Name: Krell Muzak 2 by bartonmusic
Duration: 4 min 5 s
Description: a variation on the same Buchla 200e patch that self-generated Krell Muzak 1. to see a photo and video of the patch go to http://m.matrixsynth.com/2012/08/krell-muzak-by-todd-barton-on-buchla.html

I really dig this piece! The first one too. An amazingly organic-sounding patch.

Can't believe I missed this one - just wonderful music!

Maybe the best concert for clarinet i have ever heard, even if it is no clarinet at all!

Rrrrr... Superb track; ditch the dog whistle ;)

Music by Daniel Gómez & Val Akey.
All guitars (leads, rhythms, bass) played by Daniel Gómez. @danielgoram
Drums and keyboards programming / mixing and mastering by Val Akey. @valakey
Release date: 23 March 2021

The Call Of The Priests

This track is part of the Juan Antonio Nieto Tribute 'A Sonorous Spirit', released on Tree Trunk: https://archive.org/details/ASonorousSpiritATributeToJuanAntonioNieto

Hidden But Still There (Lament For Juan Antonio)

You can not use any of this music without permission

Il Volo

self examination

When I shall enter the last room

https://youtu.be/0puKZAdlqVg
https://soundcloud.com/231219/mmxxiiviiviilngwck

MMXXIIIVIXIIICCSSBL

X-Life on Jupiter

2 hour flip. Original track - https://youtu.be/fPb9fS0VtoQ?si=9SsrS7UTUuGLqA9P
https://soundcloud.com/frawstakwa/for-the-fallen-for-they-have-1?in=frawstakwa/sets/frawstakwapella-open-for-2

Loop Diggers SC 94 FRAWSTAKWA - For The Fallen (For They Have Risen) Open Collab

"If you watch close, history does nothing but repeat itself. What we call chaos is just patterns we haven't recognized. What we call random is just patterns we can't decipher. What we can't understand we call nonsense. What we can't read we call gibberish. There is no free will. There are no variables.”  ― Chuck Palahniuk

Track list and start times:
00:00  Seán Ó Riada, Agus Ceoltóirí Cualann – Mo Mhuirnín Bán (Téama) , Pt. 1
02:59  anon8924 – c-moll
06:45  Elen Huynh & Mark Vernon – Paysage grammatical en organza
11:53  Gray – Eight Hour Religion
13:50  Adam Stansbie – Isthmus - Movement 1
17:33  Walt McClements – Climb (two times past the same point in two hours)
23:52  Nippon Gagaku Kai – Uhō Nasori (Kyū)
27:00  Baldor and the Euclidean Functions – Thematic Drops End Tale
30:45  BLK w/BEAR – How to Stage Yr Own Death_lanterns Hung Among Trees
36:14  Ensemble Economique – End Scene
42:33  Cakebaker – Vulgar Homunculus
45:23  Chinese National Song And Dance Ensemble – The Last Battle Between Kingdoms Chu And Han
49:29  Aosuke – Ein Erdnusstraum
57:15  Edward Ka-Spel – Dismantling the Tower
1:02:21  insectarium – all hail the dragon
1:08:55  Faceplant – Nothing
1:10:00  Kevin Richard Martin –Solaris
1:13:00  Johnny Hawk – jundsjwe
1:17:43  Mike Weis – The Temple Bell Stops (excerpt)
1:25:26  Leandro Fresco – El Cruce Imposible
1:32:57  Ourson – 237
1:40:22  Wolfgang Voigt – Rückverzauberung 7
1:47:43  Tim Hecker – Acephale
1:52:30  Glory Fckn Sun – Like True Wings To Icarus (excerpt)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Eclectic current – Climbing past the same point twice

Just a little experimental drone to test out some oscillator sync ideas, using the DPO and XPO (and other stuff) in my recently reconfigured Make Noise Shared System (see photo), and my new reverb (Chase Bliss CXM 1978). Also a way of exercising my new subwoofer.

The three oscillators (DPO A, DPO B, and XPO) are synced to each other in a circular fashion (see below for more details). They were initially tuned to the same pitch but there is a small amount of slow pitch modulation applied to all three. There is also a bunch of other slow modulation affecting the filter (QPAS) and the delay (Mimeophon) as well as other aspects of the oscillators. All the modulation comes from an Instruo Ochd, which is the only non-Make Noise module in this system. Finally through the CXM 1978. No post-production other than fade-in/fade-out and normalization.

Warning: lots of deep lows. Use headphones or preferably good speakers (best with a subwoofer).

For the modular nerds, here's how the oscillators are connected together:
- XPO Spike output to DPO X-Lock (this syncs the DPO B oscillator to the XPO)
- DPO A oscillator in Sync mode (which syncs it to DPO oscillator B)
- DPO A oscillator triangle output to XPO sync input

In addition:
- DPO A sine output ring-modulated to DPO B sine output (using section 1 of modDemix)
- DPO B sine output ring-modulated to DPO A sine output (using section 2 of modDemix)

Sync Study

a variation on the same Buchla 200e patch that self-generated Krell Muzak 1. to see a photo and video of the patch go to http://m.matrixsynth.com/2012/08/krell-muzak-by-todd-barton-on-buchla.html

Krell Muzak 2

composer, performer, lecturer and analog synthesist who is endlessly fascinated by and exploring sound...

Krell Muzak 2

bartonmusic

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