Anna-Kaisa Meklin (viola da gamba)
Antoine Läng (voice)
Brice Catherin (cello)
Bruno Crochet (electronic)
Christian Müller (clarinet)
Christian Neff (violin)
Christoph Schiller (spinet)
Christophe Berthet (saxophone)
Clara de Asís (guitar)
Cyril Bondi (drums, conduction)
d’incise (organ, electronic)
Eric Ruffing (analog synth)
Fred Minner (bass)
Ivan Verda (guitar)
Jamasp Jhabvala (violin)
Léa Moulet (violin)
Loïc Grobety (double bass)
Luc Müller (drums, percussions)
Mara Winter (flutes)
Maxime Hänsenberger (drums, percussions)
Raphaël Ortis (electronic)
Raphaël Raccuia (guitar)
Rodolphe Loubatière (drums, harmonium)
Sandra Weiss (bassoon)
Steve Buchanan (saxophone)
Tassos Tataroglou (trumpet)
Teresa Hackel (recorders)
Thomas Peter (electronic)
Violeta Motta (traverso)
Vinz Vonlanthen (guitar)
Yukari (flute)

Pieces and direction by
Cyril Bondi & d'incise

Recorded at Insub.studio in three groups/times, september 2020, mixed by d'incise.

Bandcamp

Insub Meta Orchestra "Ten / Sync"

@edv3ctor @joe-gilmore

a guest mix by another founder member of the v3ctor collective, joe gilmore. known for his record sleeve & book designs, joe is an audio artist in his own right too. here he graces us w/ a two hour mix of computer music, electronica & algorithmic abstractions

www.altoradio.live

radio broadcast

social schemata w/ joe gilmore - 05.03.21

Tutti-Soli

produced by : @freretuck
label : @santeloisirs
release date : May7th
link : https://santeloisirs.bandcamp.com/album/portland-expanded-sl12

frere tuck  -  L'eau De La Source

Robe rehearsal 181017

Ecker & Meulyzer “Carbon” (SUB033)

Digital & CD: https://eckermeulyzer.bandcamp.com/album/carbon

Koenraad Ecker and Frederik Meulyzer make their Subtext debut with Carbon. 

Based on field recordings made at Norway’s Svalbard Global Seed Vault, a secure seed bank located on the island of Spitsbergen, Carbon grapples with the many contradictions that lie at the heart of our shift into the capitalocene. The project began in 2017, when Ecker and Meulyzer scored the performance “Frozen Songs,” a commission by Zero Visibility Dance Company led by Ina Christel Johannesen.

The Svalbard Global Seed Vault was conceived of as an effort to preserve copies of seeds from key crop varieties, ensuring their persistence in the event of large-scale crises. Yet the area is warming faster than anywhere else on earth, causing the permafrost to melt and putting the seed vault at risk. 

Across from the Seed Vault lie the decrepit remnants of Svalbard’s mining activities of the early 20th century; Carbon wrestles with the incongruities nestled in the town’s landscape. Reflecting on dissonances of stasis and change, closeness and distance, enclosure and expanse, as well as cynicism and hope, Ecker and Meulyzer consider the urgency of our situation while trying to sidestep all-too popular depictions of dystopia. In Ecker’s own words, “we don’t have the luxury to afford that kind of pessimism.” 

From close, supple sounds to cold, brutal sonics, Carbon meditates on the many challenging questions and contradictions raised by the Seed Vault and its surroundings—a landscape that embodies and makes visible the many intertwined phenomena that shape our current predicament.

Ecker and Meulyzer, formerly known as Stray Dogs, have released works such as Wasteland, recorded in deconsecrated church in Antwerp, and Kalkar, recorded in the cooling tower of a former power station in Germany. 

Koenraad Ecker works in the fields of electro-acoustic music, field recording, radio plays, stage performance and text. Together with Andrea Taeggi, he is part of the Opal Tapes-affiliated duo Lumisokea. His output encompasses studio albums, audiovisual installations, texts, performances, and sound design for film. 

Frederik Meulyzer is a percussionist active in projects including Belgian jazz band Hamster Axis of the One-Click Panther, contemporary music and theatre company Post uit Hessdalen, and experimental psych-krautrock band Slumberland.

The ecological impact of the production of this record will be compensated through a carbon offsetting program .

Ecker & Meulyzer - Growth

Mark Vernon "The Consensus Is To Delete"

MAR051 Mark Vernon "An Annotated Phonography of Chance" LP

order:
https://misanthropicagenda.bigcartel.com/product/mark-vernon-an-annotated-phonography-of-chance

www.misanthropicagenda.com

https://youtu.be/cT23W3UFPHk

An Annotated Phonography of Chance

Mark Vernon "The Consensus Is To Delete"

SIDE 1
Written, performed and recorded by Emma Grace
Mastered and post-produced by Capitano Merletti at Studio Garp, Venice
Produced by Pipapop Records, Artwork album cover by Giorgia Ragnacci.
Upcoming album date February 26th 2020

6 - Funny Nests

"Vessel II (Sparks Of The Sacred)," by Jeremiah M. Carter

All new work by London-based artist Robbie Judkins (Left Hand Cuts off the Right), created on keyboard, zither, field recordings, synthesizer, khene, electric guitar and effects. 

"Being classed as a key worker yet not feeling like one is a strange position to be in. Neither working for the NHS, caring for others, being a shop worker, ensuring safe transport nor providing an essential public service; yet remaining at work during this pandemic has filled me with worry, guilt, anxiety and some stability. These compositions and sketches bring together audio documents created during this time with a yearning for quiet despite a fascination with unavoidable noise." - Robbie Judkins

TR063 - Left Hand Cuts off the Right - 'Awareness Of Failure'

Splinters as a composition has a dream like quality, dark and enigmatic. Electronic noise colours the drone and bubbling soundscapes of a somewhere. Repeating musical phrases mix with recognisable sounds from life - a spoken utterance, a rumbling train. As a listener you drift with the current through misty scenes, on a journey down a river towards some marshland on the edge of an urban sprawl.

Made in response to an invitation from TACO! - an artist space in Thamesmead in South East London - Splinters documents Kate Carr’s relationship with that space, and the area of London it is located in. Over an 18 month period Kate kept a growing sonic diary of her journeys to the space from her home, her construction of work in the gallery, her wanderings around the green spaces and urban architecture, the coming and goings of visitors and the artistic material from other artists and musicians working at the space. This work is a sonic portrait of a time and a place, and the actions and events within it.


Splinters includes audio samples from concerts and exhibitions held at TACO! Featuring material from live sets by Liz Helman, Tom White, Rebecca Lennon, Pouya Ehsaei, Jonathan Higgins and Hannah Dargavel-Leafe, and audio material from the exhibitions Scratch! by George Barber, and Heavy View by Laura Yuile.

Mat Jenner, director, TACO!
--------------------------------------
Mastered by Simon Scott at SPS Mastering.
Design by Louise Mason.
A huge thanks to Liz Helman, Tom White, Rebecca Lennon, Pouya Ehsaei, Jonathan Higgins and Hannah Dargavel-Leafe for permission to use short excerpts of audio material from their wonderful live sets, and to George Barber and Laura Yuile for access to audio from their installations. 
Also massive thanks to Mat Jenner for inviting me to TACO in the first place!

Detritus Clouds from Splinters out Sept 3

_ph013 Aloïs Yang - Sonic Animism - Post Emergence Studies 1

INSUB. is a label, a netlabel and a concert organisation based in Geneva, CH.
It covers the fields of experimental, electroacoustic, improvised & composed musics.
The Records section, started in 2013, has the from of Pay Per Download only releases, accompanied by a physical print containing textes, scores, etc, thought has an echo, or a reminder, of the digitalised music.
The netlabel offers free download for every releases, but some are however available in classical physical format (cd, cdr, LP).
The concerts happens here and there in Geneva, and the Insub Meta Orchestra is a very large ensemble.
These activities has been develloped since 2006, formely under the « Insubordinations » label.

Tutti-Soli

INSUB. records

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