some movements from Anamorphoses 
ensemble modern, brad lubman
live in concert, Frankfurt 2014

Anamorphoses for Ensemble

I'm moving to bandcamp, follow me there: https://wmarsey.bandcamp.com/follow_me

The Albion Quartet, live at Listenpony, March 2017
Tamsin Waley-Cohen(vln), Emma Parker (vln), Rosalind Ventris (vla), Nathaniel Boyd (vcl)
http://www.albionquartet.com/

40 Days and 40 Nights, for string quartet (Live)

Pushing my thumb through a plate

For wind, brass and improvisers.
Alto Flute, Clarinets, Saxophones, Trombones, Wurlitza 

BYE was the winner of the Dankworth Prize for Jazz Composition in 2020.
and was premiered at the Guildhall School of Music and Drama in November 2020.

Recording by Dream Musics Ensemble
Taylor Maclennan, Lloyd Coleman, David Zucchi, Alex Paxton (solo)
http://alexpaxtonmusic.com/work

Imogen Hancock (flugelhorn) and Ensemble Eroica, conducted by Toby Thatcher, perform 'Threads' by as part of the CONNECT . THE . DOTS . 2 project.

Aleksandr Brusentsev: www.brusenta.com/
Imogen Hancock: www.imogenhancock.com/
Toby Thatcher: thatchertoby.wixsite.com/musician/
Ensemble Eroica: www.ensembleeroicalondon.com/
Connect The Dots: brusenta.wixsite.com/ctd2
Threads: brusenta.com/threads/

Threads: Concerto for Flugelhorn

'ORTRESPOX' from C60 tape - 'Gwilly Edmondez: A Retrospective Mixtape Made Questionably & Unquestioningly by Himself' / 'Trouble Number' [SLP045]

The Godfather of Wild Pop.

'Trouble Number' is a major retrospective of four decades of peerless, visionary, and feral production from Gwilly Edmondez - the dad from Yeah You.

This 90 minute double-cassette package cherry picks from hundreds upon hundreds of hours of psychoanalysis through pop waste, performed by Gwilly upon himself since the founding of his '80s outfit Radioactive Sparrow.

Bewildering and basically incomparable in its entirety, 'Trouble Number' mongrelises strains of hip-hop, black metal, folk, power balladry, more more more, with a properly prophetic, popwise soul.

Pay your respects.

Says Gwilly:

Gwilly Edmondez just grew as a character project in the mid-1980s, offshoot from the to’l-spon/non-com/pop-kak invention-pool that was/is Radioactive Sparrow, itself founded by a group of Bridgend (13-year-old/non-voter) elements in 1980. Gwilly is a solo/collaborative improvisation that started out making fake, unwritten rock, then progressed in the 1990s to real unaccompanied rock, before settling into a mode of practice defined by sampling, tapes and vocals.

Over many years, Gwilly has struck up many material partnerships and misadventurist associations of, with the likes of James Joys, Val Persona, Faye MacCalman, Karl D’Silva, Tobias Illingworth, Laura Late-Girl, b-cátt, Odie Ji Ghast, THF Drenching, Tony Gage, Richard Bowers, People Like Us… But in the end none more so than Elvin Brandhi.

‘Gnarlage of Self’, the C30 album, was made on Newcastle’s hottest day in 2017, in an upstairs room in Heaton, recorded by Dario Lozano Thornton with Schoeps MK2/MK8 pair to Sonodore preamps in one take subsequently edited and disorganized by Dario.

‘Gwilly Edmondez: A Retrospective Mixtape Made Questionably & Unquestioningly by Himself’ started out as a kind of slapstick/slapdash best of… but quickly became its own entanglement of old stuff, new-but-unused stuff made for the C30, and bits of recent live sets. The first half, side one, tries to bungle blindly into the nature of supplication, confession and self-condemning introspection – find the self then kill it; side two starts on the other side of death inhaling wafts of cheap air freshener as a means to hallucinate a personal history that never could’ve happened anyway, before scrambling back through the rear end of personality only to be consigned to liturgical palliatives in a manner carried out by his countless forebears of the cloth. It could only end with “Walken’s Kiss”, a sardonically pronounced cliffhanger.

‘Trouble Number’ [SLP045] is available from May 2018 in a double cassette package - ‘Gnarlage Of Self’ (C30) + ‘Gwilly Edmondez: A Retrospective Mixtape Made Questionably & Unquestioningly by Himself’ (C60) - with download. Artwork by Gwilly Edmondez. Mix and Edits by Dario Lozano Thornton and Gwilly Edmondez. Distributed by Boomkat.

@gwillyedmondez

www.slipimprint.co.uk

2xCS/DL

ORTRESPOX - Gwilly Edmondez

An early exercises recorded in 2017. I made it on a Make Noise 0 Coast, PO-12, a piano sample, a photocopier sample, and a Tascam DR-44WL.

Appears on the album: An Ornamental Light Glows Beneath the Tinted Window, available here: seanclancy.bandcamp.com/album/an-orna…nted-window-2

Piano, Photocopier, & Kick

A melody. First horizontally, then vertically.

Performed 07/04/18 at RAMA festival by myself.

'_|'

Performed at Pulsar festival 2018 by the Esbjerg ensemble and conducted by Rei Munakata.

Buttons Down The Back

I'm moving to bandcamp, follow me there: https://wmarsey.bandcamp.com/follow_me

40 Days and 40 Nights, for string quartet (Live)

William Marsey

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