excellent work ! true hifi sound with a widestereo sound and a proper sound level !

Love the piano..So beautiful, sensitive and a wonderful musical story.

nice intro with the cello.......very nice sax and trumpet......delightful piano and soothing guitar.....wonderful sweeping strings........an amazing jazz orchestra going on here!

@user-936947521: Thanks a million  for listening and this amazing feedback Frans. I appreciate it a lot.

Penthouse luxurious aural stimulation!  So sublime, Alan! All of one's senses are immediately & completely captured with every drop of each instrument's engaging blissful dictation!  Supreme adoration!  This would evoke a honeymoon before the wedding! ;)  A lover's feast for the ears!  🔥🔥🔥🔥🔥🔥🌹🌹🌹🌹🌹💘

All That Jazz 2023

I almost chose the name "Free Agent" for this track b/c it maybe would better describe my playing, meaning e.g. that I do not always see the borders between different music genres or styles as very decisive for my playing and in music generally. That is why I for example earlier made a version of the Albinoni/Giazzotto Adagio in G Minor orchestrated for Rhodes electric piano sound.

I first came to know the acid jazz genre especially through the giants Jamiroquai, Incognito and The Brand New Heavies in the mid-1990's and before that through the Australian band Directions In Groove (D.I.G.). I most certainly am not a trained jazzer but that did not stop me from trying to make an improvised "smooth acid jazz" track. Played by me with my Korg SGProX digital piano using the following sounds: the Lounge Lizard EP-4 (the top class Rhodes electric piano and lead sounds), the Scarbee Jay-Bass (played from near the bridge) and the unbelievable Native Instruments Abbey Road 70s Drummer. The basic drum groove made by me. I tried to decrease the "boxiness" of the kick drum and bring out the bite of the bass but I don't know whether I managed...

Edit: Mastered with Ozone on September 29, 2023.

Just Hangin'

This "JamTune" track featuring fellow local jazz guitarist and friend Mike Hoffman, who is an incredibly productive composer and producer of his own distinctly unique sounding collection of albums, collaborates with me on this creation.

This track was originally published and featured on my "Audric & Friends" SC site in 2020, during the era known as the "pandemic lock-down".
With the help and mutually shared inspiration of a small handful of LOCAL musician friends of mine, approximately a dozen fun and creative instrumental tracks where published within a half-year time frame.  
I refer to this special group of tracks collectively as the "JamTune" series.

DARK PAST IN A NEW LIGHT ("JamTune" Audric Jankauskas/Mike Hoffman-2020)

From the 2020 "JamTune" series... this track features good friend and fellow musician/guitarist TIM JORDAN in a funk/rock/progressive, and spacey sounding collaborative creation.
This track was originally published and featured on my "Audric & Friends" SC site in 2020, during the era known as the "pandemic lock-down".
With the help and mutually shared inspiration of a small handful of LOCAL musician friends of mine, approximately a dozen fun and creative instrumental tracks where published within a half-year time frame.  
I refer to this special group of tracks collectively as the "JamTune" series.

TIME FOR SPACE ("JamTune" Audric Jankauskas/Tim Jordan-2020)

Trails Of Success 145 BPM

Aiming for a clear and natural sound.  Completely improvised.

Milllennia True

Haybarn Sun

Nekropolis '22 live at the Peter Frohmader Memorial Concert, April 29th 2023 at Kulturkeller, München.

Free album download: https://phaneronaut.bandcamp.com/album/live-23

All pieces spontaneously composed by:

Ray Cipolla: Drums
Gerhard Lallinger: Bass
Udo Gerhards: Keys

Produced by RCV Productions

Cover painting "Das Ding auf der Schwelle" by Peter Frohmader
Cover design by Ulrich Miksa
Mixed by Ray Cipolla & Udo Gerhards
Live audio engineer: Michi Greger

Many thanks to the team of Kulturkeller Westend, esp. Günther Klingler and Michi Greger.

In memoriam Peter Frohmader, 1958-2022

Live '23

Das Ding auf der Schwelle

Free album (Bandcamp)

Nekropolis '22 - Das Ding auf der Schwelle

Made from scratch within two hours, everything VSTi and my own creation - musical sketch with an Akai EWI "trumpet" solo in one go ! ... photo: David Law on unsplash ... enjoy the vibe !

Heat

Decoherence

Bandcamp

Simultaneity

FLOATING WORLD // REMIX // Back to the future.
Basic sequences and keyboards by Frank Luge
@docfritz //  Drums, Percussion, Rearranged and Remixed
@joerxworx // Sensational Floating Soprano Saxophone
© 2023 FRANK LUGE // DOCFRITZ // OESJ

FLOATING WORLD

Shop

FLOATING WORLD ft. joerxworx

Made in Ableton

Genres;
#Electronic
#EDM
#Experimental

Onwards To Glory

Evil Amongst Us

'Dinner For Two' is an Easy Listening/Mixed Genre track. Truthfully I dont have a clue what Genre it would be in. Laid back and easy listening probably. Hopefully you find it easy on the ears.
Alan

Water Signs

Dinner For Two

Spanish Love

with you baby
It's worth it
Continue…

I just ask for it
What I want the most
For you.,..

Tomorrow I hope
Today I already have it
To you…

Dreams that come
And they don't escape
From here

Tell me where it is written
stop loving
Because if it is your love
I can not read

I just want to think
I just want to know
Our love does not go away...
It stays here

I just ask for it
What I want the most
For you.,..

Tomorrow I hope
Today I already have it
To you…

Dreams that come
And they don't escape
From here

Dreams that come
And they don't escape
From here


Tell me where it is written
stop loving
Because if it is your love
I can not read

I just want to think
I just want to know
Our love does not go away...
It stays here

The moon is very far away
But I bring it to you

The moon is very far away
But I bring it to you
But I bring it to you
But I bring it to you

Contigo

the bucket lifted. with each surge, water crept closer, waves gently lapped. the sand returned to the flat shore.

Sandcastle

For now I'm not using A.I. while creating my music. I share songs generated by A.I. only for informational purposes to make the unaware aware of the coming revolution in music.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left until April 2022. My music is created in Ableton Live Intro (until december 2022) and Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

Now retired from a life 'on the road' as a freelance keyboard player, I compose and record in my home studio, situated in the Carrick Hills in Southern Scotland. My music is mainly instrumental in nature and is a reflection of my life experience, sometimes real and sometimes imagined.
My influences are many and I have quite probably been shaped by listening to the very many "giants" of music, both players and composers. From classical to contemporary jazz and everything in between. My main instrument is the keyboard, whether that be piano, organ or synth. But I also play banjo, flute and percussion. I have a special relationship'with bass, whether upright or electric and use virtual and synth basses from numerous sources, but mainly Trilian by Spectrasonics.


https://music.apple.com/us/artist/alan-hamilton/119498445/see-all?section=full-albums
https://open.spotify.com/artist/2j38dJ8YVPX2nVQcUjaAYx
https://music.apple.com/us/album/time-travel-and-other-journeys/1651782098

Dinner For Two

Alan Hamilton

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