Traurig, melancholisch, schöne Kompostion.

beautiful piano playing mehlsan. lovely work😋

Wenn Musik zum nachdenken anregt. Toll gemacht

Scheinbar unscheinbar. Aber nur scheinbar.  ;o)

Mixed for Lillithe

Far Beyond

Please go to slaterr's link and here more of the music! 
https://soundcloud.com/user-558309583
I began completing the lyric based on some lyrics that my late brother Russell had scribbled down some time back.  Years went by and I tried a few possible directions of taking the song.  Along came two budding songwriters called slaterr who completed the task by adding lyrics, melody and the great vocals and backing track.  We hope you enjoy hearing it.  We'd love your feedback.  This is the upbeat version; so let's call it Version 1.

Cruel Love:  Arterial Flow feat slaterr

Guitars, Synths, Production, Mix: COtu
Mastering: Marc Felish

Ppl Talkin

That's Just PPL Talkin

Acid Note

😶
A little video about it...
https://youtu.be/BkyAyolh5EA

Listen to the forerunner part, too: https://on.soundcloud.com/UTUjm
Video: youtu.be/TAQLlqfPD-4

-----------------------------------------------------------------------------------------------
If current choices in decision making also influence choices in the future, they should be well chosen.

🌎 Video

Jaded Planet | Part II - feat. Lara Ausensi

★Mrs Rhymes - Hideaway
https://soundcloud.com/mrsrhymes/hideaway

This piece is based on the original by Mrs Rhymes introduced above, with my guitar playing overdubbed.
A big thank you to Mrs Rhymes for agreeing to release this recording :)

Some time ago, I needed to do some thinking about my DTM system and was reviewing my music data.  At that time, I suddenly noticed this song by Mrs Rhymes.  About a year ago, I think.  I had a preliminary recording of my guitar to go along with this wonderful piece.  Remembering that, I played it back and listened.  I didn't like my guitar playing, even though it was just a temporary recording for notes.  I don't think the sounds and phrases I used at that time match the original song.  Compared to that, the original song is still great.  So I grabbed my guitar and started recording.  A few hours later, I was in the process of uploading my freshly finished work here.

The key of this song is C#, and I think that what we should be aware of as a performance style is "B♭m/C# pentatonic".
I do not mix tapping, sweeping, or other fancy playing techniques in my guitar playing with this outstanding piece. I tried to keep the accompaniment very simple. This excellent piece, which I picked up as an example this time, will be finished with two things in mind: "B♭m/C# pentatonic". However, in a blues scale song, one song uses four pentatonic forms. Therefore, first of all, I believe that it is very important to be aware of "two things" on a daily basis and to practice guitar playing repeatedly.

And before we understand it in words, what we value most is the encounter with works and artists that we can continue to enjoy playing along with our favorite music as many times as we want, even ten times if necessary. Right?

Mrs Rhymes' page is below.
https://soundcloud.com/mrsrhymes

02Mrs Rhymes - Hideaway ft.JUNZO on electric guitar

Mrs Rhymes - Hideaway ft.JUNZO on electric guitar

Eager to make something, but I was having a cold and I felt very weird. So, a bit of a veiled voice here, but still a tiny cute thingy.

I Should Probably Sleep Now

Life is like a crooked snowball: it will surely melt, fall apart.. but then reassemble into a bizarre shape

Little Crooked Sketch

Termano

Lyrics:
I'm going to meet you there
We're going to act like we're just friends
Let's pretend that I am
Auditioning for my own death
I can keep all your secrets cold
Dark and clean

(chorus)We're gonna meet everybody
At the after show party
Rotten cotton candy cocktails
At the after- show party
We're gonna meet everybody
At the after- show party
Sickly sweet
Cotton candy cocktails
At the after show party

We're gonna act like we're just friends
We need to figure out
What this is
But, I can keep all your secrets cold
Dark and clean
Let's head out of this scene
(Chorus)
C'mon , let's get out of this place
The after- show party
I can keep all your secrets clean...

The After- Show Party

Paranoid (Country Boogie Version)

Songs From The Wounded Heart
Release Date: 01-01-2015
© 2015 Keith Richie

Songs From The Wounded Heart is a deeply personal anthology—an emotional tapestry woven from sorrow, memory, and quiet resilience.

Spanning more than a decade of composition, this collection features both new works and reimagined, re-mastered selections from my earlier catalog. Now presented in high-resolution 24-bit audio, each piece has been carefully preserved and enhanced to reflect its original emotional weight with greater clarity and depth.

From the mournful ambience of Harrowing Emptiness to the delicate piano-led reflection of Jake's Theme, and the poignant stillness of Weeping Angels and Candles, each track serves as a sonic elegy—an outlet for grief, healing, and remembrance.

This album is not merely music. It is a refuge for the wounded. A balm for those navigating loss. And a quiet reminder that there is beauty even in brokenness.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/sftwhBC

Yellow Roses

If you enjoyed this track, please like, comment, and follow to hear more music like this. If you know someone who would appreciate my music, feel free to share this track with them.

Follow me on my social media links to stay up-to-date with my latest projects and releases. Thank you for supporting my work!

https://linktr.ee/xinferis

The Forsaken Place of Forgotten Horrors

Hope - Violin Sonata Op 2 No 9

01 - SA - SSE 
02 - SA - WE - Stretched Moments
03 - UVI - FALCON - One Key Ethereal [Atmospherics Soundtrack - FALCON EXPANSION PACK]
04 - NI - Noire Pure -  Basic Pure

In The Clouds

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Jaded Planet | Part II - feat. Lara Ausensi

Frank Mehl

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