ZeroA - Goblins

Liuos seemed to arrive on the dub techno scene all at once with Terms EP, his strong debut on Cold Tear Records, but this was the culmination of two decades of experimentation and discipline. A unique mix of power and spaciousness, of both longing and will, Liuos’ work stands out for its clarity and expansiveness. Working steadily from his modest studio in Finland, Liuos has quietly become a respected name in the world of dub techno, with releases on Cold Tear, Lucidflow, and spclnch, and remixes for Superordinate Dub Waves and Off Records (Belgium).

ZeroA makes genre-defying tracks that combine ambient, dub, dub techno and downtempo with atmospheric and cinematic elements.
https://zeroamusic.com/
https://zeroa.bandcamp.com/

I’m a bassist, but I also play guitar and keys.

https://lit.link/fankyamix

Influenced by funky, rock-infused electronic dance music—from punk rock and reggae/dub to the big beat sounds of the ’90s.
A unique soundscape shaped by the clash of digital waves and raw energy.

パンクロック、レゲエやダブから90年代のビッグビートなど、ファンキーでロックでエレクトロなダンスミュージックに影響を受ける。
デジタルの波と生のエネルギーが独自のサウンドスケープを描く。

AMS "the three mothers, Aleph, Mem and Sin. Great mystery, wonderful and a cult, from where air, water and fire come from, with which all is born ... "

❖ 𝓛𝓲𝓯𝓮 𝓲𝓼 𝓸𝓷𝓮 𝓶𝓸𝓶𝓮𝓷𝓽 𝓪 𝓪𝓯𝓽𝓮𝓻 𝓪𝓷𝓸𝓽𝓱𝓮𝓻 𝓪𝓷𝓭 𝓽𝓱𝓮𝓻𝓮 𝓲𝓼 𝓪 𝓹𝓮𝓻𝓯𝓮𝓬𝓽 𝓶𝓾𝓼𝓲𝓬 𝓯𝓸𝓻 𝓮𝓪𝓬𝓱 𝓶𝓸𝓶𝓮𝓷𝓽 ❖
The  𝑀𝒪𝑅𝐸𝐼𝒦 ♬ library in the ► 𝑅𝐸𝒫𝒪𝒮𝒯𝐸𝒟 
The  ᏗᏒᏰᏗᏖᏋᏝ ♬ library in the ► ᏝᎥᏦᏋ
                   DJ since 1993 based in Madrid

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Sound Vision podcast: Ambient, Chill, Atmospheric, Future Garage, PsyChill, World, Dub etc. - listen on streaming platforms (links in linktree: linktr.ee/izlane)

Klaatu barada nikto
No Gods, No Masters
No Hope, No Fear
△ Less is More ▽

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. Her work is heavily influenced by darkwave and industrial electro, but her  inclusion of complex, often experimental rhythms and emotive melodies sets her apart from the rest of the dark electronic scene. She has received her greatest exposure so far on radio and at the Unconformity Festival.