Thinking about soundtrack from Kirikou the bit where he comes out of the tunnel... and More Than Words by Extreme....  and of course, the good feeling from helping someone get some good sleep. Had a chord sequence in my head and found the Lullaby sort of fitted.  Bit at the end is just serendipity showing her face when I recorded last bit of Ukelele.  Felt it was an antidote to The Albigensian.

Stories are for Me and You or Brahm's Lullaby

The reason I create music is beyond my ability to explain. But If I try to dig into it, I think that my body and soul, been using music as a healing tool long before I can remember. I assume that my deep connection to music was born way before I was even aware of it. 
Over the years I have experienced life to its extreme, for the good and for the bad. Music has proven itself as a life saver, since it was the only way I could express my inner feelings and communicate with the world. When I finished my 3 years serving in the army, experiencing terrible fights and death, I felt that something got broken inside of me.
Music was there for me, even though I was not aware of the fact that I can actually use it to heal my soul.
In my music you can listen to all types of moods (love and happiness to the other side of pain and struggle. with pop, rock, reggae, electronic, experimental and even psychedelic and classical. 

I move between, instrumental music and song writing.


Bad keys, shaky shakers, 
acoustic and tremolo guitars... 
I try to not grill ALL of these ingredients
ALL of the time... but it’s hard.

Obyt Ep out on @alphapup now
https://egopatterns.lnk.to/Obyt

✧ Run @cratercove  
✧ Releases on @alphapup & @errorbroadcast
✧ egopatterns@gmail.com

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Harold Nono - "Faro" (BS067 - 2025)
https://bearsuitrecords.bandcamp.com/album/faro

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Harold Nono - "Sketch For Strings" (BS059 - 2023)
https://bearsuitrecords.bandcamp.com/track/sketch-for-strings

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Harold Nono - "We're Almost Home" (BS046 - 2020)
https://bearsuitrecords.bandcamp.com/album/were-almost-home

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Haq (N-qia & Harold Nono) - "Evaporator" (BS044 - 2019)
https://bearsuitrecords.bandcamp.com/album/evaporator

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"Ideeit" (BS032) by Harold Nono (BS032 - 2016)
https://bearsuitrecords.bandcamp.com/album/ideeit

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Jikan Ga Nai (Harold Nono and Eric Cosentino) - "Plenty Time" (BS022 - 2013)
https://bearsuitrecords.bandcamp.com/album/plenty-time

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Haq (N-qia & Harold Nono)  - "Nocturnals" (BS020 - 2013)
https://bearsuitrecords.bandcamp.com/album/nocturnals

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Taub (Harold Nono & Me Raabenstein) - "The Wrong Path" (BS010 - 2010) 
https://bearsuitrecords.bandcamp.com/album/the-wrong-path

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Harold Nono/Hidekazu Wakabayashi - s/t (BS009 - 2009)
https://bearsuitrecords.bandcamp.com/album/harold-nono-hidekazu-wakabayashi

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Harold Nono - "To The River Lounge" (BS003 - 2007)
https://bearsuitrecords.bandcamp.com/album/to-the-river-lounge

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https://www.facebook.com/pages/harold-nono/129808567077779?ref=hl

https://haroldnono.bandcamp.com/

https://soundcloud.com/bearsuitrecords

https://soundcloud.com/haqpeople

email : nono.harold@gmail.com

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Harold Nono - "We're Almost Home" (BS048)

It's a collision of Neu!, John Barry, John Coltrane and My Bloody Valentine, which Joe Meek has collected up and put into one great melting pot.
[Monolith Cocktail]

The tracks swerve into curious realms, carrying static, opera and theremin in their wake. As a result, “We're Almost Home” seems intensely cinematic, with a sense of humour
[A Closer Listen]

What Nono delivers is a brain-bending sonic tempest, with ideas lifted from all corners of the planet.  If you’re curious to take a walk on the weird side, then this comes recommended.
[Aural Aggravation]

Brilliant stuff – off of the irrepressible Bearsuit Records. An excellent LP. Ever evolving is Harold Nono. Wonderful stuff!
[In-Tune]

A kooky, experimental music mix of electronica, synthwave, pop, jazz & rock with cinematic touches. An album that's genuinely different. Really fresh & unusual...
[D. Soulscorch - I Heart Noise]

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Haq - “Evaporator” (BS044)

60s spy theme sexiness merges with the avant-garde dreampop of a bewitched Stereolab playing hopscotch with Delia Derbyshire whilst sucking on the feedback of a JAMC lollipop. This album really is a beautiful work of aural magic and makes for quite a moving experience: maybe there is a God after all.
[Monolith Cocktail] 

It's the weird and wonderful world of Haq... Ballistic beats and floaty mellowness collide, and often, as they explore the space between The Cocteau Twins and the Prodigy and somehow, in their state of dementure, attempt to bridge it by fusion
[Aural Aggravation]

Of course, being Haq there’s always that possibility that things will go south and rattle your expectations and morph into something resembling Captain Beefheart or the Residents crossed with Faust and Einstürzende Neubauten on summer holiday at the beach! [A] challenging listen that encourages to drop the distractions and listen to what music can sound like when it doesn’t follow traditional linear song patterns
[It's Psychedelic Baby Magazine]

It’s a fascinating listen and it comes with the bonus of hope –  that sometimes connections which lead to fresh crops of creativity can still be found...
[Popoptica]

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Harold Nono - "Ideeit" (BS032) 

Absolutely gorgeous stuff! An excellent LP!
[Phil Vickery, In-Tune, BCFM]

Bearsuit mainstay Harold Nono returns – and once again, he’s come up trumps. Nono’s latest effort is as inventive as ever. An intriguing album that is – as you’d reasonably expect from Harold Nono – difficult to place, but a lot easier to dig
[Aural Aggravation]

[‘Tahiik’] a bit of a gem ghosted in shadowy noir trimmings and spy themed mosaics all presided over by brief moments of the kind of sinister edgy chill that recalls Budd and Barry
[The Sunday Experience]

All of these twelve tracks together make up a highly varied album, but it works very well. Nono has crafted an excellent album of moody, orchestral tunes
[Vital Weekly]

The tracks on this album are complex thematically, but yet melodic and accessible. Evoking different moods and textures Nono brings together a master work, worthy of any concert hall 
[Floorshime Zipper Boots]

An absolutely beautiful album, wonderfully orchestrated electronica punctuated by euphoric instrumentals and gorgeously downbeat string passages. An awesomely nuanced Nono masterpiece. 
[Gnomefoam]

Check out @collagedrawing on instagram for more on my creative practices and free improvisation endeavours.

Société Cantine mainly plays synthesizers.
Far too much influenced by the 80s, he makes naive, hectic  and fast music.
You'll take a nap another day... 
-------✂-------✂-------✂-------✂-------✂-------
Je ne sais pas danser.
Même un slow.
Je devrais me laisser aller, juste ressentir.
Mais je m'obstine à marquer le temps fort.
Un vrai robot.
Un robot idiot.
Je danse comme s'il me manquait une jambe.
------✂-------✂-------✂-------✂-------✂-------

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

living in a mostly abandoned home for the belated welfare of submariners, sometimes listening through the walls to all you other submariners

Stories are for Me and You or Brahm's Lullaby

instead of the dead