beautiful track great vocal, and music, i love it.

Loved the way the bass came in and how you held it back till now!

Flynn great job bro this song is fucking sick

An awesome song & vocals
Bravo Flynn. 👏👏👏👏

I feel so lucky that Dave Orestes 1 allowed me to record a rendition of his wonderful song " What Is Rich" ! 

Written by Dave Orestes 1 
https://on.soundcloud.com/JG7gH

Recorded/Mixed: Audacity
Guitar: Cort MR710 LH NS
Mic: Rhode USB Mini
Tam Jennifer: Interpretation, Vocals, Guitar, Mix & Master

Lyrics (Dave Orestes):

What is rich? You're asking me
Rich is so simple, don't you see
It's not what you own but what you do and say
.
What is rich? You're asking me
It's not hard to explain
It's all about what you feel
And not what you touch
Every day
.
Rich is how well you sleep at night and
your thoughts on your own death bed
when you have few regrets
few regrets
.
Rich is passing on
the prospect of hope
so that all have a chance
to prosper and grow
Rich is not how tall 
Your sky scrapers grow
no no no no
.
Or the number of seats
in your stadium row 
It's not how many toys
in the attic you've stowed 
oh no no
that's not it
.
What is rich? You're asking me
Oh it's not hard to explain
It's all about what you feel
Not what you touch every day 
.
Rich is when
All the children are fed
And each of them has 
A warm safe bed
Rich is how 
You care for people 
That, you've never met
.
It's not hard to explain 
It's all about what you feel 
And not what you touch
Every day
.
Doo da doo da doo
Laa la laa la laa
Laa la laa la laa
Laa la laa
La laa la la
.
© Dave Orestes 1, Tam Jennifer Hastings, 2024. All rights reserved.

What Is Rich (with Dave Orestes, 2024)

One of those stormy days - Valentino

This track is a collaboration with Synline (Tokyo) on.soundcloud.com/bzQWw

Synline shares ... I thought this song would be suitable for the opening of the album. When I asked SeaShea for guitar, he not only contributed his usual electric guitar but also created some tracks with synthesizers. The song, initially incomplete, reached its completion through his efforts. Collaboration has been a fulfilling experience.
Composition and Sampling collage by Synline
Guitars, Synthesizers and arrangement by SeaShea
We hope you enjoy.

'Into the Underworld' Synline=SeaShea

Lyrics:-
Almost there yeah we're almost there we keep hanging on

Hold on tight , 'cause it's feelin' right we keep hanging on

Almost there , We're almost there

winkandwoo 2024

Almost There

Moonlight (slowed & reverb)

Happy Friday to my SC friends. Today’s musical offering is very special to me because it signifies a breaking away from my old patterns. Long story short… old Justin was pretty set in his music making/production routines (solo work belongs on solo albums. Collab work belongs on collab albums. And never the two shall meet). 

But new Justin is proving to be surprisingly more flexible in his thinking; an interesting (I might even go as far as to say… shocking) result of my new paradigm. And while it might seem like a ‘nothing burger’ to most people… the way my brain is wired, this is a huge change… and one I am grateful for.

So today I happily offer my first collab song, also intended for my first hybrid album. The song is called ‘Life In Twilight’… and my guest artist is our dear friend, Carlos Vivanco (https://soundcloud.com/carlosvivanco-1, https://carlosvivanco1.bandcamp.com), offering up the lovely Alto Sax and Guitar you hear in this piece

If you haven’t already crossed paths with Carlos, you are missing out. He is one of the most prolific people I have encountered in my travels. He plays about 30+ instruments, each with impressive skill. And if the instrument doesn’t exist... he creates it himself. And 'musician' is just one aspect of his inspiring and adventurous life. He is a great example of a person who discovered his passions early, and is now living a beautiful life pursuing those passions. We need more people like him in this world, reminding us of what is truly important.

On a personal level, the stuff Carlos has taught me over the years has helped me ease into this new sober life with tremendous grace. The music theory and instrumental lessons have helped make my sonic worlds more sophisticated (and therefore more rewarding to craft). And the moving and breathing meditations (Chi energy exercises) have proven fundamental to my mental/spiritual well being too. Needless to say, he has been a major influence in my evolving life; and I will be forever grateful. 

Carlos, I am honored beyond words that you are the guest artist on my first hybrid album. It signifies a great new direction for me. I’m excited to be on this path, and I’m glad you agreed to join me. 

To everyone else, we hope you enjoy “Life In Twilight”, the first of two new songs with Carlos that will ultimately wrap up my upcoming album “What Color Is Your Paradox?” 

(And yes... this is the last song I still had in the archives from my little break; originally finished on 1/20/2024. It's all going to be new content from here on out). :)

Paradox?

Life In Twilight | Carlos Vivanco & GrevusAnjl

2024/2/26

Website

koyomi

Cast of Characters:
The Mysterious Decibel-- @themysteriousdecibel –MD-- vocals and lyrics in the choruses

TexMex Shaman–@texmex-shaman –Stephen– guitar, production, and mix

J.J. Terrell–@j-j-terrell –piano, synth sax 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums, acoustic guitar intro, and vocalized tones at the end, verse lyrics and melody, composition

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, vocals on the verses



This is a song that originated with Ken several months ago. He wrote the whole thing on piano, guitar, and drums and presented it to the rest of the band. Of course, everyone was very excited to add their spin to it. I added my bass part first, as the foundation. Ken also left his catchy original guitar intro as it was. Then JJ added his dynamic piano part, which ended up being both foundational and stylistic, along with the sax that you hear in there, too. Stephen added his solid foundational guitar to it, too, soon after. Then it sat, stalled out for need of some vocals. Of course, we asked TMD to add some, which he did in grand fashion for the choruses. All that was left were the verses. Ken wrote lyrics, and gave me an idea for the melody, so I sang the verses to wrap it up. Of course, we asked Stephen to produce and mix it for us, which he did so well, as always.

  We hope you enjoy listening to this song as much as we enjoyed making it.

Homeboy (The Eclectic Collective)

Recorded in Modesto, Ca.   Featuring Gibson 335 Electric Guitar. Godin Acoustic Guitar Rhythm. Acoustic Steinway Piano. Alto Saxophone solo. Horn section Trumpet, Tenor, Alto Baritone Saxophones. Bass Roland Synthesizer, Electric Funk. Trap Drum set full kit. Percussion, Timbales, Cowbell, Ago go Bells, Zildjan 22" Ride & Crash Cymbal.

Cannery Row

Crystalizer

This is messy and rough, more like a demo -- it was all done in my scratch pad context (FL Studio), but then again the subject is messy and rough.

Take You Down

I can take you down
I can bring you right down put your face down to it
I can wait around ready for you

you are free to change your mind
you are free to leave this life behind
there's an open door but you don't go through it

I try to get away clean but you got me in a hold
you put your fingers in my head and I loose control
how will I ever be satisfied

I can help with the pain for a little while
cause you know it really just ain't my style
to let you feel what I'm doing when I'm doin it

got what I need and I need it
where does it end now
now that I've paid with my freedom

I just want to be free from all the craving of the night
hey yeah will there ever be a time when I feel it

Moonlight (slowed & reverb)

Flynn Park3r (@flynnpark3r)

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