Many thanks to Andrew Weatherall & Timothy J Fairplay.
May the whole world get dubbed out.

Group Rhoda - King (Asphodells Remix)

SamoaNostagicDreams

Die Wilde Jagd - Jagd Auf Den Hirsch (The Stallions Remix)

MIDNITE SPARES: COMPILED BY ANDRÁS AND INSTANT PETERSON LP/DIGI OUT 09 SEPT

On Midnite Spares, Australian music devotees András and Instant Peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. Through co-presenting weekly radio show Strange Holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. The 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3RRR and more often than not, the artists themselves.

Renowned mixed media artist Maria Kozic enters with the mysterious downbeat of Trust Me, her partner Philip Brophy responsible for digital and analogue sonic construction. A recurring character in András and Instant Peterson’s investigations, Brophy reappears with a score piece from his divisive feature film Salt, Saliva, Sperm and Sweat, recorded as →↑→ (pronounced “Tch Tch Tch”).

Other links are thread under the surface. Melbourne inner north experimentalist David Chesworth explores his Australiana songcraft leading Whadya Want?. The short lived project also featured Philip Jackson, whose duo The Couch is restored from Fast Forward’s dance issue - a pioneering cassette fanzine published by early-80s 3RRR personality Bruce Milne.

The collection binds a certain musicianship that’s indifferent to fame or chart success, although some artists unwittingly experienced this before and after. Poets of the Machine’s Grace Jones techno-wave was a modest moment for Coral Island and Red Stripe, an English migrant who once celebrated a #1 UK Christmas single with an acapella cover of Yazoo, while the morbid coming of age electronics of Foot and Mouth is a lesser known prologue to Sean Greenway and Matty Whittle’s rise as legendary teen punks heroes God. Quickly becoming a modern dancefloor hit, Mumbo Jumbo’s sole release Wind It Up is only now basking in it’s brilliance.

The remaining figures shape the diversity further. There’s Sydney dub addicts The Igniters, Mix’s groovy synth song about masturbation and the Cameron Allan/Graham Bidstrup soundtrack for petrol headed ozploitation film, Midnite Spares - the compilation’s namesake.

03 Poets Of The Machine - Arabs 5:48 (ES003)

Charlois is proud to present the Summer cult hit of 2016 by OTTO, a new project of Alexander Arpeggio and Cid Hohner. Weirdo German Organ tracks, specially made for the Disko. Tanzen!

Release date: September 13th

OTTO - Popkorn-Küche

Canny lad Jo Howard has drafted in an earthy bunch of reprobates for his debut EP on his own label Sulk Magic. The Bird Of Paradise features alongside other avarians, but the stand out slice is this weird, religious shuffler from mysterion Obb Globelyn. Like the finger snaps, it lures you in to it's mazey musica. Patted soft bass and synco riddims, cultish cants and flip rewinds make this beauty feel a little sordid. In a nice way, for your Sunday blues.

Out now: http://www.junodownload.com/products/roe-deers-stove-bird-of-sulk-magic/3333609-02/?=tcs

Sulk Magic 001

PREMIERE: Obb Globelyn - Quarry (Original Mix)[Sulk Magic Recordings]

You want to feel the magic of the first spark with that special someone? The Heilige 3 Könige will provide you with the theme song for your personal love story- 'Heiraten'. 

The album contains the first ever publication of 'Heiraten''s 7 inch version. 
The band from Hannover was originally formed in 1980 and released their first album 'Zum Teufel mit dem Kamel' in 1982. During this period they also recorded a second album, which, however, was never published. Some of the tracks on the record originate from this album which were restored jam sessions on tape. All tracks were edited and rearranged by https://soundcloud.com/cidhohner.

A1 Heilige Drei Könige - Komm laß uns heiraten (Single Version)

Lunar Leap

The conjectural wedding band OTTO is expanding its organ soundtrack madness. With their third record, they deliver sonic solutions for all sorts of moods (Stimmungen), ranging from dark and stormy to smooth and suave. If you forgot, OTTO is Alexander Arpeggio—who just released a 12‘‘ on Neubau and runs the labels Mond Musik and Eine Welt—and Cid Hohner—who compiled the “Heilige 3 Könige” album on Mond Musik and produces other projects such as C.Z.

https://soundcloud.com/otto-inoffizielle-seite
https://www.facebook.com/OTTO-inoffizielle-Seite-220316258448930/
https://otto.bandcamp.com/album/stimmungen

Pre-order here!

PRÉMIÈRE: OTTO - Idyll [Orgaton]

Preorder here: https://bit.ly/2ZhOUKv
Discogs: https://bit.ly/2UFV6gT

Out early June on Kalahari Oyster Cult

Munich. 1994. A group buck current trends with a ground-breaking release. Tikitaka by Tamburá left aside the techno of the time to focus on a the lesser known styles of afrobeat and tribal music. The result was three tracks that sail and soar on a primal energy, three works that whisk listeners away to exotic lands of wooden wind instruments, ritualistic vocals and, even, bag pipe majesty. For twenty five years this record has been an unattainable mystery, until now that is. Kalahari Oyster Cult have lovingly restored all three of the trailblazing original tracks alongside two very special remixes. Melbourne’s Tornado Wallace adds new layers of intensity as he cuts and reshapes melodies and beats to set any floor alight with this visionary remake. Dazion offers a very different interpretation. Focusing on vocals, this new talent accentuates the shamanic-like chants of Tikitaka, using them as a base from which throbbing synth lines grow as new depths are explored. An EP every bit as daring in 2019 as it was in 1994.

Tamburá - Tikitaka w/ Tornado Wallace & Dazion Remixes (OYSTERTRIBE2 - Snippets)

Another win for the Glowing Pin as Müller & Wandt drop a fresh new age groover on a killer club dub tip. Elsewhere Phazer Boys, Suzanne Kraft, Philipp Otterbach and River Yarra remix the pscht out of their favourite tracks from ‘Instrumentalmusik..’. Expect Goan hits, cosmic trips, loved up rave and chilled out wave on this flawless five tracker.   
Growing Bin becomes Glowing Pin for the most anticipated rematch of the century. Back at the beginning of 2018, Wolf Müller and Niklas Wandt went head to head for a box office smash, throwing a high school percussion tray, wall of hardware and voodoo skull into the ring for the tribal trip of ‘Instrumentalmusik Von Der Mitte Der World’. 
Now the multi-instrumental duo face off once again, but this time it’s a royal rumble with Phazer Boys, Suzanne Kraft, Phillip Otterbach and River Yarra all bringing the noise to the Glowing Pin.  
Müller and Wandt dominate the action on the A1, playing loose with sampler vox, serene pads and future primitive rhythms on the unreleased ‘Fun Dub’ of the also unreleased ‘Dub Dub’. Imagine Ferris Bueller’s trampoline tumble trading Chicago to the Weissenhof and you’ll sense the mood of this New Age groove. Germany’s number one party dudes, those freaky Phazer Boys take a break from dropping killer Candomblé cuts to reach for the lasers on the A2, taking ‘Ahu’ to another dimension. Dripping in neon body paint and armed with fire poi, the Düsseldorf duo power up progressive house sequences, didgeridoo bass and thumping tribal house percussion for a wall-shaking, speaker-breaking remix.   
The B1 belongs to synth whiz Suzanne Kraft who revels in glistening, gliding glory on an expansive remix of  ‘Auflösung’. Sleek, serene and futuristic, the track shimmers like Fritz Lang’s Metropolis, free from inequality and rendered with the 5D(ub?) majesty of a DMT breakthrough. 
B2 hears Salon associate and serious talent Philipp Otterbach take over on a stripped back and psychedelic post punk dub of ‘Expedition’. Angular bass by Süne Große and a stuttering rhythm underpin astral flourishes and the hazy vocals of Lucas Croon before the African elements begin to move to the forefront. 
Last man standing is Australian outlier River Yarra, who leads us into the Krautback with a chugging dub of ‘Weltraumsandalen’. Lent a lysergic sparkle by a percolating one-note bassline, this slow motion stunner masters perpetual motion amid the eerie echoes of the bush, organic percussion and electronic animal cries fading into the night. Let the pins glow again.  
Patrick Ryder  

A1. DUB DUB WMNW Fun-DUB feat. Vomit Heat			8:30 
A2. Ahu - Phazer Boys LaserDUB						8:07  
B1. Auflösung - Suzanne Kraft WerkDUB					6:13 
B2. Expedition - Philipp Odd Dub Bach DUB 
feat. Lucas Croon & Süne Große		                                 5:31 
B3. Weltraumsandalen - River Yarra DUB					6:42

WMNW Remixes - A1 - Dub Dub (Dub) Feat. Vomit Heat (clip) 8min 30sec

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.

PRÉMIÈRE: OTTO - Idyll [Orgaton]

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