I really like this highly produced musique concrete.

Polygon is a collection of 40 quality Vital presets designed by SAMMO tailored for modern house music production, although the sounds can also be used in other melodic genres such as future bass. 

Vital is a newcomer to the EDM production community, an incredibly powerful, versatile wavetable synthesizer with endless possibilities. The sounds included in this Vital pack can be used for various sub genres of house music, such as progressive house & future house. Expect to find sounds ranging from slamming fifth basses and energetic leads to soothing synths and plucks. Sounds are 100% royalty free.

Kick start your next house track and expand your sound arsenal with this set of premium sounds for Vital!

⬇️  Download now: https://bit.ly/30lrpWg

Demo Track information: 

0:00 (Demo 1: Eternal - Progressive House), 1:08 (Demo 2: High Octane - Future House)

Made by SAMMO in Ableton Live 11 using only sounds from this pack and stock plugins (the only 3rd party plugins used are Vital, Xfer OTT (free), and Xfer Serum). 

All synth/instrument sounds used in this demo track are from the presets included the pack. Drum and FX samples are not included in this pack.

What you'll get:

/ 13 x Bass
/ 2 x Drums
/ 7 x Leads
/ 10 x Plucks
/ 1 x Sequence
/ 7 x Synths

BONUS: 5 Serum presets

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SOCIALS
📸 Instagram: https://www.instagram.com/sammo.zhang
🎧 Youtube: https://bit.ly/30o4gTd

Polygon for Vital [Vital Presets Pack]

1st Prize Corwin Awards 2023

Shortlisted at IEMC - International Electronic Music Competition 2022

What people say is not always what they think, people act to exist in the society, to live a life that follows certain rules of standardization. Occasionally, particular events bring us outside our routine in which we are constantly immersed, almost to the point of drowning, and some thoughts emerge like interferences in our mind-set. Thoughts that create a different pattern in our steady life, that force us to stop and reflect, in a moment of reconnection with ourselves, as human being and part of the nature. How magical and refreshing is the place where it is allowed to reconcile with our body and mind?! But, how long can we hold out? There is always a point in which we have to come back to reality. However, what is reality? Is that what society suggests us to be real?

NO Synths are used in this track! :)

SHOMO

Turning Point [Cello & Electronics]

When we are lost and confused, when we are stuck in a difficult moment, situation or place, when we face new challenges in life, when we are in the middle of an important change that feels scary, there is eventually a turning point in which we choose a direction and realize how actually dangerous it was to stay still.

DiegoRatto_2022_©

Turning Point [Cello & Electronics]

2nd Prize - ULJUS Competition 2024
Honorable Mention - Prix Russolo 2024
Honorable Mention - MA/INtermedia Festival 2024

A tempestuous journey through time, into the profound recesses of fragmented memories. Hidden and distant realms of moments and snapshot recollections, a personal odyssey guided by the echoes of childhood sounds.

MEMORIA

Brussels Philharmonic Orchestra
Franck Ollu, conductor
Flagey, Bruxelles 24.11.15

Esserepelle(2014)_orchestral sketch

Prix Russolo 2022 

2nd PRIZE at WOCMAT2018 International Phil Winsor Computer Music Competition

Call for works: SICMF Seoul International Computer Music Festival 2019 (Seoul, south Korea), MusLab 2018 - Call for Electroacoustic Works 2018(Mexico City, MEX), Espacios Sonoros 2020 (Salta, Argentina).

This is an electroacoustic piece about Stockholm with concrete sounds of Stockholm. In this composition, there are different sections in contrast that, for me, describe some aspects of this capital, such as: the agitated commuter life, the metro and public transport, the rhythm of a big city, the restful nature and the sea. Different parts and moods that all together create what has been this place for me, especially in the early period. So, this can be also a personal way to work on my thoughts and impressions as a foreigner who moved, from a small town in Italy, to a new place, a new city and a new urban reality. What I’ve seen, what I’ve heard and especially what I’ve felt.

DiegoRatto_2018_©

KMH Vokalensemble
Conductors, Tove Åhrman&Marc Díaz
Music, Gemma Ragués
Poems by Roger Fjellström&Enric Casasses
liverecording

PÅ SIN HÖJD - Roger Fjellström

1.
Vinterhimmel -
Mildaste molnen
Rosiga drar de åter
solen ner under täckelsen

2.
Ljusbuk! stryker sakta, försynt
hopkrupna urbergets päls
Purpurpust, irissky
Himmelsvinter -


AL PRINCIPI ERA EL VENT - Enric Casasses

Al principi era el vent  fent 
fressa entre les branques

i ens posem a cantar

i en ser la cançó ordida 
el silenci descobríem

i vam saber que som  
de l’esperit 
de les cançons 
del vent d’entre les branques

i amb prou feines ser-hi ara 
és més que viure i morir

April 2018. Stockholm

På sin höjd - Roger Fjellström

N'vi'ah is an Old Testament word meaning prophetess. 
A prophetess conveys one or more divine messages often in the form of inspired songs. And many times her words are cryptic, requiring interpretation or even translation. This work uses isolated phonemes as musical material. Intelligible words are not articulated, leaving to the listener the imagination of what their contents and meanings could be. N'vi'ah was commissioned by the Ibermúsicas Project, and composed at the Human Interaction Laboratory - Diego Portales University in Santiago de Chile. It is dedicated to Federico Schumacher.

N'vi'ah

"ROSSANA" è il titolo del nuovo lavoro di Francesco Perissi XO. Il nome di una persona cara scomparsa racchiude un immaginario simbolico della sfera emozionale dell’affettività, spesso segnata dal dolore della separazione e dal brivido dell’incontro, dall’impulso distruttivo e quello costruttivo, dalla paura e dalle fragilità.
CONCEPT - La descrizione di questi processi avviene attraverso 5 fasi progressive che descrivono il superamento di un evento traumatico: negazione, rabbia, patteggiamento, depressione, accettazione. All’interno di questa struttura due brani interpretanoe con la musica e testi le impressioni e le sensazioni di ogni fase, nell'idea di una dimensione “catartica” della musica.

fxxk

Cicada

Peter Oundjian, conductor
Los Angeles Chamber Orchestra

Commissioned by Los Angeles Chamber Orchestra Sound Investment

Inspired by the trailblazing work of artist Miriam Schapiro, warp & weft is a celebration of the creative process and specifically the Schapiro-coined term “femmage.” Femmage, or feminist collage, defines any activity practiced by women using traditional women’s techniques to achieve their art—collage, decoupage, and weaving, just to name a few. Schapiro used the term to elevate the significance of women’s crafting in the home which was historically denigrated as “decorative” art compared to predominantly male artists whose pieces were classified as “high” art. The form and content of warp & weft is particularly inspired by the art of weaving. I visualized a loom and the act of weaving while composing, where the weft (horizontal axis of the loom) is represented by sections dedicated to gradually developing melodies, and the warp (vertical axis of the loom) depicts the sections identified by strong vertical chords. Throughout the piece, I imagine Schapiro’s studio, full of color, various materials, and ideas, swirling around in a fantastical way as she moves from medium to medium celebrating the history and artistic viewpoints of women past, present, and future.

warp & weft (excerpt)

Diego Ratto, an Italian composer and sound designer currently based in Los Angeles, CA, boasts a diverse portfolio spanning film music, acousmatic compositions, music for video games, video-art installations, and concert music.

He holds a PhD in Music Composition from the University of California, Santa Barbara (UCSB). His educational journey includes studying film scoring at UCLA and completing a Master of Music in electroacoustic composition at the Royal College of Music in Stockholm (KMH). He also received separate Bachelor of Music degrees in jazz guitar and electronic music from the Music Conservatory "A. Vivaldi" in Alessandria, Italy.

His compositions have been selected in several international calls for works and have won awards in competitions such as: Prix Russolo 2022, Sound of Silences - Film Scoring / Romaeuropa Festival 2020, Prix CIME 2017 - International Confederation of Electroacoustic Music, WOCMAT 2018 International Phil Winsor Computer Music Competition, ULJUS 2024, Reel Loud Festival 2024, ULJUS 2023, Corwin Award 2023, IEMC 2022, Prix Russolo 2024, Golden Lala Awards 2020, Musicworks Magazine Electronic Music Contest 2020, Rimusicazioni Film Festival 2018, and Electroacoustic Contest EFME 2016 (Santa Fe, Argentina). In June 2018, he was offered an artistic residency at the prestigious ICST - Institute for Computer Music and Sound Technology (ZHdK) in Zurich.

In 2021, he was awarded a Fulbright scholarship to study Music Composition in the United States of America.

KOM

Diego Ratto

Recent comments

Rikard Vilhelm Lindell

Alexander Stefani 1

GEMMA RAGUÉS

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