up with on my four string fretless over a looper. I shared it with Ken (K2 and the Three [and Four], Stephen (Tex Mex Shaman), and Tez (Llanpsych) through BandLan, which we're all on. Ken came up with some perfect drums, as always, to prop up the whole thing. Tez added some killer guitar solos, which you can hear more towards the end, with the ripping tone. Stephen then came in and added the talk box guitar and wah guitar that you hear playing the hook more towards the beginning. It's my first song ever featuring a talk box, and I'm amazed with the part he came up with. It's a major line against my minor bass line. I love how it sounds! Stephen also was kind enough to mix the beast for us, which turned out to be a herculean task. But he was up to it, and a fine job he did, too. It was an honor and a pleasure to work with these guys. We all hope you enjoy it as much as we did making it"

High Noon - with Entheogenic Psychonaut (Josh Clary), K2 and the Three, and TexMex Shaman

An other smooth thing with my Friend Joerxworx.
We all can be happy to have him here on SC
https://soundcloud.com/joerxworx
Big Big Thanks for this

Lunatics 103 Reflexion / Joerxworx & Ratzzz

Cast of characters:
Stoner Jazz--@user-911083679—Jeff—vocals, lyrics, and original stem

TexMex Shaman–@texmex-shaman–Stephen–overdriven guitar, production, and mix

K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion

Llanpsych–@llanpsych–Tez–electric clean/effects guitar 

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass and synth           

This song orignated with Jeff, who wrote a poem, which he set to a beat and a key with some very cool vocal processing. He sent it to me, and I added the bass and the synth lines. I had to, of course, got the rest of the Eclectic Collective involved. Ken came up with a solid, distinct beat, based loosely on my first take. I then redid my bass line to match up with Ken's drums, which is the way they seem to work best, sometimes going back and forth like that several times until they're locked in. Then, Tez and Stephen each added very distinct, supportive guitar tracks to fill it in. Tez comes through with the very Strat sounding bells ringing throughout. Stephen really shines with his textural tremolo playing throughout, as well as the rocking end. He also produced and mixed it expertly, as always. 

  This is the first time the Eclectic Collective has collaborated with Jeff, although both Josh and especially Stephen (as part of the band, The Smoking Trout) have made music with him before. We really enjoyed making a song based on his vocals, and Jeff is a welcome addition to our sound anytime. We all really enjoyed making this one. We hope you enjoy listening to it.

Lyrics:


Naked Shoulders
l like the way the sun lights up
the naked shoulders of the Early morning
ln the Desert where we met-
ln the shack down by the muddy
where you said you waited
while l rambled on about the time
Youth and Sex and Beauty-
When the Real Revolution was the Music-

Slitting quietly and thinking
while the melancholy has lt's moment
letting longing linger longer than lt should
Took a little tumble ln the Bumble
when l got older
always just a little lucky
ln the middle of disaster
no longer sure lf l'm the spell or l'm the caster
only knowing that my feet are made of plaster-

Even though lt's getting late, even though lt's getting late
l'm still standing at the gate
hoping for a bit hoping for a little bite hoping for a little slice of Nlrvana Nlrvana-

Verse 2
You know lt's harder than lt looks
even though l read some books
l'm ln love with my Delusion, Naked and inviting
lt whispers sweetly ln my head and says
You're gonna live Forever, even though l'm almost dead-

Everything that came before
comes knocking at the back-stage door
demanding parts ln the production of the play-

What makes you think you have a choice?
The Director Said
you don't have to memorize the dialogue
the script ls ln your Head--

Naked Shoulders (Stonerjazz with Eclectic Collective)

Original by : FPMORISTUDIO/Francois Pierre Morin

Morning light

A collaboration with https://soundcloud.com/aedificium and myself about the extinction of the Dinosaurs in the Cretaceous period 65 million years ago.
Thanks for listening.
Arranged and produced by, Mike Hllton &, Aedificium © 22/11/2023 
You-Tube - https://youtu.be/2izIAqiFSTU

Mike Hilton - Electric, Acoustic & Bass guitars
Aedificium - Percussion & further arrangement
Cover art - New York Times

Extinction

Extinction (collaboration with Aedificium)

I've enjoyed making and recording some music while trying to help nurture our boys' love of music. Paintings made my me. Green Lassie Blues

https://instagram.com/rainchariot

https://www.redbubble.com/people/MysticThistle/shop

Down Where the Wurzburger Flows (piano cover lo-fi)

Green Lassie Blues

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