Beautiful track, nice Melancholy, nice work 👍👏

Yutori is the Japanese concept of consciously slowing down to allow us to savour the world around us.

Yutori

Album My Strange Night Stories 
nowyyorg 2024

The Cold Void Between Our Stars (2015 - 2024)

To A Point

Emma

Bonjour à tous, 🎹
Voici ma nouvelle composition pour piano intitulée "Réflexion". 
J’interprète au piano « Réflexion » 
Bonne écoute

Ecrit et enregistré en août 2024

Lien pour écouter : https://youtu.be/U_dpnmtVW68

Réflexion – Original emotional Piano

Realized using Studio One and Notion with LASS3 Strings and Aaron Venture Winds and Brass featuring 8dio Century Horn.

24-9 Saint-Saëns - Romance 0p 36 For Horn RC3

I invite you to listen to my piano improvisation "At the Museum".
Find all my music here: https://linktr.ee/victorbirkan

At the Museum - Improvised Piano Piece

Here is another track from Michele Ansani that I was invited to. On an old piano base from Michele,
I delivered alto and tenor sax, then he finished the arrangement with some keyboard phrases. ........
He dedicated this piece to the comet of the century.

Piano and keyboard: Michele Ansani - https://soundcloud.com/michele-ansani
Alto and tenor sax: joerxworx
Posted on SoundCloud: 2024, October 25

Tsuchinshan–ATLAS

Sun rises above the frozen tree line and all nature  greets the day.

Midwinter Sunrise

This is the third piece in the range of Indigo, Amber and now Violet. It will become an album soon with 9 color rated pieces. I think the sound of this one is the best of the three. Do you agree?

Violet

Love Is Stronger Than Pride (Sade cover)

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

To A Point

Chris Bright

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