oh yes. this is entirely beautiful. wonderful blend of strings and ambient mechanical bits that make each other stand out more. beautiful track.

Track taken from the upcoming album 'Four Steps on Points' by Matteo Uggeri.

More info soon through the mailing list:

http://www.fluidaudio.co.uk/about/mailing-list/

* Audio by Matteo Uggeri
* Mastered by Ian Hawgood
* Design by Daniel Crossley



Matteo Uggeri - Walk Through The Fields

Before The Blackout

3cesyyvne

[surf052]

https://tralha1beijo.bandcamp.com/
https://soundcloud.com/muitofogopoucaterra
https://tralha1beijo.cargo.site/

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

artwork by sa🎀ra
mastered by @usofusofusofusof
usofusofusofusof.com


sa🎀ra ~ olho ciclópico

Dreamy, melancholic, peaceful, or just plain gorgeous? As long as your ears are open, the sound world of Yui Onodera will take you where YOU want to go. From simple means (piano, guitar, computer), Onodera draws complex materials, and then mixes them back into deceptively simple results. The work draws inspiration (and its title) from an abstract structure thought up by architect Christopher Alexander. What you get is quiet background music if you leave it at that or, if you are willing to take the time to listen, a deep immersive journey.

Hailing from Tokyo, Japan, Yui Onodera is a musician, a composer, and the founder of Critical Path. He studied both music and architecture, which explains his uncanny grasp of spatiality in music. His method consists in blending delicate instrumental lines with field recordings and computer treatments to create quiet, ambient electroacoustic pieces. This approach is akin to artists like Machinefabriek, Stephen Vitiello, and Chihei Hatakeyama.

"Semi Lattice" is Onodera's second solo album to be released in 2015 (the first one was "sinkai" on Japanese label Arctic Tone), after eight years of solo silence. In the interval, Onodera pursued several fruitful collaborations with musicians and groups like The Beautiful Schizophonic, Pjusk, Vadim Bondarenko, Mizkami Ryuta, and Baskaru recording artist Celer. All these projects seem to have informed "Semi Lattice" in some way, Onodera's solo works having grown lusher, fuller, and more fully-formed.

Yui Onodera - Semi Lattice 2

Pattern002 End Of Summer Part 4 LUPOmstr200515 16 - 48

Track taken from the upcoming album 'In The Dead Of Night When Everything Is Asleep' by Aaron Martin and Leonardo Rosado...

Music: Aaron Martin / Leonardo Rosado
Mastering: James Plotkin
Label: Fluid Audio

www.fluidaudio.bigcartel.com

In The Dead Of Night When Everything Is Asleep

Aaron Martin and Leonardo Rosado - I Can Still Hear The Humming Of Life

Pre-order 'Golden Times 1' on EP/DL here: http://phonofile.link/golden-times-1

Electronic producer Max Cooper and ambient master Tim Hecker rework Ben Lukas Boysen on his new EP 'Golden Times 1' – out on Erased Tapes, June 30th 2017.

Championed by many including BBC Radio DJ Mary Anne Hobbs as the standout track from his most recent album 'Spells', Boysen’s 'Golden Times 1' forms the very heart of his new EP with the same name. Boysen entrusted none other than Max Cooper and Tim Hecker to meticulously shape and lure the title track plus second single 'Nocturne 4' into two entirely separate territories, yet never drifting too far away from their original soundscapes. With 'Evensong' the composer himself contributes a previously unreleased piece. It is yet another example that Boysen is still opening new and unexplored doors in a bid to challenge the existing realm of contemporary music he is very much a part of.

Words from Ben and Max, May 2017:

“Spells was somewhat of a conceptual release for me, so the choice of the remixing artists and where the original material could be taken was very important. Max and Tim, both being role models for me ever since I began listening to their work and who delivered this incredible abstraction, I felt were spot on for this release and were dream candidates to work with. Their ability to re-direct and even re-invent the original material, partially subtle, and with an almost brutish sense of imagination, honors the originals deeply.” — Ben Lukas Boysen

“Ben has been one of my most listened to artists of the past year or so. His last two albums in particular, have meant a lot to me, and provided me with focus when I needed it. So I was excited to have a chance to remix his work. I felt like I couldn't improve on his idea, but what I could do was take what was the core for me, and expand it. It was just a matter of running with the feeling I got from his original, sticking with his melodic forms and original instrumentation, and letting the growing intensity continue along it's established path to the only possible end point of total annihilation in chaos and distortion. My version is almost a continuation of his original if it was allowed to blossom into percussive format, rather than a traditional remix.” — Max Cooper

The golden EP cover art was created by Torsten Posselt at FELD as an extension from the initial album artwork he also created for 'Spells'.

TRACK LISTING

1. Golden Times 1	
2. Evensong 
3. Golden Times 1 (Max Cooper Remix)
4. Nocturne 4 (Tim Hecker Remix)

Ben Lukas Boysen - Nocturne 4 (Tim Hecker Remix)

[p*dis] distribution sampler for April 2012

Bersarin Quartett - II - Alles ist ein Wunder (Denovali)

Composer and drummer of Dawn of Midi, Qasim Naqvi, releases his debut album for Erased Tapes on May 3rd. 'Teenages' captures the sound of electronics living, breathing and mutating of their own accord – almost autonomously – with only subtle, sparing but perfectly-judged and masterful guidance.

This album is one singular synergy between Qasim and his machine within a broader milieu of sound, also explored by contemporaries Sarah Davachi, Alessandro Cortini, Caterina Barbieri and also the forefather, Morton Subotnick. At points tonal, textural and rhythmic, over six evolving and growing audio organisms, the album flourishes upwards in stages, from initial micro-sonics to something bigger, brighter and anthemic.

With 'Teenages', Naqvi summoned all the material on an analog modular synthesizer – a voltage-controlled sound generating system comprised of multiple modules. Naqvi built this synth over the course of two years and amassed a collection of works for this album. The album chronicles both Naqvi’s understanding of writing for this type of instrument and the growth of the instrument itself:

“I started with just a few modules. And naturally things had to be layered and pieced together but as the synthesiser and its components grew over time, I was able to create broader and more complex strokes in the moment. And by the time I got to ‘Teenages’, it was possible to create a robust, large-scale piece spontaneously. This is very much an experiential album for me because it was borne out of my direct experience of learning the instrument. And as the synthesiser grew over time with more components, it matured. At times I felt like it was even rebelling against my instructions or surprising me with what felt like its own choices. When everything was finished and I was thinking about track titles, this idea of artificial intelligence came into my head; a machine that reacts to your impulses and is capable of giving you something different from what you ask, and even defying you. It felt like different stages of growth and adolescence, and that lead to the album title, ‘Teenages’.”

Deeply rewarding on close listening, Naqvi has created an inspiring and synapse-stimulating new masterwork, within the analogue/modular cannon.

· pre-order 'Teenages' on LP/CD/DL: https://idol.lnk.to/QasimTeenages

Teenages

No Tongue

Buy LP/CD/DL

Qasim Naqvi - No Tongue

Sleep

Focusing on experimental genres, we aim to provide a space to share in the creative process and spread the experience of inner exploration through musical expression.

Aaron Martin and Leonardo Rosado - I Can Still Hear The Humming Of Life

Fluid Audio

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