Name: Manual Dexterity by bartonmusic
Duration: 3 min 20 s
Description: This is a real time performance sculpting four self-cycling function generators. . .

This is a real time performance sculpting four self-cycling function generators. . .

Manual Dexterity

https://www.naviarrecords.com/naviarhaiku599-rain-rituals/

rain rituals -
if the gods are here now
to see the paddies

Haiku by Takarai Kikaku

Picture by Ritz

KiKaKuKaKi [ naviarhaiku599 ]

TrillScape

The first sentence of Zen & the Art of Motorcycle Maintenance, by Robert M. Pirsig is, "I can see by my watch, without taking my hand from the left grip of the cycle, that it is eight-thirty in the morning."

More on the 705th weekly Disquiet Junto project, Book Start — The Assignment: Let the beginning of a book help you begin a new piece of music — at https://disquiet.com/0705/. This week’s project was proposed by Neil Stringfellow.

more halF unusuaL

halF icanseebymywatcH [disquiet0705]

a brief piece with Waterphone, Shakuhachi and plucked piano

Trio

Disquiet Junto Project 0705: Book Start
The Assignment: Let the beginning of a book help you begin a new piece of music. 

The chosen text is a poem by Giuseppe Ungaretti (https://en.wikipedia.org/wiki/Giuseppe_Ungaretti),
written in July 1918 in the trenches during the First World War.

Si sta come 
d'autunno 
sugli alberi 
le foglie 

https://www.sololibri.net/Soldati-poesia-Ungaretti-si-sta-come-d-autunno-sugli-alberi.html


I obtained a sequence of 7 notes (AFDGBCE – 9 5 1 7 e 0 4), which I distributed across various sequencers and instruments. In particular, I used several old patches from SampleTank 2/3.

Soldati [disquiet0705]

Welcome to a little deep (haiku) space TidalCycles livecoding play! 😁😜

pulling light
from the other world . . .
the Milky Way

Yatsuka Ishihara (1919–1998) was a Japanese poet and co-founder of the journal Aki 秋 with Akira Matsuzawa. He also served as an advisor to the Modern Haiku Association (Gendai Haiku Kyōkai) and the Association of Haiku Poets (Haijin Kyōkai).

Haiku by Yatsuka Ishihara: https://www.brooksbookshaiku.com/MillikinHaiku/writerprofiles/JonesOnIshihara.html
 
To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

halF milkY [naviarhaiku601]

The "one sentence that in some manner describes your artistic practice", step two of this week's Disquiet Junto brief, is as follows:

I make music to explore sound and the boundary of what is considered ‘music’ … and I use chance so that, in turn, sound can explore me through the process, as well as, at best, anyone else who listens. 

Perhaps ironically, the SoundCloud algorithm doesn't consider this track 'music' enough to recommend to potentially interested listeners ... so it might actually be worth a listen! 😁😜

Great to be contributing to Musikfestival Bern again with this exploration!

More on the 707th weekly Disquiet Junto project, Chain of Practice — The Assignment: Make music from how you make music — at https://disquiet.com/0707/.

halF practicE [disquiet0707]

Exile

For the 603rd haiku from @naviar-records. 

In spring sunlight the rose of tea bushes ripple like waves

by: Tōge Morita

Tōge Morita (1924-2013) was a Japanese teacher and poet from Osaka. In the early 50s, he started publishing his poems in the Katsuragi 葛城 magazine, later becoming its editor-in-chief and, in 1990, its editor.

https://www.naviarrecords.com/naviarhaiku604-in-spring-sunlight/

Tea bushes (naviarhaiku604)

so my friend

composer, performer, lecturer and analog synthesist who is endlessly fascinated by and exploring sound...

Manual Dexterity

bartonmusic

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