I'm a ardent fan of Fela Kuti, afrobeat, and African music in general. So, when I found I was able to create this beat, I just sat down and got out everything I've always wanted to say on an afrobeat song. This is just the first of several, though, I hope.

6 hours ahead

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

I have always loved music. I learnt piano as a child and have dabbled with guitar without ever learning it ... until now! I have been in choirs most of my life but have not really delved into making music until the last few years. After initially playing around with Garage Band, I moved on to Logic Pro and that's how nearly all of my music has been produced.

I use digital software, guitar and keyboards to produce my original music. I compose and edit using Logic Pro. Other people's vocals or collaborative vocals for any track really are very welcome! 

I love the interaction on Soundcloud and the comments from other musicians and composers are so helpful and supportive. Keep making music everyone!

If you like the artwork on many of these tracks, please visit www.summerlandsart.co.uk

Guitarist, multi-genre composer, keyboard & bass player (mostly self-taught). Music librarian and philosopher.
Music is new dimension of life.
“That is an artist as I love artists, modest in his needs: he really wants only two things, his bread and his art - panem et Circen.”
― Friedrich Nietzsche, Twilight of the Idols

Composer/Songwriter. Proficient performer of piano, bass guitar, double bass, cello, 6 string , 12 string , drums, triangle (shall I include tambourine too?🤣), vocals, lyrics. 99% of the tracks on this page are original songs. None of my performances on any of my tracks, whether solo work, or collaboration, have any editing whatsoever. Effects and equalization? Of course! But no editing, no software, etc. Quite a substantial amount of these tracks are with The Eclectic Collective. We are like family and have been playing together on a daily basis since approximately March of 2022 as the Eclectic Collective. Before the band bore it's name Eclectic Collective; Josh, Ken, Stephen, Tez, and  CG Maness were doing some occasional collabs. At any given time we are all simultaneously working on about 15 different songs. And when we feel they are done cooking in the oven we release them.  We release a song every week on Fridays at 4AM UTC

Members of The Eclectic Collective :
The Beautiful Dark 
Entheogenic Psychonaught (Josh Clary)
J.J. Terrell
Llanpsych
K2 and the Three [and the Four]
TexMex Shaman
Mistermark

Composer and Media Producer from Kent, Ohio, USA.  Has released works as Xyst, Sonoxia, and JeffRay for Hypaethral Productions, Pearls Before Swine, and Mesa Publishing. Now focused on creating mostly instrumental music for video, tv, games and motion picture scores. 

Although the thumbnails are created using Dall-E or Stable Diffusion, NO AI WAS USED TO CREATE ANY MUSICAL COMPONENTS. 
_______________________________
There are far too many people to thank, but I'm going to try: 

FIRST AND FOREMOST: 
Image-Line's FL Studio DAW
https://www.image-line.com/
https://soundcloud.com/fl-studio

I cannot begin to express how much this software helped me find my musical voice. (Image-line has not paid me anything for my endorsement.) Buy it once and get lifetime unlimited upgrades. I've used it since 1999 and since then, they've introduced dozens of new synths and effects I received for free. It just keeps on giving. I absolutely love FL Studio because of it's step sequencer core, beautiful interfaces, ease of use, robust help, versatility and incredible sound quality. 

_______________________________
I'll be cycling through a list of FAVORITE SOUNDCLOUD ARTISTS here. So many incredible musicians worth mentioning...

Entheogenic Psychonaught (Josh Clary) 
https://soundcloud.com/josh-clary-1

Thrillmonkey
https://soundcloud.com/thrillmonkey

FlexHead
https://soundcloud.com/flexheadfunk

Seiso Sanshu
https://soundcloud.com/sanshu-seiso

AnandaTuk
https://soundcloud.com/user-11396379

Ni!
https://soundcloud.com/ni-ni-shrubbery

Earnest Woodall
https://soundcloud.com/user-235089528

Werner
https://soundcloud.com/wejfi

Frans Beelaard
https://soundcloud.com/user-936947521

Fabiano Matiolla
https://soundcloud.com/fabianomatiolla

Shaddenhook
https://soundcloud.com/schaddenhook
_______________________________
If you follow me and haven't heard from me recently, send a message. There is so much great music out here, it sometimes take a while to get back and listen to the wonderful stuff you are all making.

Scotty. (almost) everywhere. Hasty home recordings in between realities while the children are (sometimes) quiet or at their mom's.

follow me on :
www.youtube.com/@Blaffy91


👽  👽  👽
  👽   👽

https://www.mixcloud.com/trancylvania
@trancylvaniaCH

👽 Only music 👽


👽 Only music 👽

Howdy,

Welcome to TBD.

All these creations are made by hard work and years upon years upon years of practice and trying to explain this world and the human condition to myself in the process through poems & songs.

Thanks for all of your wonderful support.

Peace and Love to Everyone,

Carl Culliton

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

6 hours ahead

Entheogenic Psychonaut (Josh Clary)