love this breakdown with the droning bass.... absolutely beautiful!!!

This is really special, very nice improv!

All submissions to Haiku 347:

https://www.naviarrecords.com/2020/08/26/naviarhaiku347-two-voices-that-sound-alike/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.

- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram

- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. Please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

haiku #347: two voices that sound alike  / make their way… / clouds of blossoms

Part of: Dark Bouquet. Variations on a theme. soundcloud.com/velvetsomethingsuperdark/sets/dark-bouquet
All material - cut, altered, mixed at will - comes from a nocturnal solo improvisation with fretless acoustic bass guitar with piezo pickup, effect pedals (Carcosa - Dark Star - Obscura), non synchronized loops, three amps. Recorded in the room with Zoom H2n, edited in Audacity. All sounds made with the instrument. All sounds, mixing and production: Velvet Something Superdark.

Another Dark Flower

Heavy Sky

World has slowed down. 
Hidden beneath a skin of fear.

All Silver was created during the first days of the Corona shutdown.
Made with passion and modular synths.

Sound and artwork by Thomas Breuer

All Silver

all silver

Tiefblau und Unendlich weit

Tiefblau Und Unendlich Weit

Stab of Pain, the new album of Sig Valax, is now available at Snow in Water Records (release date: July 3rd 2020).

In Stab of Pain, Sig Valax presents synthetic landscapes open like dreams through which she invites us to travel. Interior spaces of endless resonance, drones piercing the blanket of the night like a beacon, sequences that force us to listen differently. The listener is caught up in a magical flow of multiple streams.
There is something very feminine - stiched or woven - in Sig Valax's music, and there are clearly correspondences with her work as a digital artist and her onirochromes which draw wave tables and three-dimensional spectra. Dream figures that escape our perception, threads that intersect and create a mesh where the pattern alters repetition, a spirituality that is both wise and adolescent and offers new paths mapped out through sound synthesis. These 8 inspiring and singular titles resonate with the universe of artists such as Sarah Davachi, Eliane Radigue, Delya Derbyshire and Laurie Spiegel.

Sig Valax - Broken Eden

From https://peteswinton.bandcamp.com/album/orpheus-and-eurydice

Theme For Orpheus

Nature sounds were recorded live today from my residence.
This track was created for the Naviar Haiku group.
346 week Haiku.

https://naviarlab.tumblr.com/

https://www.naviarrecords.com/2020/08/19/naviarhaiku346-pause-pause-pause/

OneAmbient4 - A Crescendo Of Silence (Naviarhaiku 346)

27Aug20

My naviarhaiku347 submission;
https://www.naviarrecords.com/2020/08/26/naviarhaiku347-two-voices-that-sound-alike/
:D

Boson Spin - Through clouds of blossoms [naviarhaiku347]

two voices that sound alike
make their way…
clouds of blossoms

haiku by Kobayashi Issa http://haikuguy.com/issa
picture by Stanislav Kondratiev https://unsplash.com/@technobulka

For more information visit http://www.naviarrecords.com/about/naviar-haiku

hail flake

halF alikE [naviarhaiku347]

This track was created for the Naviar Haiku group.
347 week haiku
naviarlab.tumblr.com/

2020-08-28

two Voices That Sound Alike ( Naviarhaiku 347 )

Live improvisation by
Daniel Diaz, electric bass
André Charlier, drums

For this Haiku:
"two voices that sound alike
make their way...
clouds of blossoms"

Haiku by Kobayashi Issa
Photo by Igor Karimov

Two Voices On The Wild Side (naviarhaiku347)

This track was created for the Naviar Haiku group.
347 week Haiku.

https://naviarlab.tumblr.com/

https://www.naviarrecords.com/2020/08/26/naviarhaiku347-two-voices-that-sound-alike/

OneAmbient4 - Two Voices Make Their Way... (Navairhaiku 347)

Marco Lucchi : organ

25 ottobre 2020

***

Tyger! Tyger! Burning bright
In the forests of the night:
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And what shoulder, and what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? And what dread feet?

What the hammer? What the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water'd heaven with their tears:
Did He smile His work to see?
Did He who made the Lamb make thee?

Tyger! Tyger! Burning bright
In the forests of the night:
What immortal hand or eye
Dare frame thy fearful symmetry?

William Blake

organ verses n°2

I remixed/remangled/reimagined a previous ice-originated piece, one that had already been through numerous incarnations, all based on my original ice recording in 2013 (I think).

Interestingly, you can still hear moments of tinkling iciness buried in the noise…


----------------------------------------------

The Assignment: Record the sound of ice in a glass and make something with it.

Welcome to a new year of Disquiet Junto communal music projects. This week’s project is as follows. It’s the same project we’ve begun each year with since the very first Junto project, way back in January 2012. The project is, per tradition, just this one step:

Step 1: Please record the sound of an ice cube rattling in a glass, and make something of it.


More on this 471st weekly Disquiet Junto project — Phase Transition / The Assignment: Record the sound of ice in a glass and make something with it — at:

https://disquiet.com/0471/


Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Glacial phases [disquiet0471]

Participation in the "Disquiet Junto" project led by Marc Weidenbaum: Phase Transition.
The Assignment: Record the sound of ice in a glass and make something with it.
https://disquiet.com/0471/

Ice cubes fall into a glass.
Recorded with a Tascam DR-100MKII + built-in mics Uni.
The Tascam is placed vertically on the glass, in contact.
A Pure data patch lets you hear the recording transposed to 3 voices  and brings out their harmonic components by spreading out them over time.
At the beginning we hear the untransposed sound.
This is the same Pure data patch as for:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

-----------------------------------------------------------------------------------------

Participation au projet "Disquiet Junto" de Marc Weidenbaum: Phase Transition.
Enregistrer le son d'un glaçon dans un verre et faire quelque chose avec.

https://disquiet.com/0471/

Des glaçons tombent dans un verre.
Enregistrés avec un Tascam DR-100MKII + micros intégrés Uni.
Le Tascam est posé verticalement sur le verre, en contact.
Un patch Pure data fait entendre l'enregistrement transposé sur 3 voix et fait apparaitre ses composantes harmoniques en les déployant dans le temps.
On entends au début le son non transposé.
C'est le même patch que pour:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

-----------------------------------------------------------------------------------------

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0471-phase-transition/

Phase - Transition - Disquiet0471

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Two Voices On The Wild Side (naviarhaiku347)

Daniel Diaz

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