Actually great the pacing, lots of prog elements. Well done

Terrific song!  The vocals are great and acoustic guitars are nicely layered.  I like all the subtle textures in the background and how the background vocals kick in through the last half of the song.  Everything sounds great!

Great job!  I left a comment already on this track before but just wanted to also mention the drums.  They are put back in the mix but sound awesome.  The punch on the snare sounds great!

Love the tune. Great vocals, chord progression, and arrangement. And it's unmistakeable who mixed and mastered it. :)

Masterpiece! Love it, nice arrangements too and great singing! [via https://sc.repostexchange.com]

Nice smooth and balanced mix. Great drum groove.

Dance With Me

This song may appear simple, if not simplistic. This is right, it’s not a complicated, rather a common, story about opening the door to someone and having to let this someone leaves you one day through the very same door.

However, in life like in love, don’t let the ordinary fool you. The little things in life are the biggest ones and when you have to look back to realize it, you’re actually lost to those magical instants.
Zut doesn’t stand for « Zebra University of Technology », but for « damn! » or « oh, heck! » in French. Yes, in French! Writing in the language of Molière was an arduous choice. It took me a year or so to go from the original « kinda » French lyrics to the final ones, which were done in a bar, on a paper napkin, along a few drinks!

The melody and chords were the most intuitive to find, playing around for a few evenings. However, honestly, my accent didn’t suit the rhythms and atmosphere. Finding singers willing to contribute proved not to be an easier task! Finally, Oliver Neff aka Titanic Jack agreed to record the main vocals. Together with Maja Štebih with her nice back vocals, they made such a great work on this Indie folkish-poppish-rock track. 
Thanks to both of them for their time, trust and capacity to see, and bring, beauty into the world!

Mixed and mastered by A7 Recording Studio (@a7-recording-studio, www.a7recordingstudio.com)
Produced by Blaž Pavšič
Lead vocals by Titanic Jack
Back vocals Maja Štebih

▶MORE◀
Web: www.ladatinthebox.com/
Spotify: open.spotify.com/artist/2nX96XjXTUZvCoNWTNNun3
SoundCloud: @Ladat
Apple Music: music.apple.com/ch/artist/ladat/1465006973
Amazon Music: music.amazon.com/artists/B07S5HGR98
Deezer: www.deezer.com/artist/66111552
BandZone.cz: bandzone.cz/ladat
YouTube: www.youtube.com/Ladat77
FB: www.facebook.com/77Ladat

▶ARTWORK◀
MaKo: instagram.com/marketka1975

Zut!

The Fire Within

YOUTUBE

Nouvelle collaboration internationale Québec / Hongrie / US. 
 Réarrangement d'une pièce de Milan Szavics, chantée originallement par Narah. Un beau jazz-chill rythmé mais relax. Bonne écoute!

New collab Quebec / Hungary / US. Rearrangement of a piece by Milan Szavics, originally sung by Narah. A beautiful jazz-chill rhythmic but relaxed. Good listening!

Standing Here (feat. : Narah)

a song about unrequited love and teenage crushes

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Waking up in my hotel room
200 miles back to you
My head feels like porcelain
Keep me for best put me back when you're through

But I believe in possibilities
Just hope that my aim is true

I'm taking my time
I'm protecting what's mine
And what's left of my fragile heart
I'm leaving no trace
And I'm keeping the faith
Before this pulls me apart

Pulls apart
Pulls apart

Staring across this ballroom
300 miles over to you
Giving up to start again
I'll wait for my flowers to bloom

But I believe in possibilities
Just hope that my aim is true

I'm taking my time
I'm protecting what's mine
And what's left of my fragile heart
I'm leaving no trace
And I'm keeping the faith
Before this pulls me apart

Pulls apart
Pulls apart

Porcelain (feat. Cecilee)

Darkwave is an experimental music project incorporating progressive thrash metal basics combined with symphonic and electronic elements. While the backbone of its music is built on massive old school thrash metal riffs, Darkwave doesn’t intend to limit itself to stay inside the boundaries of a single sub-genre, but rather to synthesize various feelings, influences and approaches into a complex musical entity.

Composing, guitars, bass and programming: Zsolt Némethy.
Cover art: Dávid Ujhelyi (Lupus Photo).

Thanatology

All Shall Perish

A short composition consisting of themes I'm extremely fond of. Initially I wanted to experiment with it more, but decided to keep as compact and unassuming as possible, in the manner of various moment musicaux written by composers such as Schubert. 
Dedicated to one of my greatest and most special friend, Marko Paradžik, who was amazed when hearing the main theme for the first time (although when I showed him again much later he said it was horrible).

Ode for Piano, F Major

Translation above

Vagues marines

Quand ton sourire est là
Quand de ta voix, tu ris
Quand de tes mains tu joues
Quand de tes yeux tu danses
Quand, de ton rire en fête,
Tu me tiens dans tes bras,
Bras de braise et de sang
Encore plus forts que tout
Que tout ce qui est fort

Refrain
Dans les vagues marines
De mes draps roses et bleus
Je te vois endormie
Comme un bateau câlin
Qui dérive à la nage
Pas très loin des récifs

Quand je brise mes mots
Sur ta peau de satin
Quand je mords dans tes mains
Comme des pains d’épices
Quand j’affleure le frais
Sur tes cuisses d’azur
Quand de sentir ton corps
Je me noie d’inquiétude
(refrain)

Je m’accroche à ton bord
Et pès’ de tout mon corps
Sur ton bateau fragile
Pour détourner la coque
De ces récifs pirates
Vers des îles lointaines
Où les galets s’étoilent
Où les journées exultent
Sur des mâts de cocagne
(refrain)
S’approchant des récifs…

Quand je bois à minuit
Il fait double à Paris
Quand de ton corps, je pleure
Moi, je m’y roule en douce
Comme dans un miroir
Brûlé de sable fin !  (bis) 

Paroles de Jean-Paul Gaido-Daniel, 2017
Musique de Myckaël Marcovic, 3 juin 2023

Sea waves

When your smile is there
When you laugh with your voice
When you play with your hands
When you dance with your eyes
When, with your festive laughter,
You hold me in your arms,
Arms of fire and blood
Stronger than anything
Than all that is strong

Refrain
In the sea waves
Of my pink and blue sheets
I see you asleep
Like a cuddly boat
Drifting by
Not far from the reef

When I break my words
On your satin skin
When I bite into your hands
Like gingerbread
When I touch the cool
On your azure thighs
When feeling your body
I drown in anxiety
(refrain)

I cling to your edge
And weigh with all my body
On your fragile boat
To divert the hull
From these pirate reefs
To distant islands
Where the pebbles star
Where the days exult
Sur des mâts de cocagne
(refrain)
Approaching the reefs...

When I drink at midnight
It's double time in Paris
When I cry over your body
I roll in it
Like in a mirror
Burned by fine sand (bis) 

Lyrics by Jean-Paul Gaido-Daniel, 2017
Music by Myckaël Marcovic, June 3, 2023

Vagues marines (Jean-Paul Gaido-Daniel / Myckaël Marcovic)

A song about longing and obsession in the age of social media. About falling in love with someone through a screen. Someone who may or may not be real

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I can hear the sound of dreams
The cigarettes and faded blue jeans
The photographs and played back scenes
Never knowing what they mean

I can see your days collides
The indecision codified
The fantasies and rising tide
History happens in real time

ooh ooh ooh

You could be my daydream
My landslide, my slipstream
My devil chasing moonbeams
Intention lost to the mainstream

I could be your joyride
Your agent on the outside
Your lowest low and highest tide
Watch as I revert to type

ooh ooh ooh

Daydreams And Algorithms

We shouldn't have to fight.
The piles of skulls must show it.
Who cares who's really right?
Nobody really knows it.
The road out of this place.
Littered with bones like you and me.
The dreams that floated high.
Same as dreams that sink to ground.

This is a road to nowhere.
It's all a route to now.

A spaceman in the clouds,
knows that he matters nought.
A twinkling in the eye.
Your time has come around.
The bell tolls out for thee.
The bells keep ringing out.
The cowboys and the cows.
Are dust to blow around...,

This is a road to nowhere.
It's all a route to now.
We're all on a road to nowhere.
There isn't even hell.

I don't think on the world,
When I'm no longer in it.
and if I try to think on death.
I just can't see much in it.
I do not think of frying pans,
somebody making love to you,
I do not sit and think and about.
All the people waiting to die.

This is a road to nowhere.
It's all a route to now.
We're all on a road to nowhere.
There isn't even hell.

A Road To Nowhere

Momma’s Home Cook’n

Verse 1
Roosters crow’n with the morning light - and we rise at the brink of dawn
Coffees on hot and it’s say goodbye to tired eyes, get your britches on

Pre-Chorus 1
Fields need tending 
Horses need grain
Working hard in the Sun and the pouring rain
Tired as a dog at the end of the day
Then it’s grits - and we all
Come runnin

Chorus
Ohhh, it’s like a country song
And we’re all gonna sing along
We love Mommas home cooking
Daddy by the fire 
Drinking whiskey, telling stories
Till the night is gone 

Verse 2
Bareback on the trail and we’re riding high
That’s how it’s done here on long day stables 
Hauling to the shows another rodeo
Yeah, it’s on, and we’re running the table 

PreChorus 2
Driving all night 
Horses need grain
Riding hard in the sun and the pouring rain
Tired as a dog at the end of the day
Then it’s grits and we all come running

Chorus
Oh, it’s like a country song
And we’re all gonna sing along
We love Mommas home cooking
Daddy by the fire 
Drinking whiskey, telling stories
Till the night is gone 

Bridge into Solo
And we all come running home 

Verse 3
40 years later and I’m driving by but it’s gone, another subdivision
No fields, no silo, the barn and the house all gone, all gone

Outro
But in my memories,
The horses need grain, and we’re riding hard in the sun and the rain.
Im still tired as a dog at the end of the day
I yell grits, yeah, I’m always running home
And we all come running home

Personal Earthquakes

Momma's Home Cook'n

Mommas Home Cooking

Eleanor Collides is the solo project of UK singer-songwriter Nick Ranga.  

Get a FREE SONG when you join my mailing list - follow the link below to sign up!

Named after Nick’s childhood imaginary friend, Eleanor Collides started life as a lockdown project in March of 2021 when a group of London based musicians got together to support each other in writing, recording and releasing music. Named The MusiCollective, this group has produced acts such as Pisgah, Colin Tyler, Corporate Drone and Lucoline

'People Are Taller in Real Life',  the debut album by Eleanor Collides, falls somewhere between Indie, Alternative Rock and Dream Pop. On this album Nick draws on a wide range of influences from the 90s alt-rock of Alice In Chains and Hole, British Indie bands such as Manic Street Preachers and Depeche Mode's moody synth pop

Daydreams And Algorithms

Eleanor Collides

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