contact me seojiwon.glitch@gmail.com

N.O (Nouvel Ordre) 2024 for piano-disklavier with electro https://www.youtube.com/watch?v=UK0ToWMX5pA

The Wonderful Johnny ! (2023) for string quartet, contrabassoon, E-guitar with Chatbot https://www.youtube.com/watch?v=A111PuC57tk

https://www.youtube.com/watch?v=xRYZ3JuqyeM

https://chenyanqiofficial.com
BA, Skidmore College 17'
SCE, NEC 19'
MM, Peabody Institute 21'
DMA, Columbia University -ing'

composer_compositrice | new music sorceress

Yi-Ting Lu | Taiwanese composer
yitingluu@gmail.com | 
Chicago | New York 
Northwestern University (Ph.D. candidate in composition)
Manhattan School of Music (MM)
Taipei University of the Art (BM)

Daniele Vulpiani was born in Rome in 1989.
Brutalism, architecture, and Marxist theory permeate his whole work and research, together with a strong belief that “art for art’s sake” is a misguided concept. 

Much like most avant-garde theorists of the post-war era, Daniele sees composition as a form of class-conscious action. Following Gramsci’s notion of the “organic intellectual”, he believes that creative practice can indeed manifest the working class’ struggle, challenging capitalist and imperialist ideologies, which are now more than ever ingrained in academic, artistic, and political institutions.
With this in mind, music becomes a vehicle for expressing commitment and resistance, as well as a means to fight inaction, alienation and social divide. Daniele’s work thus aims to broaden the possibilities of music, using it as a platform for engagement and transformation.

Daniele studied composition with Marialuisa Balza at PIMS in Rome and with Daniele Bravi at “U. Giordano” Conservatoire in Foggia. He also graduated in philosophy at “Roma Tre” University. He then studied at “Accademia Nazionale di Santa Cecilia” (Rome) with Ivan Fedele (composition) and Michelangelo Lupone (electronic music). During his studies, he was also mentored by Stefano Gervasoni, Eero Hämeenniemi, Mauro Lanza, Marco Stroppa and Francesca Verunelli.

Among some of the remarkable ensembles and soloists that have performed his music are Quatuor Diotima, Concrète [Lab] Ensemble, Blow Up Percussion, Kuopio Symphony Orchestra's Brass, Echéa Quartet, Quartetto Sincronie, Arrigoni String Orchestra and Ensemble Novecento conducted by Pasquale Corrado, h[t] DUO, Duo Dubois, pianists Anna D'Errico and Maurizio Paciariello, harpsichordist Davide Cicconi, euphonist Marina Boselli, cellist Helena Švigelj, saxophonist Alberto Napolitano and flutists Keiko Murakami, Renata Guzik and Iwona Glinka.
His music is published by Stradivarius Edizioni (Milan) and Da Vinci Publishing (Osaka).

Daniele's work has been performed at major festivals and venues like Impuls Festival (Graz), Miso Music Portugal (Lisbon), Auditorium E. Morricone - Parco della Musica (Rome), Festival ArteScienza (Rome), Signal to Noise (Trento), Parco Arte Vivente (Turin), Teatro Politeama Garibaldi (Palermo), Castello Sforzesco (Milan), Alte Schmiede Kunstverein (Wien), Kaivos-festivaali (Outokumpu), Španski Borci Cultural Center (Ljubliana), Narnia Festival (Narni), Teatro Concordia (San Marino), Festival Spazio Freon (Rome), San Vito Musica Contemporanea (Pordenone), Festival Rumore Bianco (Foggia), Pontifical Institute of Sacred Music (Rome).

He teaches composition for music education at "L. Canepa" Conservatoire,  in Sassari (Italy).

🇨🇴 Bogotá-born noise maker based in NYC 🗽
🎛️ composer + 📝 educator at @columbia
📧 Inquiries: contact(at)dmr.land

Jon Yu is a Taiwanese-American composer whose music explores notions of ritual, utility, and excess. His recent works focus on sculptural elements in electroacoustic instrumental music.

His music has been performed internationally by ensembles and soloists including Mivos Quartet, Neue Vocalsolisten Stuttgart, loadbang, Wet Ink Ensemble, AuditivVokal Dresden, Eco Ensemble, Earplay, AsianArt Ensemble, haegeum player Soo Yeon Lyuh, and percussionist Oded Geizhals. His music has been presented at June in Buffalo, Dian Red Kechil, Darmstadt Ferienkurse, Pacific Rim Music Festival, Festival Musica, Festival Barcelona Modern, impuls Festival, outHEAR New Music Week, and IRCAM ManiFeste. He was the recipient of the 2017 Mivos/Kanter Prize for his string quartet O reche modo, and was the laureate of the Prix Alain Baltes for his vocal sextet PEK TI. From 2018-19, he was in residence in Paris at Cité internationale des arts as a fellow of the George Ladd Prix de Paris. He returned to Paris in 2020-21 to study in the Cursus Program on Composition and Computer Music at IRCAM under Thierry De Mey. He was awarded with a MacDowell Fellowship in 2024. 

Jon completed his PhD in Music Composition at UC Berkeley, where he studied with Franck Bedrossian, Ken Ueno, and Edmund Campion. He holds a Master’s degree from San Francisco State University, where he studied with Benjamin Sabey. He has also studied privately with Steven Kazuo Takasugi, Rebecca Saunders, and Pierluigi Billone. He currently teaches music theory, composition, orchestration, and musicianship as a lecturer at San José State University and UC Berkeley.

Composer of contemporary classical music based in Brussels.

https://www.universaledition.com/evans-kocja-8059

https://www.universaledition.com/en/News/In-conversation-with-Evans-Kocja/

Yanqi Chen is following