Love the piano..So beautiful, sensitive and a wonderful musical story.

nice intro with the cello.......very nice sax and trumpet......delightful piano and soothing guitar.....wonderful sweeping strings........an amazing jazz orchestra going on here!

@user-936947521: Thanks a million  for listening and this amazing feedback Frans. I appreciate it a lot.

Penthouse luxurious aural stimulation!  So sublime, Alan! All of one's senses are immediately & completely captured with every drop of each instrument's engaging blissful dictation!  Supreme adoration!  This would evoke a honeymoon before the wedding! ;)  A lover's feast for the ears!  🔥🔥🔥🔥🔥🔥🌹🌹🌹🌹🌹💘

All That Jazz 2023

This "JamTune" track featuring fellow local jazz guitarist and friend Mike Hoffman, who is an incredibly productive composer and producer of his own distinctly unique sounding collection of albums, collaborates with me on this creation.

This track was originally published and featured on my "Audric & Friends" SC site in 2020, during the era known as the "pandemic lock-down".
With the help and mutually shared inspiration of a small handful of LOCAL musician friends of mine, approximately a dozen fun and creative instrumental tracks where published within a half-year time frame.  
I refer to this special group of tracks collectively as the "JamTune" series.

DARK PAST IN A NEW LIGHT ("JamTune" Audric Jankauskas/Mike Hoffman-2020)

From the 2020 "JamTune" series... this track features good friend and fellow musician/guitarist TIM JORDAN in a funk/rock/progressive, and spacey sounding collaborative creation.
This track was originally published and featured on my "Audric & Friends" SC site in 2020, during the era known as the "pandemic lock-down".
With the help and mutually shared inspiration of a small handful of LOCAL musician friends of mine, approximately a dozen fun and creative instrumental tracks where published within a half-year time frame.  
I refer to this special group of tracks collectively as the "JamTune" series.

TIME FOR SPACE ("JamTune" Audric Jankauskas/Tim Jordan-2020)

Pleasurebot Party

1st track off of my EP Welcome to the Neighborhood
The name is in reference to the name of the fictional neighborhood on the album.
Cradle Park Overture was written, arranged and recorded by Louis Taverna
All rights reserved ©

Credit to Alexander Scriabin and his Étude in D-sharp minor, Op. 8, No. 12 performed by Vadim Chaimovich which is heard briefly

Welcome To The Neighborhood

Cradle Park Overture

Monday Evening Jam

For electronic version to this track follow link: 
https://soundcloud.com/tasss/wolf

Wolf

Nekropolis '22 live at the Peter Frohmader Memorial Concert, April 29th 2023 at Kulturkeller, München.

Free album download: https://phaneronaut.bandcamp.com/album/live-23

All pieces spontaneously composed by:

Ray Cipolla: Drums
Gerhard Lallinger: Bass
Udo Gerhards: Keys

Produced by RCV Productions

Cover painting "Das Ding auf der Schwelle" by Peter Frohmader
Cover design by Ulrich Miksa
Mixed by Ray Cipolla & Udo Gerhards
Live audio engineer: Michi Greger

Many thanks to the team of Kulturkeller Westend, esp. Günther Klingler and Michi Greger.

In memoriam Peter Frohmader, 1958-2022

Live '23

Das Ding auf der Schwelle

Free album (Bandcamp)

Nekropolis '22 - Das Ding auf der Schwelle

Hello friends! I have been busy with my other musical projects for a while now, but finally was able to finish the first part of The Fall suite that I've been working with for quite some time. 

I-la-rI (Ilari I. Rantala) - Composed, all instruments, vocals, lyrics, field recordings & drum machine programming.
Artwork and produced by I-la-rI.

© 2023 Ilari I. Rantala. All rights reserved.

The Fall (Part I) - Cosmogonic Myth

Recorded on iPhone at Hot Box, Chelmsford on 07/07/23. 
https://www.hotboxlive.co.uk/
The video  
https://youtu.be/8H-T5IczTJ8
The original 
https://soundcloud.com/hell-feeder/hell-feeder-entrapped 

The sample is from New York State department public advice on what to do in the case of a nuclear attack in 2022.

Entrapped (Live @ Hot Box 07 - 07 - 23)

Made from scratch within two hours, everything VSTi and my own creation - musical sketch with an Akai EWI "trumpet" solo in one go ! ... photo: David Law on unsplash ... enjoy the vibe !

Heat

;-Condamné À Vivre-;

FLOATING WORLD // REMIX // Back to the future.
Basic sequences and keyboards by Frank Luge
@docfritz //  Drums, Percussion, Rearranged and Remixed
@joerxworx // Sensational Floating Soprano Saxophone
© 2023 FRANK LUGE // DOCFRITZ // OESJ

FLOATING WORLD

Shop

FLOATING WORLD ft. joerxworx

Tex Mex Shaman (Stephen)--rhythm/ slide guitars/ riff/ mix and post production--@texmex-shaman
Llanpsych (Tez)--lead guitar--@llanpsych
Entheogenic Psychonaught (Josh Clary)--bass guitar--@josh-clary-1
J.J. Terrell-- Piano/glockenspiel--@j-j-terrell
Mysterious Decibel--lead and high backing vocals--@themysteriousdecibel
K2 and the Three (Ken)--drums/ cowbell( I had the fever)maracas/tambourine/ woodblock/ low harmonies--@k2andthe3, and @k2-kara

This is a cover from Paul McCartney and Wings, from the 1975 album, Venus and Mars, and this album was supported on their 1976 Wings over America tour. They always opened with Venus and Mars/Rockshow
Ken sent Josh and Tez an email a few months back, about maybe covering this awesome rocker, after we released “Hello World." Before responding, Ken reposted his cover of "Richard Cory," a Simon and Garfunkel cover, sung by Denny Laine and Sir Paul on the Wings Over America triple live album. Stephen commented that “Rockshow” was one of the first songs he learned on guitar. Ken said, “Well, here’s your sign!" He freaked and invited Stephen to immediately contact Josh.
We finished everything but the vocals by early June, but were stuck on lead vocalist. Several of the collective gave it a go, but nothing sounded right. Then came a late game idea. We had all been following and fans of The Mysterious Decibel for quite some time, so we asked him if he'd be interested in singing it. He was game, and really delivered what so many could not. He is a new, welcome addition to our mix. You'll also hear Stephen, who accomplished the herculean task of mixing and producing this song, very ably play the entire song on the guitar, with Tez playing the ripping leads.
We hope you enjoy our labor of love that has been an entire summer in the making.

Rockshow (Wings Cover) - The Eclectic Collective

'Dinner For Two' is an Easy Listening/Mixed Genre track. Truthfully I dont have a clue what Genre it would be in. Laid back and easy listening probably. Hopefully you find it easy on the ears.
Alan

Water Signs

Dinner For Two

... very pure ........... xmas techno ...;)

Techno Dogma

“SeVeNTeeN CriEs” is a cinematic soundtrack born from innocence lost and memories that refuse to fade. Across 43 tracks, the music carries the weight of silence, the tremble of fear, and the fragile heartbeat of hope. Each piece unfolds like a film score from the horror of the car scene to the soft, whispered memorial themes painting a soundscape of grief, resilience, and remembrance.

This album is more than music; it is a story told through sound. A memorial in melody, a cry in harmony, and a timeless reminder of the human spirit facing cruelty. Every track title speaks for itself, guiding listeners through a journey where tragedy meets defiance, and sorrow transforms into eternal echoes. 

AmmaR IbRaHiM

E-Theme_ “Seventeen Cries – Hind Rajab”

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

PLEASE STOP SENDING ME OFFERS OF MUSIC PROMOTION.
 
AI is not an option I use or intend to in the future. All of my music is composed, played and produced using the following equipment:
Cubase 14 Pro on Windows PC
Arturia instruments (full suite) some FX
Native Instruments - Instruments and FX
Toontracks -Superior Drummer 3 and Percussion
Korg Triton Synth
Roland RD800 Piano
Native Instruments - Komplete Control S49 and S61 keyboards
Icon Mixing desk
Yamaha & KRK active monitors
Congas and various  LA percussion instruments.
Various String libraries including: Spitfire/ IK Multimedia/labs/Orchestral Tools and The Crowhill Co.
Orange Tree Samples - Guitars and Flute
Musiclabs Guitars
Spectrasonics Trilian Basses
Soundpaint: Strings/Brass/Wind/Guitars/Percussion/ and a multitude of other things.
Various FX from a multitude of companies.
Various Programs from the Spitfire Original range
My trusted "Drum Stool"
Fridge (for Guinness)!!!!



Now retired from a life 'on the road' as a freelance keyboard player, I compose and record in my home studio, situated in the Carrick Hills in Southern Scotland. My music is mainly instrumental in nature and is a reflection of my life experience, sometimes real and sometimes imagined.
My influences are many and I have quite probably been shaped by listening to the very many "giants" of music, both players and composers. From classical to contemporary jazz and everything in between. My main instrument is the keyboard, whether that be piano, organ or synth. But I also play banjo, flute and percussion. I have a special relationship'with bass, whether upright or electric and use virtual and synth basses from numerous sources, but mainly Trilian by Spectrasonics.


https://music.apple.com/us/artist/alan-hamilton/119498445/see-all?section=full-albums
https://open.spotify.com/artist/2j38dJ8YVPX2nVQcUjaAYx
https://music.apple.com/us/album/time-travel-and-other-journeys/1651782098

Dinner For Two

Alan Hamilton

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