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ENZO PIANO - VEGA (Melancholic Piano for Reflection)

Belle époque

Spontaneously improvised this simple piano solo tune at the October morning. Enjoy!

For this improvisation I’ve used a new: VSL Studio Concert D 1887. I think this piano has a very cinematic sound. Also it has a bit “imperfect” sound which I really like. Honestly I’m a big fan of an “imperfect” and old school sound of a pianos.

10.21.2025

Me in Spotify/Apple
Spotify: https://open.spotify.com/artist/3ZT6CL1pYRz20xt5BEhJpL
Apple Music: https://music.apple.com/us/artist/ashot-danielyan/551761240

Me in the social media:
» Telegram: https://t.me/ashotdanielyancomposer
» VK: https://vk.com/club219373443
» Instagram: https://instagram.com/ashot_danielyan_composer?igshid=YTQwZjQ0NmI0OA%3D%3D&utm_source=qr
» YouTube: https://www.youtube.com/user/ashotdanielyan
» Facebook: https://www.facebook.com/ashot.danielyan.composer

All my Albums in Bandcamp: https://ashotdanielyan.bandcamp.com/

» My Royalty Free Music: https://audiojungle.net/user/ashot-danielyan-composer/portfolio

Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

October Vibes

My Spotify

Ashot Danielyan - October Vibes

In this piano trio, Echoes of What Was portrays a quiet conversation between piano, violin, and cello —
each reaching out to express what words cannot, echoing the beauty and fragility of fleeting memories.

Echoes of What Was

🎻🎹💓♾▶⁂©All Rights Reserved 10-2025
©Mixing, Mastering, Creator, & Pro License: Lady ElectroTrek
***

From Sadness To Hopefulness

The Heart Can Hunger

the best part of being  11.12.25

waiting for you 11.17.25

Silent Reverie by Polish pianist Sebastian M Bach is a serene and hypnotic composition, unfolding like a quiet, magical daydream. Its delicate felt piano textures invite introspection and calm. Released by the reflective neoclassical label ad21.

Silent Reverie

Listen

sweet sweet light 11.24.25

My solo piano arrangement of Away In A Manger

Away In A Manger

A soft piano moment inspired by fresh starts and a brand new day.

New Morning (Pure Piano)

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

the best part of being 11.12.25

Chris Bright

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