A hopeful and epic cinematic piece. Great work.

This is so strong. I can't imagine a single moment in a human's life that could be as epic as that one makes me feel. This is only possible in community. I like how your piece made me think about it that way.

Red Ballon #1

The Ghost Vessel - Fleursonseaux
All rights reserved - © Copyright

The Ghost Vessel

Thanks for jamming \m/

Lyrics:

I'm coming unbound and I'm falling out -
I'm gone so often.
I'm lost and enthralled. I'm afraid that I'll fall -
The hole I dig so often.

So happy, no frowns - my hairs falling out.
I'm here so often.
Screaming at the walls, I'm shocked the neighbors haven't called -
Like, fuck, it feels so often.

That wave goodbye - that kiss goodnight.
Cyclic in our way of life.
Grasped so tight, can't let it die.
Need to settle down, it's worth the fight.

I hoped that I'd find some peace of mind as I -
drive for miles.
Instead all I've found's that I'm chasing the ground - 
though, it's gorgeous out here. (It scorches out here...)

All happy, no frowns - it's all just in how I build my worldview.
So what respite comes to mind as the earth starts to die and we rejoice the view.

That wave goodbye - that kiss goodnight.
Cyclic in our way of life.
Grasped so tight, can't let it die.
Need to celebrate what passes by.

Settle down - it's worth the fight...
Need to celebrate what passes by...

All happy, no frowns from the earths falling out - we're here for just a moment.
So let go of the strife, it's not worth all your life - you're here for just a moment.

All happy, no frowns as the Earth's lying down - we had just that moment.

---

Oleka is the awareness of how few days are memorable.

Oleka

A Free to use beat made by Printz V 
(Remember that any use of my beats requires credit in the title    "(Prod. Printz V)"

MOONWALKING

This track was inspired by my ongoing journey to find myself. 'Free' embodies the vibes I wish to feel everyday of this beautiful life ✌🏼

Free

She makes me

Celtic Blu

Musica Para Claudia

constellada takes you on a journey through universes filled with swelling synths and surging basslines, washed over in deep shades of blue. Enter SPACES, his debut album that detaches entirely from reality. No need for Stargazing – simply flow through an entirely new orbit... With influences of r&b-infused lo-fi, dancepop and chillwave, SPACES is an out-of-body experience that will lead you through the depths of space as you rediscover yourself among these sounds.

SPACES

Orbit

Compuesta hace años, es un viaje a mis comienzos esta mezclada de nuevo y creo que esta vez, si que se parece al sonido que buscaba en un principio.

Viaje De Regreso

In this piece the newly invented string instruments are playing in combination with flute, soprano voice and piano. The strings are being stretched between the beams of the mezzanine of the building and also hanging from the ceiling beams with heavy weights on them. The hanging strings surround the audience and musicians. A very special building HET VEEM (Van Diemenstraat 410, 1013 CR Amsterdam) - former warehouse, where the piece was premiered, inspired us to create these instruments and this composition. The concert was performed as a part of Toetsdestijds Concerten Series.

http://www.veem.nl/nl/p482c37cf9528d/het-veem.html

MUSICIANS

String players:
Julie Stalder
Frank Diamand
Linda Paulino
Jan van der Sangen
Noam Staal

Reciters:
Frank Diamand
Lara Diamand

Ensemble TRIODUO: 
Lara Diamand - soprano/reciter
Erica van den Berg - ( alto ) flute.
Georgina Collington - piano
http://www.laradiamand.nl/Lara_Diamand/TRIODUO.html

INSTRUMENTS created by: 
Hans van Koolwijk 
http://www.hansvankoolwijk.nl/index.html 
Jan van der Sangen 
http://www.toetsdestijds.nl/werk.html 

Lyrics by Omar Khayyam
Music by Igor Iofe 
http://igor-iofe.com/

Recording - Bart van Hasselt
Mixing/ Mastering  - Igor Iofe

I Came Like Water and Like Wind I Go Mov VI

An instrumental meditation on moving forward when the path isn't clear.

Built from three sonic elements that mirror our current moment: a transformed vocal track becomes percussive foundation, finding rhythm in human imperfection - the pops, clicks, and wavering that make us real. A dissonant pad I created called "brackish water" flows through the middle ground, capturing that feeling of progress that doesn't go where you want it to, but where it needs to go.

Over this complexity, a bright lead doesn't fight against the tension but works with it, creating space for hope within difficulty. This isn't music that promises easy answers, but rather suggests that beauty emerges when we stop fighting our circumstances and start collaborating with them.

For moments when you need reminder that this pain can't last forever, and that even our mistakes can become the rhythm that carries us forward.

Intense Breed

Ambient ethereal soundscape celebrating Sci-Fi from the past, present and future.

NEXUS 32 OFF WORLD

https://www.youtube.com/watch?v=uaaK560zlXA

A Train Across The Infinite Plain

https://www.youtube.com/channel/UCF2pczxzbW2g7PHfT52Ue2g
https://audiojungle.net/user/pegasusmusicstudio
https://open.spotify.com/artist/6hjD6XDObKIL2zH4dCC2zI
https://music.apple.com/us/artist/pegasusmusicstudio/1485020228
https://www.deezer.com/ru/artist/77183172
https://tidal.com/browse/artist/17216284
https://www.facebook.com/yury.ierusalimov
https://vk.com/artist/pegasusmusicstudio

Frozen Star

Imagination

Freya's Tears for Violin and Harp
Duration ca. 15'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=987

For More Information: https://robertpaterson.com/freyas-tears

PROGRAM NOTES
Freya’s Tears is a companion or sister piece for another work I wrote entitled The Book of Goddesses, scored for flute, harp and percussion. Each of the movements is inspired by one of three goddesses: Iris, Freya, and Sekhmet.

In Greek mythology, Iris is the personification of the rainbow and messenger of the gods. She is said to have golden wings and is associated with communication, messages and new endeavors, and travels on rainbows while carrying messages from the gods to mortals. That image in particular provided inspiration for Iris.

The second movement, Freya’s Tears, is inspired by Freya (or Freyja), one of the major goddesses of Norse Paganism. She is often described as a goddess of love, beauty and fertility. She was also associated with war, death, wealth, prophecy and magic, as well as the reading of runes, trancing and casting spells. Her most treasured possession was the Brisings’ necklace, a golden necklace crafted by four dwarfs with such artistry that it glittered like a constellation of stars in the night sky. She was married to the God Od (or Odur) who mysteriously disappeared. When she could not find him, she wept tears of gold. The tears that hit trees turned to amber, or Freya’s Tears. I try to evoke these images in the violin and harp by using harmonics, glissandi and delicate arpeggios.

The final movement, Sekhmet, is inspired by the mythological warrior goddess Sekhmet of Upper Egypt. She is depicted as having a human body with a lioness’s head, and is the fiercest hunter known to the Egyptians. She was viewed as the protector of the pharaohs and led them in warfare. It was also said that her breath created the desert.

The first and third movements call for an optional, specialized mute called the Kerrod mute. This mute muffles some of the strings during certain passages, creating a xylophone-like sound. It was invented and developed specifically for this piece by Jacqueline Kerrod and Marc Uys of Clockwise.

Freya’s Tears is written for and dedicated to Clockwise: Marc Uys violin and Jacqueline Kerrod, harp.

The Book of Goddesses

Freya's Tears - II. Freya's Tears

Hi there! My name is Yury. I am composer known as PegasusMusicStudio.
I write music in diffirent genres such, as trailer music, hybrid, contemporary orchestral music, etc.
All my tracks you can listen here or on popular striming services: Spotify, iTunes, Amazon, VK, Pandora, etc.

Imagination

PegasusMusicStudio

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