Styli

Pic from "The Girl Without a Soul" (1917)

It Steals Your Soul And You Take Pills To Get It Back

Back with some electronic psyche-krautrock with little sound additions out of the few analog sound gear I kept :=(

About the chosen title, you may know what I'm refering to... simple observations of mine!

Enjoy!

The third day syndrome

November 4 2023

Small Church

Do Da Stomp

Lies
Everybody knows
You lie
To keep up your control

Tell me one more time
What you mean to me
An enemy in you is all i ever fucking see
I cannot calm my mind
I cannot tame my soul
Until my fucking life is under my own control
Everything you say
Everything you do
If you wanna be free you gotta be you
All you really wanna know is the ride
Well I'll take you down to the darkness deep inside

I 
Force
You
To think about Everything
That you don't wanna think about 
That you don't wanna even know
Don't you wanna see what your brains gonna be
When you free it from the demons that are screaming

At You

Screaming Demons

Flowing melodic piece performed/recorded like a rock band, harder than soft rock but hopefully ok even for sensitive ears... ;)

'Anniversary Song' For Janne

Fresh live jam. Get 100 digital singles for 70 euro at https://weirdscenesinsidethegoldmine.bandcamp.com/ and enjoy poetry and music.

"Molten Nebula"

Solo Piano - Chris Bright

first things first - 4:4:24, 7.38 AM

Spider

Préludes Op.11 No.13 - Autumn

I play the piano because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

first things first - 4:4:24, 7.38 AM

Chris Bright

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