https://comaclustervoid.bandcamp.com/track/mind-cemeteries-2
01:38ff.

chorus melody of the song "mind cemeteries"

Praised for her equally fierce and bold dramatic performance style, Sylvia Hinz is one of the leading recorder players worldwide, specialized in contemporary music and improvisation. #RecorderPower
Besides working as a classical trained musician, she is part of the industrial project Catenation and bass player & vocalist in dissonant-tech-death-metal band Coma Cluster Void. in her spare time, Sylvia likes to #SmashThePatriarchy.
https://soundcloud.com/sylviahinz
www.sylviahinz.com
http://sylviahinz.bandcamp.com
Sign up for Sylvia's newsletter here: http://eepurl.com/gFUp3D

TRACKLIST:
1. Fuck the Patriarchy by Offering in Spite
2. noisebonus16 by del_f64
3. Room 02 (Deep Wounds) by Catenation
4. Controvento by Marie Rose Sarri
5. Alexithymia by Sarkha
6. Dosage (Demo Version) by Holidaywife
7. Air Voice by Pillar Of Garbage
8. windserie 13 by Sylvia Hinz
9. Escape At Bedtime by Marie Wilhelmine Anders
10. Iota by Jomoon
11. Inductive Encounter by Steffi Baron-Neuhuber
12. Zami by Moor Mother
13. Channel Z by Zustand D.
14. Erschiessen by Ideal

f:p podcast episode 90_Sylvia Hinz

The Loneliness of the Rusted Things
For flute, oboe, clarinet, violin, viola and cello.
Premiered by Riot Ensemble at Crossroads International Contemporary Music Festival. Salzburg, 2021.
Unofficial recording of a rehearsal.
Photograph by Fabian Schober.

The Loneliness of the Rusted Things (2020) [Rehearsal] | Michele Abondano

"ashes on my tongue" by Jeanne Artemis, performed by Hashtag Ensemble:
Lilianna Krych - Conductor
Aleksandra Demowska-Madejska - Viola
Adam Eljasiński - Bass Clarinet
Paweł Janas - Accordion
Ania Karpowicz - Flute
Magdalena Kordylasińska-Pękala - Percussion
Mateusz Loska - Double Bass
Marta Piórkowska - Violin
Dominik Płociński - Violoncello
Wojciech Psiuk - Baritone Saxophone

Composed during the Virtual Partner Residency with Hashtag Ensemble supported by the Goethe Institut

"Ashes On My Tongue" (performed By Hashtag Ensemble)

Pastille sonore composée, interprétée et enregistrée par Sylvia Hinz suite à sa journée passée à La Maison Jaune, magasin de décoration, d'art de la table et parfumerie.

Pastille 25 : Casa Amarilla, de Sylvia Hinz > La Maison Jaune, magasin de décoration et parfumerie

Jeanne Artemis - Sketches for Hardware Synths III. (4 sketches)

Score Video: https://www.youtube.com/watch?v=FrU98tcRs6U

Jeanne Artemis Strieder - for my being, I am (2019 version)
Performed by Nilper Orchestra, Conductor: Navid Gohari
World Premiere at the 4th Tehran International Contemporary Music Festival
@ Roudaki Hall, Tehran, Iran, June 2019

The piece is orchestrated to have an “outer ring” and an “inner ring”.
The top half of the score is the inner ring on the front.
The bottom half of the score is the outer ring on the back.
Each voice is composed as an individual.

"for my being, I am" (2019 version) for String Orchestra (performed by Nilper Orchestra)

World Premiere recording by Sylvia Hinz. Online live concert. 13th February 2021. I realitätsverschwinden solo

Score published by Composers Edition: https://composersedition.com/marc-yeats-pneuma/

'pnuema' is full of cross-references, development and variants of its material held together by a fabric of rhythmic units permeating the work as a whole. It was conceived and should be performed as a stream of consciousness; a single seldom interrupted flow of ideas constantly in a state of flux and regeneration; detailed, colourful and frequently explosive.

Pneuma, ‘air in motion, breath, wind’, is equivalent in the material monism of Anaximenes to aer (ἀήρ, ‘air’) as the element from which all else originated. This usage is the earliest extant occurrence of the term in philosophy. A quotation from Anaximenes observes that ‘just as our soul (psyche), being air (aer), holds us together, so do breath (pneuma) and air (aer) encompass the whole world.’ In this early usage, aer and pneuma are synonymous.

Wikipedia

Duration: circa 12 minutes.

Pneuma (2020) For Paetzold Double Bass Recorder

'We no longer sleep in the wind', for solo Paetzold double bass recorder (2020), written very especially for Sylvia Hinz.

Recording of the premiere, February 13th, 2021.
Performed by Sylvia Hinz.

About the piece: https://micheleabondano.com/2020/03/24/we-no-longer-sleep-in-the-wind/

Photography of Sylvia Hinz at the CTM hacklab finale 2020.

We no longer sleep in the wind (2020) | Michele Abondano

Jeanne Artemis [ʒan ɑrteːmɪs] is a composer based in Berlin, Germany.
The purpose of her work is to create solace and compassion for the invisible suffering of the many and the few. The results are individual aural bodies that seek connection with those who experience darkness.
The origins for her musical mind were found by her at an early age in the european modernism, the achievements of cultures outside of europe and the innovative forms of the underground music scenes.
She has received scholarships from the Goethe Institute, the Berlin Senate Department for Culture and Europe, Musikfonds e.V., Neustart Kultur and Deutscher Musikrat among others. A portrait was published in the "Neue Zeitschrift für Musik" (issue #2_2021).
Her music is performed around the world, in e.g. Argentina, Brazil, Canada, Chile, Colombia, Denmark, Finland, Germany, Greece, Iceland, Iran, Italy, Mexico, Sweden, United Kingdom and USA.

"for my being, I am" (2019 version) for String Orchestra (performed by Nilper Orchestra)

Jeanne Artemis

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