Beautiful break here. Great instrumentation

Once again, I keep missing the best trees in the forest of reposts. Amazing, as usual.

Sounds like you had as much fun playing this as I have listening to it!

Music & Lyrics by Julien Vescovi

Cello by Aude Declaf. 
@luce-faedda

Mix by Frederic Laugier

Artwork from Luminous Portals by Patricia Escobar

Locked-in

Get Away

Get Away (Extended version)

Inspired by Electrometis Fiona Greasley
On Bandcamp.

Shoegazers Anonymous

PAPLOVIANTE and FRIENDS' open collab offer with Llanpsych guitar over the top. One take solo on the Les Paul :)
Huge track from Paul and great feeling of energy to work with 😎

Listen to the collab offer here
https://soundcloud.com/paploviante-and-friends/hardliner-paploviante-open-collab?si=38156c0dfb974572b936604d82f8c658&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Hardliner -with PAPLOVIANTE and FRIENDS

Ultra

Brazilian Love Thing

Eine Kleine Dämmerlicht Musik

Frenzy Of An Ordinary Day

'The Single End' is a Jazz Fusion track and was inspired by the happy memories from my past in 1974. Just having returned to Scotland after a Year working in England and having very little money, I had to rent a single room in a Paisley tenement. This was called 'a single end'. It was extremely basis with the toilet shared amongst three flats on the same level. However I was sharing the 'single end' with my girlfriend, and although times were tough, we were always really happy. That girlfriend was to become my wife one year later and we are still together 50 years later.
So 'The Single End' is a commemoration to the joyful time we spent together in that small single room..
Also to offer my condolences on the passing of one of the great guitarists of our time, Jeff Beck. He will be remembered along with the other greats of his era. R.I.P

Lost Footprints In The Sands Of Time

The Single End

lyrics to sixteen worlds away


Let us glve you what we've got
there's no reason for the things that broke your heart
that was the last thing that he sa!d 

l'm feeling pretty good
considering the circumstance
he sald with a sigh

he got a little Jaded
he decided joy and pa!n
both were slightly somewhat overrated
Simply incidental to existence ln the Ether

she was standing on the road ln the Rags of her remorse
eyes so Bright
and on her golden platform ln the 
mud of what was Lost

l'm sixteen worlds away from you
she sa!d
l know lt's hard to get lt through your head

l'm here and there
and lt's getting difficult 
to keep my continuity-
(for reasons that are not exactly clear to me)

Sixteen Worlds Away

MlCK and l made this song over two years ago--He most generously agreed to let me Publish---You may have heard lt at his address- We both Love thls song very much, And we hope you do too!!:):)

Production and all orchestrations By Teth Sin
Lyrics and Singing ------by Stonerjazz

The Maestro

captured in the eddy of the river bright, the still life painted with the colors of the soul, the dead-eyed and the damaged wander through the landscape of the misty light without compassion for our plight.

even in the darkest night there’s drops of paint, notes from my guitar, and tiny light that usher in such lush delights, though worthless in the merchants eye, the maestro has the wings to fly…

it’s a big mess, got a hole in my chest, taken down and crushed like apples in a press, i confess to everything i’ve ever done. every single one of us… on the run.

when minds are quiet, the stink of revolution floats in the air, and the overlords they waste away in deep despair… slippin in the deep end not so quietly. fantastic sights!!
tin can rattle in the back, living in a tiny shack, standing in the middle of a two lane blacktop gazing at a cloud i saw some thirty years ago.

The Maestro  featurlng Teth Sin

I-Finless Porpoise Dance

Now retired from a life 'on the road' as a freelance keyboard player, I compose and record in my home studio, situated in the Carrick Hills in Southern Scotland. My music is mainly instrumental in nature and is a reflection of my life experience, sometimes real and sometimes imagined.
My influences are many and I have quite probably been shaped by listening to the very many "giants" of music, both players and composers. From classical to contemporary jazz and everything in between. My main instrument is the keyboard, whether that be piano, organ or synth. But I also play banjo, flute and percussion. I have a special relationship'with bass, whether upright or electric and use virtual and synth basses from numerous sources, but mainly Trilian by Spectrasonics.


https://music.apple.com/us/artist/alan-hamilton/119498445/see-all?section=full-albums
https://open.spotify.com/artist/2j38dJ8YVPX2nVQcUjaAYx
https://music.apple.com/us/album/time-travel-and-other-journeys/1651782098

The Single End

Alan Hamilton

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Delirata 1983

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